The Erfurt Collection of Cinema Studies:
Short-Title Catalogue 1997

  1. Aaronson, Charles S. (ed.).
    International Motion Picture Almanac 1967.
    New York: Quigley Publications, 1966.

  2. Ackland, Rodney and Elspeth Grant.
    The Celluloid Mistress or The Custard Pie of Dr. Caligari.
    London: Allan Wingate, 1954.

  3. Adler, Renata.
    A Year in the Dark. Journal of a film critic 1968-69.
    New York: Random House, 1969.

  4. Agate, James.
    Around Cinema. (Second series).
    Amsterdam: Home & Van Thal, 1948.

  5. L'âge du cinéma. Revue d'art cinématographique. Numéro 4-5, 1951.
    Paris: Adonis Kyrou, 1951.

  6. L'âge nouveau. Idées lettres et arts. No. 93: Devenir du cinéma.
    Paris:L'Age Nouveau, 1955.

  7. Agel, Henri.
    Le cinéma.
    Tournai, Paris: Casterman, 1954.

  8. Agel, Henri.
    Le cinéma a-t-il une âme?
    Paris: Editions du Cerf, 1952.

  9. Agel, Henri.
    Le cinéma et le sacré. Postface par M. l'Abbé and A. Ayfre.
    Paris: Editions du Cerf, 1953.

  10. Agel, Henri.
    Esthétique du cinéma.
    Paris: Presses Universitaires de France, 1957.

  11. Agel, Henri.
    Les grands cinéastes.
    Paris: Editions Universitaires, 1959.

  12. Agel, Henri.
    Les grands cinéastes. Que je propose.
    Paris: Editions du Cerf, 1967.

  13. Agel, Henri, Freddy Buache, Pierre Kast et al.
    Du cinématographe au septième art. Cinq conférences données a l'Université de Genève. Le cinéma muet. Le cinéma sonore. Réalisateur et réalisation. Géographie du cinéma . Langage et style cinématographiques.
    Lausanne: Cinémathèque Suisse, 1959.

  14. Agel, Henri and Geneviève.
    Voyage dans le cinéma.
    N.p.: Castermann, 1962.

  15. Aguirre, Javier.
    Anti-cine. Apuntespara una Teoria.
    Madrid: Editorial Fundamentos 1972.

  16. Ajame, Pierre.
    Les critiques de cinéma.
    Paris: Flammarion, 1967. -

  17. Aktery sarubjeschnowo kino. Brigitte Bardot, Eva-Ruttkau etc.
    Moskwa: Iskusstwo, 1965.

  18. Albertson, Lillian.
    Motion Picture Acting.
    New York: Funk & Wagnalls, 1947.

  19. Alcover, N. and Angel A. Perez Gomez.
    Hallazgos falacias y mixtificaciones del cine de los '70.
    Bilbao: Mensajero, 1975.

  20. Alicoate, Jack.(ed.).
    The 1934 Film Daily Year Book of Motion Pictures.
    New York: Film Daily, 1934.

  21. Allan, Angela and Elkan.
    The Sunday Times Guide to Movies on Television. Foreword by Dilys Powell.
    London: Times Newspapers Limited, 1973.

  22. Almanach cinémonde 1953.
    Paris: Presse Cinématographique, 1952.

  23. Almanach cinémonde 1954.
    Paris: S.T.A.C., 1953.

  24. Aloguin, Maria Antónia, Josep Enric Monterde and Esteve Riambau.
    Antologia de textos i manifestes cinematogràfics. Vol. 1: Dels inicis al neorrealisme.
    Mataró: Editcions Robrenyo, 1978.

  25. Altenloh, Emilie.
    Zur Soziologie des Kino. Die Kino-Unternehmung und die sozialen
    Schichten ihrer Besucher.
    Jena: Eugen Diederichs, 1914.

  26. Amelio, Ralph J., Anita Owen and Susan Schaefer.
    Willibrook Cinema Story Project.
    Dayton: Geo A. Pflaum Publishers, 1970.

  27. L'amour de l'art. Revue d'art. Nouvelle série nos. 37-39: Cinéma.
    Paris: Société des Publications Périodiques de l'I.P.D., 1949.

  28. Anderson, Lindsay (ed.).
    Making a Film. The story of "Secret People".
    Together with the shooting script of the film by Thorold Dickinson and Wolfgang Wilhelm.
    London: George Allen and Unwin, 1952.

  29. Anglo, Michael.
    Nostalgia Spotlight on the Fifties.
    London: Jupiter Books, 1977.

  30. Annan, David.
    Cinefantastic. Beyond the dream machine.
    London: Lorrimer Publishing, 1974.

  31. 40° Anniversario della cinematografia (1895 - 1935).
    Roma: Sottosegretariato di Stato per la Stampa e la Propaganda-Direzione Generale per la Cinematografia, 1935.

  32. Anstey, Edgarp Roger Manvell, Ernest Lindgren et al. (eds.).
    Shots in the Dark.A collection of reviewers' opinions of some of the leading films released between January 1949 and February 1951.
    London: Allan Wingate for the British Branch of The International Federation of Film Critics, 1951.

  33. Anthologie du cinéma. Tome II - IV.
    Paris: L'Avant-Scène, 1967-1968.

  34. Argangen, Första.
    Smalfilm 63. Arsbok för amatör-, industri- och undervisningsfilm.
    Stockholm, Nordisk Rotogravyr, 1962.

  35. Aristarco, Guido.
    L'arte del film. Antologia, storico, critica.
    Milano, Roma: Bompiani, 1950.

  36. Arlaud, Rodolphe-Maurice.
    Cinéma-bouffe. Le cinéma et ses gens.
    Paris: Jacques Melot, 1945.

  37. Arnau, Frank (ed.).
    Universal Filmlexikon. Universal Film Lexicon.Lexique Universel du Film. 1933.
    Berlin: Universal Filmlexikon, London: London General Press, Paris: Direction Générale pour la France, 1933.

  38. Arnheim, Rudolf.
    Film als Kunst.
    Berlin: Ernst Rowohlt, 1932.

  39. Arnheim, Rudolf.
    Film as Art.
    Berkeley, Los Angeles: University of California Press, 1957.

  40. Arnoux, Alexandre.
    Du muet au parlant. Mémoires d'un témoin.
    Paris: La Nouvelle Edition, 1945.

  41. Artel, Linda J. and Kathleen, Weaver (eds.).
    Film Programmer's Guide to 16mm Rentals.
    San Francisco: San Francisco Community Press, 1972.

  42. Artsept. No. 1: Un cinéma réel.
    Lyon: Librairie La Proue, 1963.

  43. Artsept. No. 2: Le cinéma et la vérité.
    Lyon: Librairie La Proue, 1963. .

  44. Ashford, Gerald.
    Everyday Publicity: A Practical Guide
    New York: Law-Arts Publishers, 1970.

  45. Astre, G.-A., C. Gauteur and M. Mourlet.
    Cinéma et roman. Eléments d'appréciation.
    I - Les deux langages. II - Problèmes de l'adaption. III - Echanges et convergences.
    Paris: Lettres Modernes, 1958.

  46. Audiberti, Jacques, Marcel Brion, Paul Roques et al.
    Baroque et cinéma.
    Paris: M.J.Minard, 1960.

  47. Aumont, Jean-Pierre.
    Souvenirs provisoires.
    Paris: René Julliard, 1957.

  48. Auriol, G.-A., Jean-Louis Bouquet, Charles Burguet et al.
    Le cinéma des origines a nos jours. Préface de Henri Fescourt.
    Paris: Editions du Cygne, 1932. .

  49. Ayfre, Amédée.
    Conversion aux images? Les images et dieu. Les images et l'homme.
    Paris, Editions du Cerf, 1964.

  50. Aznar, José Camón.
    La cinematografia y las artes.
    Madrid: Instituto Diego Velazquez, 1952.

  51. Baddeley, H.
    How to Edit. Amateur Films.
    London, New York: Focal Press, 1951.

  52. Baddeley, Hugh W.
    The Technique of Documentary Film Production.
    With a preface by Paul Rotha.
    London, New York: Focal Press, 1963.

  53. Bächlin, Peter.
    Der Film als Ware.
    Basel: Burg-Verlag, 1945.

  54. Bächlin, Peter.
    Histoire économique du cinéma. Introduction et traduction Française de Muller-Strauss.
    Paris: La Nouvelle Edition, 1947.

  55. Bächlin, Peter and Maurice Muller-Strauss.
    La presse filmée dans le monde.
    Paris: Unesco, 1951.

  56. Bagier, Guido.
    Der kommende Film. Eine Abrechnung und eine Hoffnung.Was war? Was ist? Was wird?
    Stuttgart, Berlin, Leipzig: Deutsche Verlags-Anstalt, 1928.

  57. Bagier, Guido.
    Das tönende Licht. Roman. Die Schilderung einiger seltsamer Begebenheiten seit der Erfindung der Kinematographie, unter Verwendung wichtiger und unbekannter Dokumente.
    Berlin-Wilmersdorf: August Gross, 1943.

  58. Bailyn, Lotte.
    Mass Media and Children: A Study of Exposure Habits and Cognitive Effects.
    Washington: American Psychological Association, 1959.

  59. Balázs, Béla.
    Der Film. Werden und Wesen einer neuen Kunst.
    Wien: Globus-Verlag, 1949.

  60. Balázs, Béla.
    Der Geist des Films.
    Halle. Wilhelm Knapp, 1930.

  61. Balázs, Béla.
    Widimyi tschelowek. (Der sichtbare Mensch).
    Otscherki dramatyrgii filma. Perewod s nemezkowo K.I. Schutko.
    Pog redakziej i s predislowiem B.M. Blumenfelda.
    Moskwa: Wserossiiskii Proletkult, 1925.

  62. Balcon, Michael.
    Film Production and Management.
    London, British Institute of Management, 1950.

  63. Balcon, Michael.
    Michael Balcon Presents ... A Lifetime of Films.
    London: Hutchinson, 1969.

  64. Baldelli, Pio, Galvano Della Volpe etc.
    Problemas del nuevo cine. Selección y prólogo de Manuel Pérez Estremera.
    Madrid: El Libro de Bolsillo Alianza Editorial, 1971.

  65. Barbaro, Umberto.
    Soggetto e sceneggiatura.
    Roma, Edizioni dell'Ateneo, 1947.

  66. Barbour, Alan G.
    Days of Thrills and Adventure. An affectionate pictorial history of the movie serial ...
    from the heydays of the 1930s & '40s to the final curtain call in the mid '50s...
    from Ace Drummond to Zorro.
    London: Collier-Macmillan, 1970.

  67. Barbour, Alan G.
    The Wonderful World of B-Films.
    Kew Gardens: Screen Facts Press, 1968.

  68. Bardèche, Maurice and Robert Brasillach.
    Histoire du cinéma. 2 vols.
    Paris: André Martel, 1953-1954.

  69. Bardèche, Maurice and Robert Brasillach.
    The History of Motion Pictures. Translated and edited by Iris Barry.
    New York: W.W. Norton & Company and The Museum of Modern Art, 1938.

  70. Bardem, Juan Antonio.
    Comicos. Con un prólogo de Jorge Torras.
    Barcelona: Aymá S.A. Editora, 1964.

  71. Barjavel, René.
    Cinéma total. Essay sur les formes futures du cinéma.
    Paris, Editions Denoël, 1944.

  72. Barnouw, Erik.
    Documentary. A history of the non-fiction film.
    New York: Oxford University Press, 1974.

  73. Barnouw, Erik.
    Mass Communication. Television, Radio, Film, Press. The media and their practice in the United States of America.
    New York, Toronto: Rinehart & Company, 1956.

  74. Barnouw, Erik and S. Krishnaswamy.
    Indian Film.
    New York, London: Columbia University Press, 1963.

  75. Barsacq, Léon.
    Caligari's Cabinet and Other Grand Illusions. A history of film design.
    Revised and edited by Elliott Stein. Foreword by Renö Clair.
    New York, London, Scarborough: New American Library, 1978.

  76. Barsacq, Léon.
    Le décor de film. Préface de René Clair. Histoire, technique, esthétique etc.
    Paris: Seghers, 1970.

  77. Barsam, Richard Meran.
    In the Dark. A primer for the movies.
    New York: Viking Press, 1977.

  78. Barsam, Richard Meran.
    Nonfiction Film. A critical history. Foreword by Richard Dyer MacCann.
    New York: E.P.Dutton & Co., 1973.

  79. Barton, J.
    Animating for Fun and Analysis of the Species.
    London: Stockbook Company, 1957.

  80. Bartosch, Georg M. and Robert Backheuer.
    Handbuch für den Filmtheaterbesitzer 1952.
    Wiesbaden: Zentralverband der Deutschen Filmtheater e.V., 1952.

  81. Bataille, Maurice-Robert and Claude Veillot.
    Caméras sous le soleil.
    Alger, 1956.

  82. Battison, John H.
    Movies for TV.
    New York: Macmillan Company, 1950.

  83. Batty, Linda.
    Retrospective Index to Film Periodicals 1930-1971.
    New York, London: R.R.Bowker Company, 1975.

  84. Batz, Jean-Claude.
    A propos de la crise de l'industrie du cinéma.
    Bruxelles: Etudes du Centre National de Sociologie du Travail,
    Section "Loisir et culture modernes", Université Libre de Bruxelles, 1963.

  85. Bawden, Liz-Anne (ed.).
    rororo Filmlexikon.
    Filmbeispiele, Genres, Länder, Institutionen, Technik, Theorie,
    Regisseure, Schauspieler, Kameraleute, Produzenten, Autoren.     6 vols.
    Reinbek: Rowohlt, 1978.

  86. Baxter, John.
    The Australian Cinema.
    Sydney, London, Melbourne etc.: Pacific Books, 1970.

  87. Bayer, William.
    The Great Movies.
    London, New York, Toronto etc.: Ridge Press Book, Hamlyn, 1973.

  88. Bazin, André.
    Qu'est-ce que le cinéma ?, 4 vols.
    Paris: Editions du Cerf, 1958, 1962.

  89. Bazin, André.
    What is Cinema? Essays selected and transl. by Hugh Gray, 2 vols.
    Berkeley and Los Angeles: University of California Press, 1967-1971.

  90. Bazin, A, J. Doniol-Valcroze, G. Lambert etc.
    Cinéma 53. A travers le monde.
    Paris: Editions du Cerf, 1954.

  91. Beaume, Georges.
    Vedettes sans Maquillage.
    Paris: La Table Ronde, 1954.

  92. Bellingroth, Friedhelm.
    Triebwirkung des Films auf Jugendliche.
    Einführung in die analytische Filmpsychologie auf Grund experimenteller
    Analysen kollektiver Triebprozesse im Filmerleben.
    Bern, Stuttgart: Hans Huber, 1958.

  93. Bellone, Julius (ed.).
    Renaissance of the Film.
    London: Collier-Macmillan, 1970.

  94. Besonders wertvoll. Die in der Zeit vom 1.2.1956 bis 31.1.1959
    mit dem Prädikat "Besonders wertvoll" ausgezeichneten kurzen und
    abendfüllenden Kultur-, Dokumentar-, Lehr- und Jugendfilme.
    Wiesbaden-Biebrich: Filmbewertungsstelle Wiesbaden, 1960

  95. Besonders wertvoll. Spielfilme.
    Wiesbaden-Biebrich: Filmbewertungsstelle Wiesbaden, 1963.

  96. Bellour, Raymond and Jean-Jacques Brochier.
    Dictionnaire du cinéma. Liminaire de Carl Th. Dreyer.
    Paris: Editions Universitaires, 1966.

  97. Benayoun, Robert.
    Le dessin animé après Walt Disney.
    Paris: J.-J. Pauvert, 1961.

  98. Benoit-Lévy, Jean.
    Les grandes missions du cinéma.
    Montréal: Lucien Parizeau & Cie, 1945.

  99. BR> Berthomieu, André.
    Essay de grammaire cinématographie. Préface de Muller-Strauss.
    Paris: La Nouvelle Edition, 1946.

  100. Bessy, Maurice.
    Histoire en 1000 images du cinéma.
    Paris: Pont Royal, 1962.

  101. Bessy, Maurice.
    Les truquages au cinéma. Préface d'Orson Welles. Recherches et documentation d'hervé le boterf.
    Paris: Editions Prisma, 1951.

  102. Bessy, Maurice and Jean-Louis Chardans.
    Dictionnaire du cinéma et de la télévision. 4 vols.
    Paris: Jean-Jacques Pauvert, 1965-1971.

  103. Better Movies in Minutes. New movies without movie lights.
    Rochester: Eastman Kodak Company, 1972.

  104. Betti, Liliana, Ornella Volta and Bernadino Zapponi.
    Tre passi nel delirio di F. Fellini, L. Malle, R. Vadim.
    Bologna: Cappelli, 1968.

  105. Beyfuss, E. and A. Kossowsky (ed.).
    Das Kulturfilmbuch.
    Berlin: Carl P. Chryselius'scher Verlag, 1924.

  106. Billard, Pierre.
    Vamps.
    Levallois: Société d'Editions R.T.M., 1958.

  107. Bird, John H.
    Cinema Parade. Fifty years of film shows.
    Birmingham: Cornish Brothers, 1947.

  108. Blakeston, Oswell.
    How to Script. Amateur Films. Introduced by Paul Rotha.
    London, New York: Focal Press, 1949.

  109. Blakeston, Oswell (ed.).
    Working for the Films.
    London, New York: Focal Press, 1947.

  110. Bluestone, George.
    Novels into Film.
    Baltimore: Johns Hopkins Press, 1957.

  111. Blum, Daniel.
    A Pictorial History of the Silent Screen.
    New York: G. P. Putnam's Sons, 1953.

  112. Blum, Daniel.
    A Pictorial History of the Talkies.
    New York, G.P.Putnam's Sons, 1958.

  113. Blum, Daniel.
    A Pictorial History of the Talkies. Revised by John Kobal.
    New York: Spring Books, 1968.

  114. Blumer, Herbert and Philip M. Hauser.
    Movies, Delinquency, and Crime.
    New York: Macmillan, 1933.

  115. Bobker, Lee R.
    Elements of Film.
    New York, Chicago, San Francisco etc.: Harcourt, Brace & World, 1969.

  116. Bode, Walter.
    Das kleine Filmlexikon. Ein Taschenbuch über das gesamte Filmwesen.
    Frankfurt, Wien, Humboldt-Verlag, 1954.

  117. Bohn, Thomas W., Richard L. Stromgren and Daniel H. Johnson.
    Light and Shadows. A history of motion pictures.
    New York: Alfred Publishers, 1975.

  118. Börge, Vagn.
    Weltmacht Film. Das geistige Gesicht einer neuen Kunst.
    Wien, Austria-Edition, 1960.

  119. Bolen, Francis.
    Films on Art. Panorama 1953.
    In collaboration with the International Art Film Federation and Denis Forman.
    Paris: United Nations, Educational, Scientific and Cultural Organisation, 1953.

  120. Bollman, Gladys and Henry.
    Motion Pictures for Community Needs. A practical manual of information
    and suggestion for educational religious and social work.
    New York: Henry Holt and Company, 1922.

  121. Boost, C.
    Film.
    Amsterdam: Contact, n.d.

  122. Boudjedra, Rachid.
    Naissance du cinéma algérien.
    Paris: Frangois Maspero, 1971.

  123. Boussinot, Roger.
    L'encyclopédie du cinéma.
    Paris: Bordas, 1967.

  124. Bovay, George-Michel.
    Cinéma un oeil ouvert sur le monde.
    Lausanne: la Guide du Livre, 1952.

  125. Boy's-Cinema Annual 1950.
    London: Fleetway House, 1950.

  126. Braak, Menno ter.
    De absolute film.
    Rotterdam: W.L. en J. Brusse's Uitgeversmaatschappij, 1931.

  127. Brakhage.
    Metaphors on Vision.
    Edited with an introduction by P. Adams Sitney.
    N.p.: Film Culture, 1963.

  128. Brazier, Marion Howard.
    Stage and Screen.
    Boston: M.H. Brazier Publisher, 1920.

  129. Brodbeck, Emil E.
    Handbook of Basic Motionpicture Techniques.
    New York, London, Toronto: McGraw-Hill Book Company, 1950.

  130. Brode, Douglas.
    The Film of the Fifties. Sunset Boulevard to On the Beach.
    Secaucus: Citadel Press, 1976.

  131. Brosnan, John.
    Movie Magic. The story of special effects in the cinema.
    London: Macdonald, 1974.

  132. Brown, Ben W.
    Theatre at the Left.
    Providence: Bear Press, 1938.

  133. Bruckberger, R.-L.
    Lettre sur le cinéma et le trésor mystique de l'église.
    Paris: Bruckberger, 1960.

  134. Brüne, Klaus (ed.).
    Filmanalysen 1. Eine Auswahl für die Jugendarbeit.
    Düsseldorf: Verlag Haus Altenberg, 1961.

  135. Brumagne, Marie-Magdeleine.
    Jeune cinéma tchécoslovaque.
    Lyon: Serdoc, 1969.

  136. Brunel, Adrian.
    Film Script. The technique of writing for the screen.
    London: Burke Publishing Company, 1948.

  137. Brusendorff, Ove.
    Filmen. Dens Navne og Historie. 3 vols. in 5 units.
    Kobenhavn: Universal-Forlaget, 1940.

  138. Buchanan, Andrew.
    Film and the Future.
    London: George Allen and Unwin, 1945.

  139. Buchanan, Andrew.
    Film-Making from Script to Screen.
    London: Phoenix House, 1951.

  140. Bucher, Edmund and Albrecht Kindt (eds.).
    Film-Photos wie noch nie.
    Giessen: Kindt & Bucher Verlag, 1929.

  141. Buchner, Hans.
    Im Banne des Films. Die Weltherrschaft des Kinos.
    München: Deutscher Volksverlag Dr. E. Boepple, 1927.

  142. Bunte Film Bilder.
    Dresden: Cigaretten-Bilderdienst, 1936.

  143. Burch, Noël.
    Praxis del cine.
    Madrid,: Editorial Fundamentos, 1972.

  144. Burch, Noël.
    Theory of Film Practice. Translated by Helen R. Lane.
    Introduction by Annette Michelson.
    London: Secker & Warburg, 1973.

  145. Burder, John.
    The Technique of Editing 16 mm. Films.
    New York: Hastings House, 1971.

  146. Butler, Ivan.
    The Making of Feature Films. A guide.
    Harmondsworth: Penguin Books, 1971.

  147. Butler, Ivan.
    Religion in the Cinema.
    New York: A.S. Barnes & Co.; London, A. Zwemmer, 1969.

  148. Butler, Ivan.
    Silent Magic. Rediscovering the silent film era.
    Foreword by Kevin Brownlow.
    London: Columbus Books, 1987.

  149. Butler, Ivan.
    The War Film.
    South Brunswick, N.Y.: A.S.Barnes and Company; London: Tantivy Press, 1974.

  150. Calendoli, Giovanni.
    L'Attore. Storia di un arte.
    Roma: Edizioni dell'Ateneo, 1959.

  151. Callenbach, Ernest.
    Our Modern Art, the Movies.
    Chicago: Center for the Study of Liberal Education for Adults, 1955.

  152. Cameron, Ian, Jean Chabot, Michel Ciment etc.
    Second Wave.
    London: Studio Vista, 1970.

  153. Cameron, James R.
    Motion Picture Projection. An elementary text book.
    New York: Technical Book Company, 1922.

  154. Cameron, James R.
    Motion Picture Projection and Sound Pictures. Introduction by Alfred N. Goldsmith.
    Woodmont: Cameron Publishing Company, 1933.

  155. Cameron, Ken.
    Sound and the Documentary Film. With a foreword by Cavalcanti.
    London: Isaac Pitman & Sons, 1947.

  156. Campell, Russell (ed.).
    Photographic Theory for the Motion Picture Cameraman.
    London: A. Zwemmer; New York: A.S. Barnes & Co., 1970.

  157. Campell, Russell (ed.).
    Practical Motion Picture Photography. Introduction by Walter Lassally.
    London: A. Zwemmer; New York: A.S. Barnes & Co., 1970.

  158. Cantril, Hadley.
    The Invasion from Mars. A study in the psychology of panic. With the complete script of the famous Orson Welles broadcast.
    Princeton: Princeton University Press, 1947.

  159. Caparrós Lera, José Ma.
    El cine politico. Visto después del franquismo.
    Barcelona: Dopesa, 1978.

  160. Carey, Gary.
    Lost Films.
    New York: Museum of Modern Art, 1970.

  161. Carnelutti, Francesco.
    Nouvelles reflexions sur la cinématographie et la civilisation.
    Venezia: Fondazione Giorgio Cini, 1959.

  162. Carrick, Edward.
    Designing for Films.
    London, New York: Studio Publications, 1949.

  163. Carson, Robert.
    The Magic Lantern.
    New York: Henry Holt and Company, 1952.

  164. Cary, John.
    Spectacular! The story of epic films. Edited by John Kobal.
    London, New York, Sydney etc.: Hamlyn, 1974.

  165. Casas, F. Vizcaino.
    Celuloide casi virgen.
    Madrid: Ediciones Espejo, 1970.

  166. Cayrol, Jean and Claude Durand.
    Le droit de regard.
    Paris: Editions du Seuil, 1963.

  167. Cendrars, Blaise.
    L'ABC du cinéma.
    Paris: Ecrivains Réunis, 1926.

  168. Ceram, C. W.
    Eine Archäologie des Kinos.
    Reinbek: Rowohlt Verlag, 1965.

  169. Ceram, C. W.
    Archaeology of the Cinema.
    New York: Harcourt, Brace & World, n.d.

  170. Chapman, William McK. (ed.).
    Films on Art 1952.
    New York: American Federation of Arts in association with The Spaeth Foundation, 1952.

  171. Charensol, Georges.
    Le cinéma.
    Avec la collaboration de Raymond Barkan, Maurice Bessy, Pierre Boyer etc.
    Paris: Librairie Larousse, 1966.

  172. Charensol, Georges.
    Panorama du cinéma.
    Paris: Editions Kra, 1930.

  173. Charensol, Goerges.
    Panorama du cinéma.
    Paris: Jacques Melot, 1947.

  174. Chauvet, Louis, Jean Fayard and Pierre Mazars.
    Le cinéma à travers le monde.
    Paris: Hachette, 1961.

  175. Chenal, Pierre.
    Drames sur celluloid.
    Paris: Les Perspectives, 1929.

  176. Chevalier, Denys.
    J'aime le dessin animé.
    Paris: Editions Denoël, 1962.

  177. Chevalier, Jacques.
    Regards neufs sur le cinéma.
    Paris, Editions du Seuil, 1953.

  178. Chiarini, Luigi.
    Art i tècnica del film.
    Barcelona: Edicions 62, 1967.

  179. Chiarini, Luigi.
    Panorama del cinema contemporaneo 1954-1957.
    Roma: Bianco e Nero, 1957.

  180. Chresta, Hans.
    Filmerziehung in Schule und Jugendgruppe.Grundlagen, Methode, Arbeitsunterlagen.
    Mit Beiträgen von Hanspeter Manz und Rudolf Suter.
    Solothurn: Schweizer Jugend-Verlag; Stuttgart, Eulen-Verlag, 1963.

  181. Ciné-Digest. Cinéma et la télévision dans le monde.
    Numéro spécial.
    Paris: Ciné-Digest, 1950.

  182. Le cinéma.
    Paris: Librairie Hachette, 1925.

  183. Le Cinéma, fait social.
    XXVIIe Semaine Social Universitaire du 20 au 25 avril 1959.
    Bruxelles: Université Libre de Bruxelles, Institut de Sociologie Solvay, 1960.

  184. Cinéma d'aujourd'hui.
    Congrès International du cinéma à Bâle.
    Genève, Paris: Editions des Trois Collines, 1945.

  185. Cinéma 1943.
    Paris: Oeuvres Sociales du Cinéma for Comité
    d'Organisation de l'industrie Cinématographique, 1943.

  186. Cinéma 1945.
    Paris: Oeuvres Sociales du Cinéma, 1945.

  187. The Cinema Preview of 1951.
    London: Cinema Press, 1951.

  188. The Cinema and the Protection of Youth.
    Strasbourg: Council of Europe, 1968.

  189. Cinemarama. Plunges you into a startling new world. World premiere.
    N.p.: Cinerama, 1952.

  190. Clair, René.
    Cinéma d'hier, cinéma d'aujourd'hui.
    Paris: Gallimard, 1970.

  191. Clair, René.
    Cinema. Yesterday and today.
    Translated by Stanley Appelbaum. Edited, and with an introduction and annotations by R.C. Dale.
    New York: Dover, 1972.

  192. Clair, René.
    Comédies et commentaires.
    Le silence est d'or. La beauté du diable. Les belles-de-nuit. Les grandes manoeuvres. Porte des lilas.
    Paris: Gallimard, 1959.

  193. Clair, René.
    Réflexion faite. Notes pour servir … l'histoire de l'art cinématographique de 1920 d 1950.
    Paris: Gallimard, 1951.

  194. Clair, René.
    Vom Stummfilm zum Tonfilm. Kritische Notizen zur Entwicklungsgeschichte des Films 1920-1950.
    Aus dem Französischen übertragen von Eva Fehsenbecker. München: Verlag C.H.Beck, 1952.

  195. Clairmont, Leonard.
    The Professional Cine Photographer.
    Edited and produced by Henry Provisor.
    Hollywood: Ver Halen Publications, 1956.

  196. Claude, Robert, Victor Bachy and Bernard Taufour.
    Panoramique sur le 7me art.
    Paris: Editions Universitaires, 1959.

  197. Close Up. A quarterly devoted to the art of films.
    Vol. 8, no. 2 and 3.
    London: Pool, 1931.

  198. Cocks, Jay and David Denby (eds.).
    Film 73/74. An anthology by the National Society of Film Critics.
    Indianapolis, New York: Bobbs-Merrill, 1974.

  199. Cocteau, Jean.
    Almanach du théatre et du cinéma 1949.
    Paris: Editions de Flore et La Gazette des Lettres, 1948.

  200. Cogley, John.
    Report on Backlisting. 2 vols.
    N.p.: Fund for the Republic, 1956.

  201. Cohen-Séat, Gilbert.
    Film und Philosophie. Ein Essai.
    Gütersloh: Bertelsmann, 1962.

  202. Cohen-Séat, Gilbert.
    Problèmes actuels du cinéma et de l'information visuelle. 2 vols.
    Paris: Presses Universitaires de France, 1959.

  203. Il colore nel cinema.
    Roma: Bianco e Nero, 1952.

  204. Colpi, Henri.
    Défense et illustration de la musique dans le film.
    Lyon: Serdoc, 1963.

  205. Conley, Tom.
    Film Hieroglyphs. Ruptures in classical cinema.
    Minneapolis, Oxford: University of Minnesota Press, 1991.

  206. Contemporary Polish Cinematography.
    Warsaw: Polonia Publishing House, 1962.

  207. Cook, David A.
    A History of Narrative Film.
    New York: W.W. Norton & Company, 1981.

  208. Coulteray, Georges de.
    Le sadisme au cinéma.
    Paris: Le Terrain Vague, 1964.

  209. Cowan, Geoffrey.
    See no Evil. The backstage battle over sex and violence on television.
    New York: Simon and Schuster, 1979.

  210. Cowie, Peter.
    Antonioni, Bergman, Resnais.
    London: Tantivity Press; New York: Barnes & Co., 1963.

  211. Cowie, Peter (ed.).
    A Concise History of the Cinema. 2 vols.
    London: A. Zwemmer; New York: A.S. Barnes & Co., 1971.

  212. Cowie, Peter (ed.).
    International Film Guide 1964 - 1981. In 18 vols.
    London: Tantivy Press; New York: A.S. Barnes & Co., 1963 - 1980.

  213. Cowie, Peter.
    Seventy Years of Cinema.
    South Brunswick, N.Y.: A.S. Barnes and Company; London: Thomas Yoseloff, 1969.

  214. Crist, Judith.
    The Private Eye, the Cowboy and the Very Naked Girl.
    Movies from Cleo to Clyde.
    Chicago, New York, San Francisco: Holt, Rinehart and Winston, 1968.

  215. Crosby, John.
    Out of the Blue. A book about radio and television.
    New York: Simon and Schuster, 1952.

  216. Cross, Robin.
    The Big Book of B Movies or How Low Was My Budget.
    London: Frederick Muller, 1981.

  217. Crowther, Bosley.
    The Great Films. Fifty Golden Years of Motion Pictures.
    New York: G.P.Putnam's Sons, 1967.

  218. Crowther, Bosley.
    Vintage Films.
    New York: G.P. Putnam's Sons, 1977.

  219. Cuenca, Carlos Fernández.
    Historia anecdótica del cinema.
    Madrid, Barcelona, Buenos Aires, 1930.

  220. Curtis, David.
    Experimental Cinema. A fifty year revolution.
    London: Studio Vista, 1971.

  221. Cushman, George W.
    Editing Your Color Movies.
    San Francisco: Camera Craft Publishing Company, 1959.

  222. Dadek, Walter.
    Die Filmwirtschaft. Grundriss einer Theorie der Filmökonomik.
    Freiburg: Herder, 1957.

  223. Dale, Edgar.
    How to Appreciate Motion Pictures. A manual of motion-picture criticism prepared for high-school students.
    New York: Macmillan, 1935.

  224. Dale, Edgar, Fannie W. Dunn, Charles F. Hoban etc. (eds.).
    Motion Pictures in Education.
    A summary of the literature. Source book for teachers and administrators.
    New York: H.W.Wilson Company, 1937.

  225. Dalla Brida, Emilio.
    Arte e tecnica della truccatura.
    Come si eseguisce la truccatura del volto dell'attore.
    Guida pratica per imparare a truccarsi in teatro.
    Milano: Serafino Majocchi, 1934.

  226. David, Carlos Y and Perez Merinero.
    Del cinema como arma de clase.
    Antologia de nuestro cinema 1932-1935.
    Valencia: Fernando Torres, 1975.

  227. Dawson, Bonnie (comp.).
    Women's Films in Print.
    An annoted guide to 800 16 mm films by women.
    San Francisco: Booklegger Press, 1975.

  228. Debrix, Jean R.
    Les fondements de l'art cinématographique.
    Livre I: Art et réalité au cinéma.
    Paris: Editions du Cerf, 1960.

  229. Denby, David (ed.).
    Film 70/71. An anthology by the National Society of Film Critics.
    New York: Simon and Schuster, 1971.

  230. Deren, Maya.
    An Anagram of Ideas on Art, Form and Film.
    Yonkers, N.Y.: Alicat Book Shop Press, 1946.

  231. Desnos, Robert.
    Cinéma. Textes réunis et présentés par André Tchernia.
    Paris: Gallimard, 1966.

  232. Dawson, Bonnie (comp.).
    Women's Films in Print. An annoted guide to 800 16 mm films by women.
    San Francisco: Booklegger Press, 1975.

  233. Debrix, Jean R.
    Les fondements de l'art cinématographique.
    Livre I: Art et réalité au cinéma.
    Paris: Editions du Cerf, 1960.

  234. Denby, David (ed.).
    Film 70/71. An anthology by the National Society of Film Critics.
    New York: Simon and Schuster, 1971.

  235. Deren, Maya.
    An Anagram of Ideas on Art, Form and Film.
    Yonkers, N.Y.: Alicat Book Shop Press, 1946.

  236. Desnos, Robert.
    Cinéma. Textes réunis et présentés par André Tchernia.
    Paris: Gallimard, 1966.

  237. Dewey, Langdon.
    Outline of Czechoslovakian Cinema.
    London: Informatics, 1971.

  238. Dickens, Homer.
    What a Drag. Men as women and women as men in the movies.
    New York: Quill, 1984.

  239. Dickinson, Thorold.
    A Discovery of Cinema.
    London, New York, Toronto: Oxford University Press, 1973.

  240. Dictionnaire du cinéma.
    Paris: Seghers, 1962.

  241. Dimmitt, Richard Bertrand.
    An Actor Guide to the Talkies.
    A comprehensive listing of 8.000 feature-length films
    from January 1949, until December 1964. 2 vols.
    Metuchen: Scarecrow Press, 1967-1968.

  242. Distribution Catalogue. Spring 1958.
    London: British Film Institute, 1958.

  243. Distribution Catalogue Spring 1962.
    London: British Film Institute, 1962.

  244. Documentary Film Classics.
    Produced by the United States Government.
    Washington: National Audio/Visual Center, ca. 1977.

  245. Documentary 47 - 51.
    1st - 5th International Festival of Documentary. 5 vols.
    Edinburgh: Film House, 1947 - 1951.

  246. Drews, Richard and Bernt Karger-Decker.
    Männer um die Kamera.
    Berlin: Verlag Neues Leben, 1953.

  247. Drobaschenko, Sergei Wladimirowitsch.
    Film und Leben.
    Über das künstlerische Bild im Dokumentarfilm.
    Übertragung ins Deutsche von Ruth Herlinghaus.
    Berlin: Deutsche Zentralstelle fr Filmforschung, 1963.

  248. Duca, Lo.
    L'érotisme au cinéma. 3 vols.
    Paris: Jean-Jacques Pauvert, 1957 - 1962.

  249. Duca, Lo.
    Histoire du cinéma.
    Paris: Presses Universitaires de France, 1947.

  250. Duca, Lo.
    Technique du cinéma.
    Paris: Presses Universitaires de France, 1948.

  251. Duca, Lo.
    Technique de l'érotisme.
    Paris: Jean-Jacques Pauvert, 1958.

  252. Durand, Jacques.
    Le cinéma et son public.
    Préfaces de Jacques Flaud and Robert Goetz.
    Paris: Sirey, 1958.

  253. Durgnat, Raymond.
    Eros in the Cinema.
    London: Calder and Boyars, 1966.

  254. Durgnat, Raymond.
    Films and Feelings.
    London: Faber and Faber, 1967.

  255. Durgnat, Raymond.
    Sexual Alienation in the Cinema.
    London: Studio Vista, 1972.

  256. Duvillars, Pierre.
    Cinéma mythologie du XXe siècle.
    Préface de Pierre Mac Orlan.
    Paris: Editions de l'Ermite, 1950.

  257. Duvillars, Pierre.
    Pin-up femmes fatales et ingénues libertines.
    Paris: Editions du XXe Siècle, 1951.

  258. Earle, William.
    A Surrealism of the Movies.
    Chicago: Precedent Publishing, 1987.

  259. Educational Television. The next ten years.
    A report and summary of major studies on the problems and
    potential of educational television, conducted under the
    auspices of the United States Office of Education.
    Stanford: Institute for Communication Research, 1962.

  260. Edwards, Gregory J. and Robin Cross.
    Worst Movie Posters of All Time. A treasury of trash.
    London, Sydney: Shere Books, 1984.

  261. Ehrenburg, Ilja.
    Die Traumfabrik. Chronik des Films.
    Berlin: Malik-Verlag, 1931.

  262. Epstein, Jean.
    Esprit de cinéma.
    Genève, Paris: Editions Jeheber, 1955.

  263. Erotisme au cinema. Almanach 1964.
    Paris: Jean-Jacques Pauvert, 1963.

  264. L'erotisme au cinéma. Supplément.
    Paris: Jean-Jacques Pauvert, 1968.

  265. Esnault, Philippe.
    Chronologie du cinéma mondial des origines à nos jours.
    Paris: Les grands films classiques, 1963.

  266. L'Europeo.
    Documentario n. 1: Storia del cinema. A cura di Arrigo
    Benedetti, Emilio Radius, Carlo A. Giovetti, Riccardo Ricas.
    Milano: Editoriale Domus, 1952.

  267. Eichsfelder, Benjamin S.
    Filmgeschichte in Stichworten.
    Hagen: Joachim Breschke, 1951.

  268. Eisler, Hanns.
    Komposition für den Film.
    Berlin: Bruno Henschel und Sohn, 1949.

  269. Eisler, Hanns.
    Composing for the Films.
    London: Dennis Dobson, 1951.

  270. Enquêtes. Cinéma et sexualité.
    Numéro 6.
    Paris: Enquêtes, 1952.

  271. Enser, A.G.S.
    Filmed Books and Plays.
    A list of books and plays from which films have been made, 1928-1967.
    London: Andre Deutsch, 1968.

  272. Evensmo, Sigurd.
    Vold i filmene. Ett års kinoprogrammer
    i Norge og noen perspektiven.
    Oslo: Gyldendal Norsk Forlag, 1969.

  273. Everschor, Franz (ed.).
    Filmanalysen 2.
    Düsseldorf: Verlag Haus Altenberg, 1964.

  274. Falk, André.
    Spectacle permanent.
    Bruxelles: Edition Jaric, 1955.

  275. Fallaci, Oriana.
    Limelighters. Translated by Pamela Swinglehurst.
    London: Michael Joseph, 1967.

  276. Fargier, Jean-Paul, Gerard Leblanc, Jean-Louis Perrier etc.
    Cinéma d'avant-garde.
    Paris: Editions Essellier, 1976.

  277. Everson, George.
    The Story of Television. The life of Philo T. Farnsworth.
    New York: W.W.Norton & Company, 1949.

  278. Faure, Elie.
    Fonction du cinéma de la ciné-plastique a son destin social (1921-1937).
    Préface de Charles Chaplin.
    Paris: Librairie Plon, 1953.

  279. Fawcett, L'Estrange.
    Die Welt des Films.
    Unter Mitwirkung des Wiener Filmbundes für die deutsche
    Ausgabe frei bearbeitet von C. Zell und S. Walter Fischer.
    Zürich, Leipzig, Wien: Amalthea-Verlag, ca. 1930.

  280. Fearing, Franklin.
    Motion Pictures as a Medium of Instruction and Communication.
    An experimental analysis of the effects of two films.
    Berkeley, Los Angeles: University of California Press, 1950.

  281. Feldmann, Erich and Walter Hagemann (eds.).
    Der Film als Beeinflussungsmittel.
    Vortr„ge und Berichte der 2. Jahrestagung der Deutschen Gesellschaft für Filmwissenschaft.
    Emsdetten: Verlag Lechte, 1955.

  282. Feldman, Joseph and Harry.
    Dynamics on the Film.
    New York: Hermitage House, 1952.

  283. Ferguson, Ken (ed.)
    Photoplay Film Annual 1971.
    London: Argus Press, (1971).

  284. Feret, Bill.
    Lure of the Tropix. A pictorial history of the jungle heroine,
    jungle queens, white goddnesses, harem girls and huntresses.
    London, New York: Proteus Books, 1984.

  285. Fescourt, Henri.
    La foi et les montagnes ou le septième art au passé.
    Paris: Photo-Cinéma Paul Montel, 1959.

  286. Festival. Reports from Edinburgh, Venice, Biarritz.
    N.p.: Federation of Film Societies, 1950.

  287. F-Film 58. Heft 2.
    Frankfurt am Main: Verlag Filmkritik, 1958.

  288. Field, Mary.
    Children and Films. A study of boys and girls in the cinema.
    Dunfermline: Carnegie United Kingdom Trust, 1954.

  289. Field, Mary.
    Cinéma pour enfants. L'expérience britannique.
    Traduit de l'anglais par Gilbert Salachas. Préface par Henri Pialat.
    Paris: Edition du Cerf, 1958.

  290. Fielding, Raymond (ed.).
    A Technological History of Motion Pictures and Television.
    An anthology from the pages of the Journal of the Society of
    Motion Picture and Television Engineers.
    Berkeley, Los Angeles: University of California Press, 1967.

  291. Fifty Famous Films 1915-1945.
    London: British Film Institue, National Film Archive, 1946.

  292. Der Film. Geschichte, Technik, Gestaltungsmittel, Bedeutung.
    Ausstellung 9. Januar bis 30. April 1960.
    Zürich: Kunstgewerbemuseum, 1960.

  293. Film in Berlin.
    Offizieller Fest-Almanach der IX.Internationalen Filmfestspiele
    Berlin 1959.
    Berlin: Filmblätter-Verlag, 1959.

  294. Film und Bühne 1956, 1957 and 1959. 3 calendars.
    Berlin: Henschelverlag, 1955, 1956 and 1958.

  295. Film Cataloguing Rules.
    Compiled by the Cataloguing Committee of the
    Aslib Film Production Librarians Group.
    London: Alib, 1963.

  296. Film and Cinema Statistics.
    A preliminary report on methogology with tables giving
    current statistics.
    Paris: Unesco, n.d.

  297. Der Film im Dienste der nationalen und wirtschaftlichen Werbearbeit.
    Mit Anhang: Film und Bild im Dienste unserer Feinde.
    Berlin: Deutsche Lichtbild-Gesellschaft, n.d.

  298. Film-Echo. Fachzeitschrift der Deutschen Filmtheaterwirtschaft.
    Verleihprogramm der Saison 1951/52.
    Wiesbaden: Film-Echo, 1951.

  299. Film-Echo.
    Offizielles Organ des Zentralverbandes der Deutschen Filmtheater e.V.
    Sonderausgabe: Verleihkatalog.
    Wiesbaden: Film-Echo, 1951.

  300. Der Film in Europa. Dokumente.
    Offenburg: Dokumente Verlag, 1955.

  301. Film-Fernseh ABC.
    Das Taschen-Adreßbuch für
    Film - Funk - Bühne - Fernsehen. 20.Jahrgang, 1970/71.
    Hamburg: Film-ABC Fachverlag Krug & Co., 1971.

  302. Film und Filmwirtschaft in der Schweiz 1918-1968.
    Fünfzig Jahre Allgemeine Kinematographen Aktiengesellschaft, Zürich.
    Zürich: Hans Rohr, 1968.

  303. The Film Index. A bibliography.
    Vol. 1: The film as art.
    Compiled by workers of the writer's program of the work projects
    administration in the city of New York.
    New York: Museum of Modern Art Film Library and H.W. Wilson Company, 1941.

  304. The Film Industry in Six European Countries.
    A detailed study of the film industry in Denmark as compared with
    that in Norway, Sweden, Italy, France and the United Kingdom
    by Film Centre, London.
    Paris: Unesco, 1950.

  305. Film Lover's Annual.
    London: Dean & Son, n.d.

  306. Film Monthly Review. Annual 1948.
    London: Precinct Publications, 1948.

  307. Film in National Life.
    Being the report of an enquiry conducted by the
    Commission on Educational and Cultural Films into the
    service which the cinematograph may render to education
    and social progress.
    London: George Allen and Unwin, 1932.

  308. Film 1966 - 1969.
    Chronik und Bilanz des internationalen Films. 4 vols.
    Seelze: Friedrich Velber, 1966 - 1969.

  309. Film-photographs.
    Portrait of Camilla Horn with a 5-line dedication. Dated 20.II.34
    Portrait of Dorothea Wieck with a 3-line dedication. Dated 18.XII.35
    Together with: A collection of over 400 original photographs
    from several films of the 30's.

  310. Film Stars of the World.
    London: Amalgamated Press, n.d.

  311. Film and Television in Education for Teaching.
    A report of a Joint Working Party of the Association of Teachers
    in Colleges and Departments of Education and the British Film Institute.
    London: British Film Institute, n.d.

  312. Film Today Books: Screen and Audience.
    London: Saturn Press, n.d.

  313. Film Writing Forms.
    Methods of preparing a story for the screen.
    With an introduction and notes by Lewis Jacobs.
    New York: Gotham Book Mart, 1934.

  314. 1300 Filme kritisch betrachtet.
    Handbuch 1945-1951 der kirchlichen Hauptstelle fr Bild- und Filmarbeit.
    Altenberg: Verlag Haus Altenberg, 1951.

  315. Filme 1959/61.
    Kritische Notizen aus drei Kino- und Fernsehjahren.
    Düsseldorf: Verlag Haus Altenberg, 1962.

  316. Filme 1962/64.
    Kritische Notizen aus drei Kino- und Fernsehjahren.
    Dsseldorf: Verlag Haus Altenberg, 1965.

  317. Filmfolk. Serie I.
    Stockholm: Albert Bonniers Förlag, n.d.

  318. Filmkunst und Filmtechnik.
    Berlin: Ministerium für Kultur, 1956.

  319. Filmprograms.
    Album with more than 100 several Swedish filmprograms.
    From "Dr.Jekyll and Mr.Hyde" to "Union Station".
    Published between 1942 and 1966.

  320. Films on Art.
    A specialized study. An international catalogue.
    Paris: United Nations, Educational, Scientific and Cultural Organisation, 1949.

  321. Films on Art 1950.
    A specialized study. 2nd international catalogue.
    Paris: United Nations, Educational, Scientific and Cultural Organisation, 1951.

  322. Filmsurvey 2.
    The yearbook of the Federation of Film Societies.
    London: Federation of Film Societies, 1967.

  323. Finler, Joel W.
    All Time Movies Favourites.
    Introduction by Dustin Hoffman.
    London: Cathay Books, 1977.

  324. Fisher, Edward.
    The Screen Arts. A guide to film and television appreciation.
    New York: Sheed and Ward, 1960.

  325. Fischer, Wolfgang.
    Von Asta Nielsen bis Sonja Ziemann. Erlebnisse eines Filmreporters.
    Berlin: Wolfgang Fischer, 1958.

  326. Fishman, Harry.
    La Technique du Cameraman.
    Les films 16 mm, 9 mm, 5-8 mm.
    Edition revue, corigée et mise à jour par Pierre Faveau.
    Paris: Editions Prisma, 1951.

  327. Floherty, John J.
    Moviemakers.
    New York: Doubleday, Doran & Comapny, 1935.

  328. Flora, Paul.
    Vivat Vamp!
    Ein Fotobuch zum Lob des Vamps von Mae West bis Marilyn Monroe,
    von Marlene Dietrich bis Brigitte Bardot.
    Mit einer Einführung von Gregor von Rezzori.
    Zürich: Diogenes, 1959.

  329. Ford, Charles.
    Le cinéma au service de la foi.
    Paris: Librairie Plon, 1953.

  330. Ford, Charles.
    Histoire populaire du cinéma.
    Paris: Mame, 1955.

  331. Formes et couleurs. No. 6: Cinéma.
    Lausanne: André Held, 1946.

  332. Fourth International Experimental Film Competition
    organized by the Royal Film Archive Belgium.
    Casino Knokke/25.XII. 1967-2.I.1968.
    Bruxelles: Cinémathèque Royale de Belgique, 1968.

  333. Fraenkel, Heinrich.
    Unsterblicher Film. Die grosse Chronik von der Laterna Magica
    bis zum Tonfilm.
    München: Kindler, 1956.

  334. Fraenkel, Heinrich.
    Unsterblicher Film. Die grosse Chronik vom ersten Ton zur farbigen Leinwand.
    München: Kindler, 1957.

  335. Frank, Nino.
    Cinema dell'arte.
    Paris, André Bonne, 1951.

  336. Frank, Nino.
    Petit cinéma sentimental. Préface de Henri Jeanson.
    Paris: La Nouvelle Edition. 1950.

  337. Franklin, Harold B.
    Motion Picture Theater Management.
    New York: George H. Doran Company, 1927.

  338. Franklin, Joe.
    Classics of the Silent Screen. A picturial treasury.
    New York: Citadel Press, 1959.

  339. Freilich, Semjon.
    Dramaturgie des Films.
    Aus dem Russischen übertragen von Dr. Manfred Jähnichen.
    Berlin: Henschelverlag, 1964.

  340. Freisburger, Walther.
    Theater im Film. Eine Untersuchung über die Grundzüge und Wandlungen
    in den Beziehungen zwischen Theater und Film.
    Emsdetten: Verlags-Anstalt Heinr. & J. Lechte, 1936.

  341. Frerk, Willy Fr.
    Der Schmalfilmer.
    Praktische Arbeiten mit Schmal- und Klein-Kinofilmen.
    Berlin: Photokino-Verlag, 1931.

  342. Fresnay, Pierre (ed.).
    Almanach du Théeatre et du Cinéma 1950.
    Avec la collaboration de Jean Barreyre, André Bazin, Marc Beigbeder etc.
    Paris: Edition de Flore et la Gazette des Lettres, 1949.

  343. Freytag, Heinrich.
    Knaurs Foto-und Filmbuch.
    München: Th. Knaur Nachf., 1955.

  344. Friedman, Favius.
    Great Movies on TV.
    New York, Toronto, London: Scholastic Bock Services, 1972.

  345. Fülöp-Miller, René.
    Die Phantasiemaschine. Eine Saga der Gewinnsucht.
    Berlin, Wien, Leipzig: Paul Zsolnay, 1931.

  346. Frieden, für einen neuen Menschen, für eine bessere Welt.
    Der Tschechoslowakische Staatsfilm zu den VI. Internationalen
    Filmfestspielen in Karlovy Vary (Karlsbad) 1951.
    Prag: Der Tschechoslowakische Staatsfilm, 1951.

  347. Fuglesang, Andreas (ed.).
    Applied Communication. Filmmaking in developing countries 1:
    The Uppsala workshop 7-18 october 1974.
    Uppsala: Dag Hammarskjöld Foundation, 1975.

  348. Fuksiewicz, Jacek.
    Polish Cinema.
    Warszawa: Interpress, 1973.

  349. Fulton, A. R.
    Motion Picture. The development of an art
    from silent films to the age of television.
    Norman: University of Oklahoma Press, 1960.

  350. Furhammar, Leif and Folke Isaksson.
    Politics and Film.
    Translated from the Swedish byKersti French.
    London: Studio Vista, 1971.

  351. Fuzellier, Etienne.
    Cinéma et littérature.
    Préface Parssonneau.
    Paris: Editions du Cerf, 1964.

  352. Gad, Urban.
    Der Film. Seine Mittel - seine Ziele.
    Berlin: Schuster & Loeffler, (1920).

  353. Gance, Abel.
    Prisme.
    Paris: Gallimard, 1930.

  354. Garbicz, Adam and Jacek Klinowski.
    Cinema, the Magic Vehicle: A Guide to its Achievement.
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  447. Hudson, Richard.
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  538. Laffay, A.
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  540. Lahue, Kalton C.
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  541. Lahue, Kalton C.
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  542. Lahue, Kalton C.
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  546. Lambotte, Jean.
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  713. Myerson, Michael (ed.).
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  714. National Film Library, Catalogue.
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  715. Naudin, Ana Ma.
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  716. Negri, Pola.
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  717. Nelson, Clifford A.
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  718. Nemeskürty Istvan.
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  902. Taylor, John Russell.
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  906. Thiel, Reinhold E.
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  907. Thomas, D. B.
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  908. Thomas, Tony.
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  957. Waldekranz, Rune and Verner Arpe.
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  964. Warshow, Robert.
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  980. Winnington, Richard.
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  984. Wolf, Friedrich, Helmut Käutner, Georg C. Klaren etc.
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  985. Wolf, Steffen.
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  986. Wolf, Steffen (comp.).
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    Mannheim: Verbund der deutschen Filmclubs e.V, 1965.

  987. Wolf, William with Lillian Kramer Wolf.
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    New York, London: Paddington Press, 1979.

  988. Wolfenstein, Martha and Nathan Leites.
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  989. Wollen, Peter.
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    London: Secker & Warburg in association with the British Film Institute, 1969.

  990. Wollenberg, H. H.
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    London: Marsland Publications, 1947.

  991. Wood, Leslie.
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    London: Burke Publishing Co., n.d.

  992. Wood, Leslie.
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  993. Wood, Robin.
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    London: Studio Vista, 1972.

  994. Woodhouse, Bruce.
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    London: Winchester Publications, 1948.

  995. Wortig, Kurt.
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    Düsseldorf: Knapp-Verlag, 1963.

  996. Wright, Basil.
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    Frogmore: Paladin, 1976.

  997. Young Filmakers/Video Arts Catalog II.
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    New York: Young Filmakers/Video Arts, n.d.

  998. Youngblood, Gene.
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    New York: E.P.Dutton & Co., 1970.

  999. Zalman, Jan.
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    Prag: Orbis, 1968.

  1000. Zelewski, Armand von.
    Das Urheberrecht auf dem Gebiet der Filmkunst.
    Probleme des künftigen Filmrechtes.
    Emsdetten: Verlags-Anstalt Heinr. & J. Lechte, 1935.

  1001. Zeman, Karel.
    Erfindung des Verderbens.
    Nach einem Roman von Jules Verne. Text von Jirvi Brdecka
    Prag: Artia, 1960.

  1002. Zglinicki, Friedrich v.
    Der Weg des Films. Die Geschichte der Kinematographie und ihrer Vorläufer.
    Berlin: Rembrandt-Verlag, 1956.

  1003. Zierold, Kurt.
    Bestimmungen über Film und Bild in Wissenschaft und Unterricht.
    Mit Erläuterungen.
    Stuttgart, Berlin: W.Kohlhammer, 1943.

  1004. Zierold, Norman J.
    The Child Stars.
    New York: Coward-McCann, 1965.

  1005. Zinman, David.
    50 Classic Motion Pictures. The stuff that dreams are made of.
    New York: Crown, 1970.

  1006. Zinsser, William K.
    Seen Any Good Movies Lately? Introduction by Elia Kazan.
    Garden City: Doubleday & Company, 1958.

  1007. Zúñiga, Angel.
    Una historia del cine. 2 vols.
    Barcelona: Ediciones Destino, 1948.

  1008. Agee, James.
    Agee on Film.
    New York: McDowell Obolensky, 1958.

  1009. Agee, James.
    Agee on Film. Vol. 2: Five Film Scripts.
    Foreword by John Huston.
    New York: McDowell Obolensky, 1960.'

  1010. Agel, Henri.
    Romance américaine.
    Paris: Editions du Cerf, 1963.

  1011. Akerhielm, Gallie.
    Doktor Zjivago.
    Stockholm: B. Wahlströms Bokförlag, Metro-Goldwyn-Mayer, 1968.

  1012. Brode, Douglas.
    Woody Allen. His films and career.
    Secaucus: Citadel Press, 1987.

  1013. Navacelle, Thierry de.
    Woody Allen on Location.
    New York: William Morrow and Company, 1987.

  1014. Alloway, Lawrence.
    Violent America: The Movies 1946 - 1964.
    Greenwich, N.Y.: Museum of Modern Art, 1971.

  1015. June Allyson M.-G.-M.
    Star. Cut-Out Dolls.
    Racine: Whitman Publishing, 1952.

  1016. Alpert, Hollis.
    The Dreams and the Dreamers.
    New York: Macmillan Company, 1962.

  1017. Anderson, Lindsay and David Sherwin.
    If ... A film.
    London: 1969.

  1018. Anderson, Lindsay and David Sherwin.
    O Lucky Man! With songs by Alan Price.
    London: Plexus, 1973.

  1019. Sussex, Elizabeth.
    Lindsay Anderson.
    London: Studio Vista, 1969.

  1020. Anderson, Maxwell and Andrew Solt.
    Joan of Arc. Text and pictures from the screen play.
    New York: William Sloane, 1948.

  1021. Andrew, Cyril Bruyn.
    The Theatre, the Cinema and Ourselves.
    Changes, challenges, school age, comparisons, the young women of today, envoi, postscript.
    N.p.: Clarence House Press, 1947.

  1022. Anger, Kenneth.
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    Paris: Jean-Jacques Pauvert, 1959.

  1023. Anger, Kenneth.
    Hollywood Babylon.
    New York: Dell Publishing Company, 1975.

  1024. Anger, Kenneth.
    Hollywood Babylon II.
    London: Arrow Books, 1986.

  1025. Anobile, Richard J. (ed.).
    Alfred Hitchcock's Psycho.
    London: Pan Books, Macmillan, 1974.

  1026. Anobile, Richard J. (ed.).
    Rouben Mamoulian's Dr. Jekyll & Mr. Hyde. Starring Fredric March.
    New York: Darien House, 1975.

  1027. Armes, Roy.
    A Critical History of the British Cinema.
    New York: Oxford University Press, 1978.

  1028. Astaire, Fred.
    Steps in Time.
    New York: Harper & Brothers, 1959.

  1029. Croce, Arlene.
    The Fred Astaire & Ginger Rogers Book.
    London: W. H. Allen, 1972.

  1030. Green, Benny.
    Fred Astaire.
    New York: Exeter Books, 1979.

  1031. Astor, Mary.
    A Life on Film. With an introduction by Sumner Locke Elliott.
    New York: Delacorte Press, 1971.

  1032. Astor, Mary.
    My Story: an Autobiography.
    Garden City: Doubleday & Company, 1959.

  1033. Bacall, Lauren.
    By Myself.
    New York: Alfred A. Knopf, 1979.

  1034. Bacon, James.
    Made in Hollywood.
    Chicago: Contemporary Books, 1977.

  1035. Bahrenburg, Bruce.
    Filming the Great Gatsby. Starring Robert Redford and Mia Farrow.
    New York: Berkeley Publishing Corporation, 1974.

  1036. Moseley, Sydney and John Baird.
    The romance and tragedy of the pioneer of television.
    London: Odhams Press, n.d.

  1037. Sauvage, Marcel.
    Les mémoires de Joséphine Baker.
    Paris: Editions Corréa, 1949.

  1038. Baker, Peter.
    To Win a Prize on Sunday.
    London: Souvenir Press, 1966.

  1039. Danischewsky, M. (ed.).
    Michael Balcon's 25 Years in Films.
    London: World Film Publications, 1947.

  1040. Balio, Tino (ed.).
    The American Film Industry.
    Madison: University of Wisconsin Press, 1977.

  1041. Balshofer, Fred J. and Arthur C. Miller.
    One Reel a Week. With the assistance of Bebe Bergsten.
    Foreword by Kemp R. Niver.
    Berkeley, Los Angeles: Univeristy of California Press, 1967.

  1042. Bankhead, Tallulah.
    Tallulah. My autobiography.
    New York: Harper & Brothers, 1952.

  1043. Brian, Denis.
    Tallulah, Darling. A biography of Tallulah Bankhead.
    New York: Pyramid Books, 1972.

  1044. Barbour, Alan G.
    A Thousand and One Delights.
    New York, London: Collier-Macmillan, 1971.

  1045. Barnouw, Erik.
    The Golden Web. A history of broadcasting in the United States. Volume II: 1933 to 1953.
    New York: Oxford University Press, 1968.

  1046. Barrymore, Ethel.
    Memories. An autobiography.
    New York: Harper & Brothers, 1955.

  1047. Alpert, Hollis.
    The Barrymores.
    New York: Dial Press, 1964.

  1048. Barrymore, Lionel.
    We Barrymores as told to Cameron Shipp.
    New York: Appleton-Century-Crofts, 1951.

  1049. Bartok, Eva.
    Worth Living for.
    London: Putnam, 1959.

  1050. Battcock, Gregory (ed.).
    The New American Cinema. A critical anthology.
    New York: E.P. Dutton & Co., 1967.

  1051. Baxter, John.
    Hollywood in the Thirties.
    London: A.Zwemmer; New York: A.S.Barnes & Co., 1968.

  1052. Baxter, John.
    Hollywood in the Sixties.
    London: Tantivy Press; New York: A.S.Barnes & Co., 1972.

  1053. Baxter, John.
    Sixty Years of Hollywood.
    South Brunswick, N.Y.: A.S.Barnes & Co.; London: Tantivy Press, 1973.

  1054. Baxter, John.
    Stunt. The story of the great movie stunt men.
    London: Macdonald, 1973.

  1055. Bayer, William S.
    Breaking Through, Selling Out, Dropping Dead.
    New York: Macmillan Company, 1971.

  1056. Wilk, Max.
    The Beatles in Yellow Submarine.
    New York: New American Library, 1968.

  1057. Beaton, Cecil.
    Cecil Beaton's Fair Lady.
    London: Weidenfeld and Nicolson, 1964.

  1058. Behrman, S. N. and George Froeschel.
    Me and the Colonel.
    London: Panther Book, 1958.

  1059. Shaw, Arnold.
    Belafonte. An unauthorized biography.
    Philadelphia, New York: Chilton Company-Book Division, 1960.

  1060. Belmans, Jacques.
    Jeune cinéma anglais.
    Lyond :Serdoc, 1967.

  1061. Fein, Irving A.
    Jack Benny. An intimate biography.
    Introduction by George Burns.
    New York: Pocket Books, 1977.

  1062. Livingstone Benny, Mary, Hilliard Marks and Marcia Borie.
    Jack Benny.
    Garden City: Doubleday & Company, 1978.

  1063. Bergman, Andrew.
    We're in the Money. Depression American and its films.
    New York: New York University Press, 1971.

  1064. Bergman, Ingrid.
    My Story. By Ingrid Bergman and Alan Burgess.
    New York: Delacorte Press, 1980.

  1065. Steele, Joseph Henry.
    Ingrid Bergman. An intimate portrait.
    New York: David McKay Company, 1959.

  1066. Pike, Bob and Dave Martin.
    The Genius of Busby Berkeley.
    Reseda: Creative Film Society, 1973.

  1067. Berutti, Franco.
    Questa è Hollywood. Storia, curiosità e personaggi dell'epoca dal muto al CinemaScope.
    Milano: Sedit, 1956.

  1068. Bessie, Alvah.
    Inquisition in Eden.
    New York: Macmillan Company, 1965.

  1069. Betts, Ernest.
    Inside Pictures. With some reflections from the outside.
    London: Cresset Press, 1960.

  1070. Biberman, Herbert.
    Salt of the Earth. The story of a film.
    Boston: Beacon Press, 1965.

  1071. Bickford, Charles.
    Bulls, Balls, Bicycles & Actors.
    New York: Paul S.Eriksson, 1965.

  1072. Billings, Pat and Allen Eyles.
    Hollywood Today.
    London: A.Zwemmer; New York: A.S. Barnes & Co., 1971.

  1073. Biskind, Peter.
    Seeing is Believing. How Hollywood taught us to stop worrying and love the fifties.
    London: Pluto Press, 1984.

  1074. Bluem, A. William.
    Documentary in American Television. Form. Function. Method.
    New York: Hastings House, 1965.

  1075. Bluem, William A. and Jason E.Squire (ed.).
    The Movie Business. American film industry practice.
    New York: Hastings House, 1972.

  1076. Blumenthal, John.
    The Official Hollywood Handbook.
    New York: Simon & Schuster, 1984.

  1077. Barbour, Alan G.
    Humphrey Bogart.
    New York: Pyramid Publications, 1973.'

  1078. Benchley, Nathaniel.
    Humphrey Bogart.
    Boston, Toronto, Little: Brown and Company, 1975.

  1079. Bounoure, Gaston.
    Humphrey Bogart.
    Lyon: Serdoc, 1962.

  1080. Goodman, Ezra.
    Bogey: The Good-Bad Guy.
    New York: Lyle Stuart, 1965.

  1081. Hyams, Joe.
    Bogie. The biography of Humphrey Bogart.
    Introduction by Lauren Bacall.
    New York: New American Library, 1966.

  1082. Ruddy, Jonah and Jonathan Hill.
    The Bogey Man. Portrait of a legend.
    London: Souvenir Press, 1965.

  1083. Bogle, Donald.
    Toms, Coons, Mulattoes, Mammies, and Bucks.
    An interpretive history of Blacks in American films.
    New York: Viking Press, 1973.

  1084. Borde, Raymond and Etienne Chaumeton.
    Panorama du film noir américain (1941-1953).
    Préface de Marcel Duhamel.
    Paris: Editions de Minuit, 1955.

  1085. Bowser, Eileen (ed.).
    Film Notes.
    New York: Museum of modern Art, 1969.

  1086. Swindell, Larry.
    Charles Boyer. The Reluctant Lover.
    Garden City: Doubleday & Company, 1983.

  1087. Brackett, Charles, Billy Wilder and Walter Reisch.
    Ninotchka. Screenplay.
    New York: Viking Press, 1972.

  1088. Horan, James D. Mathew Brady.
    Historian with a camera.
    New York: Crown Publishers, 1955.

  1089. Komroff, Manuel.
    Photographing History Mathew Brady.
    Chicago: Encyclopedia Britannica Press, 1962.

  1090. Fiore, Carlo.
    Bud the Brando I Knew. The untold story of Brando's private life.
    New York: Delacorte Press, 1974.

  1091. Hamblett, Charles.
    Brando. A searching, searing analysis of Hollywood's original crazy mixed-up kid.
    London: May Fair Books, 1962.

  1092. Kezich, Tullio.
    Marlon Brando.
    Milano: Sedit, 1955.

  1093. Shipman, David.
    Brando.
    London: Macmillan, 1974.

  1094. Thomas, Bob.
    Marlon Brando. Un artista rebelde.
    Barcelona: Editorial Euros, 1975.

  1095. British Film Institute.
    Annual Report and Accounts (and Financial Statements) for the years ended 31 March 1975 - 1978 and 1980 - 1982. In 7 vols.
    London: British Film Institute, 1975-1978 and 1980-1982.

  1096. The British Film Industry.
    A report on its history and present organisation, with special reference to the economic problems of British feature film production.
    London: PEP, 1952.

  1097. The British Film Industry 1958.
    London: P.E.P., 1958.

  1098. Brodsky, Jack and Nathan Weiss.
    The Cleopatra Papers. A private correspondence.
    New York: Simon and Schuster, 1963.

  1099. Brooks, Richard.
    The Producer. A flashing, intimately revealing novel about the people who make movies.
    New York: Pocket Books, 1953.

  1100. Brown, Joe E.
    Laughter is a Wonderful Thing. As told to Ralph Hancock.
    New York: A.S. Barnes and Company, 1956.

  1101. Brownlow, Kevin.
    How It Happened Here. Introduction by David Robinson.
    London: Secker & Warburg in association with the British Film Institute, 1968.

  1102. Brownlow, Kevin.
    The Parade's Gone By...
    New York: Alfred A.Knopf, 1968.

  1103. Brunel, Adrian.
    Nice Work. The story of thirty years in British film production.
    London: Forbes Robertson, 1949.

  1104. Bruno, Michael.
    Venus in Hollywood.
    The continental enchantress from Garbo to Loren.
    New York: Lyle Stuart, 1970.

  1105. Bull, Clarence Sinclair and Raymond Lee.
    The Faces of Hollywood.
    South Brunswick, N.Y.: A.S. Barnes & Co.; London: Thomas Yoseloff, 1968.

  1106. Burgess, Marjorie A.
    Lovell. A Popular Account of the Development of the Amateur Cine Movement in Great Britain.
    With an introduction by G.A. Atkinson.
    London: Sampson Low, Marston & Co., ca. 1932.

  1107. Burton, Richard.
    Meeting Mrs. Jenkins.
    New York: William Morrow & Co., 1966.

  1108. David, Lester and Jhan Robbins.
    Richard and Elizabeth.
    New York: Funk & Wagnalls, 1977.

  1109. Butler, Ivan.
    Cinema in Britain: An illustrated survey.
    South Brunswick, N.Y.: A.S. Barnes & Co.; London: Tantivy Press, 1973.

  1110. Dickens, Homer.
    The Films of James Cagney.
    Secaucus: Citadel Press, 1974.

  1111. Warren, Doug and James Cagney.
    James Cagney. The authorized biography.
    New York: St. Martin's Press, 1983.

  1112. Cahn, William.
    The Laugh Makers. A pictorial history of American comedians.
    With an introduction by Harold Lloyd.
    New York: G.P.Putnam's Sons, 1957.

  1113. Canham, Kingsley.
    Micheal Curtiz, Raoul Walsh, Henry Hathaway.
    London: Tantivy Press; New York: A.S.Barnes & Co., 1973.

  1114. Cantor, Eddie.
    Between the Acts.
    New York: Simon and Schuster, 1930.

  1115. Cantor, Eddie.
    Caught Short! A saga of wailing Wall Street.
    Toronto: Musson Book Company, 1929.

  1116. Cantor, Eddie.
    The Way I See it. Edited by Phyllis Rosenteur.
    Englewood Cliffs: Prentice-Hall, 1959.

  1117. Cantor, Eddie and David Freedman.
    Yoo-Hoo, Prosperity! The Eddie Cantor five-year plan.
    New York: Simon and Schuster, 1931.

  1118. Cantor, Eddie and Jane Kesner Ardmore.
    Take My Life.
    Garden City: Doubleday & Company, 1957.

  1119. Capra, Frank.
    The Name Above the Title. An autobiography.
    New York: Macmillan Company, 1971.

  1120. Griffith, Richard.
    Frank Capra.
    London: British Film Institute, n.d.

  1121. Poague, Leland A.
    The Cinema of Frank Capra. An approach to film comedy.
    South Brunswick, N.Y.: A.S.Barnes & Co.; London: Tantivy Press, 1975.

  1122. Silke, James R. (ed.).
    Frank Capra. "One Man - One Film".
    Beverly Hills: American Film Institute, 1971.

  1123. Carmen, Ira H.
    Movies, Censorship, and the Law.
    Ann Arbor: University of Michigan Press, 1966.

  1124. Carrick, Edward (comp.).
    Art and Design in the British Film. A pictorial directory of British art directors and their work. With an introduction by Roger Manvell.
    London: Dennis Dobson, 1948.

  1125. Carroll, Carroll.
    None of Your Business. Or my life with J.Walter Thompson.
    (Confessions of a renegade radio writer).
    New York: Cowles Book Company, 1970.

  1126. Carroll, David.
    The Matinee Idols.
    New York: Arbor House, 1972.

  1127. Cartland, Barbara.
    I Seek the Miraculous.
    New York: E.P.Dutton, 1978.

  1128. Chanan, Michael.
    The Dream That Kicks. The prehistory and early years of cinema in Britain.
    London, Boston, Henley: Routledge & Kegan Paul, 1980.

  1129. Anderson, Robert G.
    Faces, Forms, Films. The artistry of Lon Chaney.
    South Brunswick, N.Y.: A.S.Barnes & Co.; London: Thomas Yoseloff, 1971.

  1130. Chaplin, Charlie.
    Hallo Europa!
    Herausgegeben, übersetzt und bearbeitet von Charlotte und Heinz Pol.
    Leipzig: Paul List, 1928.

  1131. Chaplin, Charlie.
    Luci della ribalta. Sceneggiatura.
    Roma: Bianco e Nero, n.d.

  1132. Chaplin, Charles.
    My Autobiography.
    New York: Simon and Schuster, 1964.

  1133. Chaplin, Charles.
    My Life in Pictures.
    London, Sydney, Toronto: Bodley Head, 1974.

  1134. Chaplin, Charlie.
    My Trip Abroad.
    New York, London: Harper & Brothers, 1922.

  1135. Aguilar Santiago.
    El genio del séptimo arte.
    Apologia de Charlot. Epilogo de Federico Navas.
    Madrid, Barcelona, Buenos Aires, 1930.

  1136. Amengual, Barthèlemy.
    Charles Chaplin.
    Lyon: Serdoc, 1963.

  1137. Asplund, Uno.
    Chaplin's Films. Translated from the Swedish by Paul Britten Austin.
    South Brunswick, N.Y.: A.S.Barnes & Co., 1976.

  1138. Bazin, André and Eric Rohmer.
    Charlie Chaplin.
    Prólogo de François Truffaut. Traducción Xavier Aleixandre.
    Valencia: Fernando Torres, 1972.

  1139. Bessy, Maurice and Robert Florey.
    Monsieur Chaplin ou le rire dans la nuit.
    Paris: Jacques Damase, 1952.

  1140. Burger, Erich.
    Charlie Chaplin. Bericht seines Lebens.
    Berlin: Rudolf Mosse Buchverlag, 1929.

  1141. Chaplin, Charles Jr., N. and M. Rau.
    My Father Charlie Chaplin.
    New York: Random House, 1960.

  1142. Chaplin, Lita Grey and Morton Cooper.
    My Life with Chaplin. An intimate memoir.
    Vermont: Bernard Geis, 1966.

  1143. Chaplin, Lita Grey y Morton Cooper.
    Ma vida con Chaplin (Charlot). Memorias intimas.
    Barcelona: Ediciones Grijalbo, 1972.

  1144. Chaplin, Michael.
    I Couldn't Smoke the Grass on My Father's Lawn...
    London: Leslie Frewin, 1966.

  1145. Cotes, Peter and Thelma Niklaus.
    The Little Fellow. The life and work of Charles Spencer Chaplin.
    London: Paul Flek, 1951.

  1146. Cotes, Peter and Thelma Niklaus.
    The Little Fellow. The life and work of Charles Spencer Chaplin.
    With a foreword by W.Somerset Maugham.
    New York: Citadel Press, 1965.

  1147. Delluc, Louis.
    Charlie Chaplin. Translated by Hamish Miles.
    London: John Lane the Bodley Head; New York: John Lane, 1922.

  1148. Eisenstein, Serge.
    Charlie Chaplin.
    Eine Bildchronik mit Texten von Oona Chaplin, Jean Cocteau, Marcel Marceau etc.
    Zürich: Sanssouci Verlag, 1961.

  1149. Gersch, Wolfgang.
    Chaplin in Berlin.
    Illustrierte Miniatur nach Berliner Zeitungen von 1931.
    Berlin: Henschelverlag, 1988.

  1150. Gold, Michael.
    Charlie Chaplins Parade.
    Berlin: Alfred Holz, 1955.

  1151. Huff, Theodore.
    Charlie Chaplin.
    New York: Henry Schuman, 1951.

  1152. Leprohon, Pierre.
    Charles Chaplin.
    Paris: Jacques Melot, 1946.

  1153. Leprohon, Pierre.
    Charles Chaplin.
    Paris: Nouvelles Editions Debresse, 1957.

  1154. Luft, Friedrich.
    Vom großen schönen Schweigen.
    Arbeit und Leben des Charles Spencer Chaplin.
    Berlin: Rembrandt Verlag, 1957.

  1155. McDonald, Gerald D., Michael Canway and Mark Ricci.
    The Films of Charlie Chaplin.
    Secaucus: Citadel Press, 1977.

  1156. Martin, Marcel.
    Charles Chaplin. Propos de Charles Chaplin.
    Paris: Seghers, 1966.

  1157. Minney, R. J.
    Chaplin. The immortal tramp.
    The life and work of Charles Chaplin.
    London: George Newnes Limited, 1954.

  1158. Mitry, Jean.
    Charlot et la "fabulation" chaplinesque.
    Paris: Editions Universitaires, 1957.

  1159. Mitry, Jean.
    Charlot y la "Fabulacion" Chaplinesca.
    Barcelona: Editorial Fontanella, 1967.

  1160. Mitry, Jean.
    Les films de Charlie Chaplin.
    Paris: Image et Son, 1957.

  1161. Mitry, Jean.
    Tout Chaplin. Tous les films, par le texte, par le gag, et par l'image.
    Paris: Seghers, 1972.

  1162. Payne, Robert.
    The Great Charlie. Foreword by G.W.Stonier.
    London: Andre Deutsch, 1952.

  1163. Payne, Robert.
    The Great Charlie.
    London: Pan Books, 1957.

  1164. Payne, Robert.
    The Great God Pan. A biography of the tramp played by Charles Chaplin.
    New York: Hermitage House, 1952.

  1165. Payne, Robert.
    Der grosse Charlie. Eine Biographie des Clowns.
    Frankfurt am Main: Europäische Verlagsanstalt, 1952.

  1166. Poulaille, Enrique.
    Charlot. Traducción de Pedro Pellicena.
    Madrid: Ediciones Biblos, 1927.

  1167. Quigly, Isabel.
    Charlie Chaplin. Early comedies.
    London: Studio Vista; New York: Dutton, 1968.

  1168. Sadoul, Georges.
    Das ist Chaplin. Sein Leben - Seine Filme - Seine Zeit.
    Aus dem Französischen übertragen von Peter Loos.
    Wien: Globus Verlag, 1954.

  1169. Sadoul, Georges.
    Vie de Charlot. Charles Spencer Chaplin ses films et son temps.
    Paris: Français Réunis, 1952.

  1170. Schnog, Karl.
    Charlie Chaplin. Filmgenie und Menschenfreund.
    Berlin: Henschelverlag, 1960.

  1171. Tyler, Parker.
    Chaplin Last of the Clowns.
    New York: Vanguard Press, 1948.

  1172. Viazzi, Glauco.
    Chaplin e la critica. Antologia di saggi, bibliografia ragionate, iconografia e filmografia.
    Bari: Editori Laterza, 1955.

  1173. Villegas López, Manuel.
    Charles Chaplin. El genio del cine.
    Madrid, Barcelona: Alfaguara, 1966.

  1174. McCaffrey, Donald W.
    4 Great Comedians. Chaplin, Lloyd, Keaton, Langdon.
    London: A.Zwemmer; New York: A.S.Barnes & Co., 1968.

  1175. Cineaste.
    America's leading magazine on the art and politics of the cinema. Vol. XIII, no. 3.
    New York: Cineaste, 1984.

  1176. Cinerama Holiday.
    The 2nd Cinerama Presentation.
    N.p.: n.d.

  1177. Clark, Henry.
    Academy Award Diary (1928-1955). A motion picture history.
    New York: Pageant Press, 1959.

  1178. Thomas, Bob.
    King Cohn. The life and times of Harry Cohn.
    New York: G.P.Putnam's Sons, 1967.

  1179. Collings, Randy.
    Los Angeles. Hollywood.
    Anaheim: Randy Collings Productions, 1979.

  1180. Cooke, Alistair (ed.).
    Garbo and the Night Watchmen.
    A selection made in 1937 from the writings of British and American Film Critics.
    London: Secker & Warburg, 1971.

  1181. Dickens, Homer.
    The Films of Gary Cooper.
    New York: Citadel Press, 1970.

  1182. Escoube, Lucienne.
    Gary Cooper. Le cavalier de l'ouest.
    Paris: Editions du Cerf, 1965.

  1183. Ford, Charles.
    Gary Cooper.
    Paris: Jean-Jacques Pauvert, n.d.

  1184. Gehman, Richard.
    The Tall American. The story of Gary Cooper.
    New York: Hawthorn Books, 1963.

  1185. Swindell, Larry.
    The Last Hero. A Biography of Gary Cooper.
    London: Robson Books, 1981.

  1186. Will, David and Paul Willemen (eds.).
    Roger Corman.
    Edinburgh: Edinburgh Film Festival '70 in association with Cinema magazine, 1970.

  1187. Coursodon, Jean-Pierre and Yves Boisset.
    (20) Vingt ans de cinéma américain (1940-1960).
    Paris: Edition C.I.B., 1961.

  1188. Coursodon, Jean-Pierre and Bertrand Tavernier.
    Trente ans de cinéma américain.
    Paris: Editions C.I.B., 1970.

  1189. Crane, Douglas and K. E. Miller (eds.).
    Introducing the Hollywood - London Film Parade.
    The two film cities in one book.
    London: Marks & Spencer, n.d.

  1190. Crane Wilson, Ivy (ed.).
    Hollywood Album.
    London: Sampson Low, Marston and Company, n.d.

  1191. Crawford, Christina.
    Mommie Dearest.
    New York: William Morrow and Company, 1978.

  1192. Crawford, Joan.
    My Way of Life.
    New York: Simon and Schuster, 1971.

  1193. Crawford, Joan.
    A Portrait of Joan.
    The Autobiography. With Jane Kesner Ardmore.
    Garden City: Doubleday & Company, 1962.

  1194. Crosby, Bing.
    Call Me Lucky. As told to Pete Martin.
    New York: Simon ans Schuster, 1953.

  1195. Cross, Brenda (ed.).
    The Film Hamlet. A record of its production.
    N.p.: Saturn Press, 1948.

  1196. Crowther, Bosley.
    The Lion's Share. The story of an entertainment empire.
    New York: E. P. Dutton & Company, 1957.

  1197. Domarchi, Jean.
    George Cukor. Entretien avec George Cukor.
    Paris: Seghers, 1965.

  1198. Lambert, Gavin.
    On Cukor.
    London, New York: W.H.Allen, 1973.

  1199. Cullman, Marguerite.
    Occupation: Angel.
    New York: W.W.Norton & Company, 1963.

  1200. Cummings, Bob.
    Stay Young and Vital.
    Englewood Cliffs: Prentice-Hall, 1960.

  1201. Curran, James and Vincent Porter (eds.).
    British Cinema History.
    Totowa: Barnes & Noble, 1983.

  1202. Munn, Michael.
    The Kid from the Bronx. A biography of Tony Curtis.
    London: W. H. Allen, 1984.

  1203. Davidson, Bill.
    The Real and the Unreal.
    New York: Harper & Brothers, 1961.

  1204. Davies, Marion.
    The Times We Had. Life with William Randolph Hearst.
    Edited by Pamela Pfau & Kenneth S. Marx. With a foreword by Orson Welles.
    Indianapolis, New York: Bobbs-Merrill Company, 1975.

  1205. Davis, Bette.
    The Lonely Life. An autobiography.
    New York: G.P.Putnam's Sons, 1962.

  1206. Davis, Bette and Noble, Peter.
    Bette Davis. A biography.
    London: Skelton Robinson, (1948).

  1207. Robinson, Jeffrey.
    Bette Davis. ...Her film & stage career.
    London, New York: Proteus Reels,1982.

  1208. Vermilye, Jerry.
    Bette Davis.
    New York: Pyramid Publications, 1973.

  1209. Davis, Sammy Jr.
    Hollywood in a Suitcase.
    New York: William Morrow and Company, 1980.

  1210. Davis, Sammy, Jane and Burt Boyar.
    Yes I Can. The story of Sammy Davis, Jr.
    New York: Farrar, Straus & Giroux, 1965.

  1211. Day, Beth.
    This Was Hollywood. An affectionate history of filmland's golden years.
    Garden City: Doubleday & Company, 1960.

  1212. Grall, Xavier.
    James Dean et notre jeunesse.
    Paris: Editions du Cerf, 1958.

  1213. Salgues, Yves.
    James Dean ou le mal de vivre.
    Paris: Editions Pierre Horay, 1957.

  1214. Stock, Dennis.
    Portraits of a Young Man, James Dean.
    Japan: 1956.

  1215. Deans, Mickey and Ann Pinchot.
    Weep no More, My Lady.
    New York: Hawthorn Books, 1972.

  1216. Debries, Erwin.
    Hollywood wie es wirklich ist.
    Zürich, Leipzig: Orell Füssli Verlag, 1930.

  1217. Essoe, Gabe and Raymond Lee.
    DeMille: The Man and His Pictures.
    South Brunswick, N.Y.: A.S.Barnes & Co.; London: Thomas Yoseloff, 1970.

  1218. Hayne, Donald (ed.).
    The Autobiography of Cecil B. DeMille.
    Englewood Cliffs: Prentice-Hall, 1959.

  1219. Koury, Phil A.
    Yes, Mr. DeMille.
    New York: G.P.Putnam's Sons, 1959.

  1220. Mourlet, Michel.
    Cecil B. DeMille. Propos de Cecil B. DeMille.
    Paris: Seghers, 1968.

  1221. Denby, David (ed.).
    Awake in the Dark.
    An anthology of American film criticism, 1915 to the present.
    New York: Vintage Bocks, 1977.

  1222. Denries, E.
    Hollywood as it Really is.
    London: George Routledge & Sons, n.d.

  1223. Dent, Alan (ed.).
    Hamlet. The Film and the Play.
    London: World Film Publications, 1948.

  1224. Disney, Walt.
    L'art du dessin animé. Histoire du Studio Walt Disney et de sa participation au développement d'un art nouveau. Texte français de Denis-François.
    Paris: Hachette, 1960.

  1225. Disney, Walt.
    Désert vivant. Textes de Marcel Aymé, Louis Bromfield, Albert Camus etc.
    Paris: Société: Française du Livre, 1954.

  1226. Disney, Walt.
    Das dritte Buch Zorro.
    Hamburg: Neuer Tessloff Verlag, 1968.

  1227. Bessy, Maurice.
    Walt Disney. Propos de Walt Disney.
    Paris: Seghers, 1970.

  1228. Disney Miller, Diane.
    The Story of Walt Disney. As told to Pete Martin.
    New York: Henry Holt and Company, 1957.

  1229. Finch, Christopher.
    The Art of Walt Disney.
    From Mickey Mouse to the Magic Kingdoms.
    With a special essay by Peter Blake.New
    York: Harry A. Abrams, 1973.

  1230. Schickel, Richard.
    The Disney Version. The life, times, art and commerce of Walt Disney.
    New York: Simon and Schuster, 1968.

  1231. Thomas, Bob.
    Walt Disney. Magician of the Movies.
    New York: Grosset & Dunlap, 1966.

  1232. Donahue, Phil & Co.
    Donahue my own Story.
    New York: Fawcett Crest, 1981.

  1233. Trewin, J.C.
    Robert Donat. A biography.
    London: Heinemann, 1968.

  1234. Donlan, Yolande.
    Third Time Lucky.
    New York: Dial Press, James Wade, 1976.

  1235. Duncan, Peter.
    In Hollywood Tonight.
    London: Werner Laurie, 1952.

  1236. Dunne, John Gregory.
    The Studio.
    New York: Farrar, Straus & Giroux, 1969.

  1237. Cahn, William.
    Good Night, Mrs. Calabash. The secret of Jimmy Durante.
    New York: Duell, Sloan and Pearce, 1963.

  1238. Durgnat, Raymond.
    The Crazy Mirror. Hollywood comedy and the American image.
    London: Faber and Faber, 1969.

  1239. Durgnat, Raymond.
    A Mirror for England: British Movies from Austerity to Affluence.
    London: Faber & Faber, 1970.

  1240. Bogdanovich, Peter.
    Allan Dwan the Last Pioneer.
    London: Studio Vista, 1971.

  1241. Eames, John Douglas.
    The MGM Story. The complete history of fifty roaring years.
    London, Octopus, 1977.

  1242. Goldman, Albert.
    Elvis.
    London: Allen Lane, 1981.

  1243. Engstead, John.
    Star Shots.
    Fifty years of pictures and stories by one of Hollywood's greatest photographers.
    New York: E.P.Dutton, 1978.

  1244. Everson, William K.
    The American Movie. Designed by Everett Aison.
    New York: Atheneum, 1963.

  1245. Fairbanks, Douglas.
    Laugh and Live.
    New York: Britton Publishing Company, 1917.

  1246. Fairbanks, Douglas.
    Making Life Worth While.
    New York: Britton, 1918.

  1247. Fairbanks, Douglas.
    Wedlack in Time.
    New York: Britton, 1918.

  1248. Connell, Brian.
    Knight Errant. A biography of Douglas Fairbanks, Jr.
    Garden City: Doubleday & Company, 1955.

  1249. Cooke, Alistair.
    Douglas Fairbanks. The Making of a Screen Character.
    New York: Museum of Modern Art, 1940.

  1250. Hancock, Ralph and Leitia Fairbanks.
    Douglas Fairbanks: The Fourth Musketeer.
    New York: Henry Holt and Company, 1953.

  1251. Schickel, Richard.
    Douglas Fairbanks. The first celebrity.
    London: Elm Tree Books, 1976.

  1252. Tibbetts, John C. and James M. Welsh.
    His Majesty the American. The Cinema of Douglas Fairbanks, Sr.
    South Brunswick, N.Y.: A.S.Barnes & Co.; London, Thomas Yoseloff, 1977.

  1253. Negative Space.
    Manny Farber on the Movies.
    New York, Washington: Preager Publishers, 1971.

  1254. Moshier, W. Franklyn.
    The Alice Faye Movie Book.
    Harrisburg: Stackpole Books, 1974.

  1255. Fell, John L., Stephen Gong, Neil Harris, etc.
    Before Hollywood. Turn-of-the-Century American Film.
    New York: Hudson Hills Press, 1987.

  1256. Fensch, Thomas.
    Films on the Campus.
    South Brunswick, N.Y.: A.S.Barnes & Co.; London: Thomas Yoseloff, 1970.

  1257. Fernett, Gene.
    (Hollywoods) Poverty Row.
    Satellite Beach: Coral Reef Publications, 1973.

  1258. Fernett, Gene.
    Next Time Drive off the Cliff!
    Cocoa: Cinememories Publishing Co., 1968.

  1259. Field, Alice Evans.
    Hollywood, U.S.A. From script to screen.
    Introduction by Will Hays.
    New York: Vantage Press, 1952.

  1260. Field, Mary.
    Good Company. The story of the children's entertainment film movement in Great Britain 1943-1950.
    London, New York, Toronto: Longmans Green and Co., 1952.

  1261. Fields, W. C.
    The Bank Dick.
    London: Lorrimer Publishing, 1973.

  1262. Fields, W. C.
    Fields for President. Commentary and photograph selection by Michael M. Taylor.
    London: Peter Owen, 1972.

  1263. Fields, W. C.
    Never Give a Sucker an Even Break and Tillie and Gus.
    London: Lorrimer Publishing, 1973.

  1264. Anobile, Richard J. (ed.).
    Drat! being the encapsulated view of life by W.C.Fields in his own words. Introduction by Ed McMahon.
    New York, Cleveland: Nal Book, World Publishing Company, 1968.

  1265. Anobile, Richard J. (ed.).
    A Flask of Fields. Verbal and visual gems from the films of W.C. Fields.
    Introduction by Judith Crist.
    N.p.: Darien House, 1972.

  1266. Monti, Carlotta and Cy Rice.
    W.C.Fields & Me.
    Englewood Cliffs: Prentice-Hall, 1971.

  1267. Film Fun. Vol. 68, no. 580.
    New York: Dell Publishing Company, 1937.

  1268. Film Star Parade.
    Sixty lovely pictures of your screen favourites.
    London: W.H. Allen & Co., n.d.

  1269. Films in 1951.
    A special publication on British films and film-makers for the Festival of Britain.
    London: Sight & Sound for the British Film Institute, 1951.

  1270. Findahl, Theo.
    Traumland Hollywood im Tageslicht. Eindrücke.
    München: Verlag F.Bruckmann, 1940.

  1271. Latham, Aaron.
    Crazy Sundays. F. Scott Fitzgerald in Hollywood.
    New York: Viking Press, 1971.

  1272. Agel, Henri.
    Robert Flaherty.
    Paris: Seghers, 1965.

  1273. Calder-Marshall, Arthur.
    The Innocent Eye. The life of Robert J. Flaherty.
    Based on research material by Paul Rotha and Basil Wright.
    London: W. H. Allen, 1963.

  1274. Flaherty, Frances Hubbard.
    The Odyssey of a Film-Maker. Robert Flaherty's Story.
    Urbana: Beta Phi Mu, 1960.

  1275. Griffith, Richard.
    The World of Robert Flaherty.
    New York: Duell, Sloan and Pearce; Boston: Little, Brown and Company, 1953.

  1276. Klaue, Wolfgang and Jay Leyda (comp.).
    Robert Flaherty.
    Berlin: Henschelverlag, 1964.

  1277. Quintar, Fuad.
    Robert Flaherty et le documentaire poétique.
    Paris: M.J. Minard, 1960.

  1278. Hawkins, Robert.
    Barabba di Richard Fleischer.
    Bologna: Cappelli, 1962.

  1279. Floherty, John J.
    TeleVision Story.
    Philadelphia, New York: J.B.Lippincott Company, 1951.

  1280. Florey, Robert.
    Hollywood années zéro.
    La préhistoire. L'invention. Les Pionniers. Naissance des mythes.
    Paris: Seghers, 1972.

  1281. Florey, Robert.
    Hollywood d'hier et d'aujourd'hui.
    Préface de René Clair. Présentation de Maurice Bessy.
    Paris: Editions Prisma, 1948.

  1282. Flynn, Errol.
    My Wicked, Wicked Ways.
    New York: G.P.Putnam's Sons, 1959.

  1283. Thomas, Tony, Rudy Behlmer and Clifford McCarty.
    The Films of Errol Flynn.
    Secaucus: Citadel Press, 1965.

  1284. Focus on Film. First Issue January-February 1970.
    London: Tantivy Press, 1969.

  1285. Foley, John.
    Very Important Person. Based on a film script by Jack Davies.
    London: May Fair Books, 1961.

  1286. Kiernan, Thomas.
    Jane Fonda. An intimate biography.
    London: Talmy Franklin, 1973.

  1287. Springer, John.
    The Fondas. The films and careers of Henry, Jane and Peter Fonda.
    New York, Secaucus: Citadel Press, 1974.

  1288. Ford, Charles.
    Hollywood Story.
    Paris: La Jeune Parque, 1968.

  1289. Ford, John and Dudley Nichols.
    Stagecoach. A film.
    London: Lorrimer Publishing, 1971.

  1290. Baxter, John.
    The Cinema of John Ford.
    London: A. Zwemmer; New York: A.S.Barnes & Co, 1971.

  1291. Bogdanovich, Peter.
    John Ford.
    London: Studio Vista, 1967.

  1292. Haudiguet, Philippe.
    John Ford. Propos de John Ford.
    Paris: Seghers, 1966.

  1293. John Ford. Moviemaker.
    London: National Film Theatre, 1972.

  1294. Mitryp Jean.
    John Ford. 2 vols.
    Paris: Editions Universitaires, 1954.

  1295. Burrows, Michael.
    John Ford and Andrew V. Mc.Laglen.
    Cornwall: Primestyle, 1970.

  1296. Fordin, Hugh.
    The World of Entertainment. Hollywood's greatest musicals.
    New York: Equinox Book by Avon Books, 1976.

  1297. Forman, Denis.
    Films 1945-1950.
    London, New York, Toronto: Longmans, Green and Co., 1952.

  1298. Forming and Running a Film Society.
    London: Federation of Film Societies, British Film Institute, 1961.

  1299. Fox, William.
    A Standard of Business in the Realm of Entertainment.
    New York, Hollywood: Fox Film Corporation, 1926.

  1300. Sinclair, Upton.
    Upton Sinclair Presents William Fox.
    Los Angeles: published by the author, 1933.

  1301. Fraccaroli, Arnaldo.
    Hollywood paese d'avventura.
    Milano: Fratelli Treves Editori, 1929.

  1302. Francisco, Charles.
    You Must Remember This... The filming of Casablanca.
    Englewood Cliffs: Prentice-Hall, 1980.

  1303. Pratley, Gerald.
    The Cinema of John Frankenheimer.
    London, A. Zwemmer; New York: A.S. Barnes & Co., 1969.

  1304. French, Philip.
    The Movie Moguls. An informal history of the Hollywood Tycoons.
    London: Weidenfeld and Nicolson, 1969.

  1305. Freulich, Roman and Joan Abramson.
    Forty Years in Hollywood: Portraits of a Golden Age.
    South Brunswick, N.Y.: A.S.Barnes and Company; London: Thomas Yoseloff, 1971.

  1306. Allister, Ray.
    Friese-Greene. Close-up of an Inventor.
    London: Marsland Publications, 1948.

  1307. Garnham, Nicholas.
    Samuel Fuller.
    London: Secker and Warburg in association with the British Film Institute, 1971.

  1308. Hardy, Phil.
    Samuel Fuller.
    London: Studio Vista, 1970.

  1309. Will, David and Peter Wollen (eds.).
    Samuel Fuller.
    Edinburgh: Edinburgh Film Festival in association with Scottish International Review, 1969.

  1310. The King. A biography of Clark Gable.
    New York: Coward-McCann, 1962.

  1311. Carpozi, George.
    Clark Gable.
    New York: Pyramid Books, 1962.

  1312. Gable, Kathleen.
    Clark Gable. A personal portrait.
    Englewood Cliffs: Prentice-Hall, 1961.

  1313. Garceau, Jean and Inez Cocke.
    Dear Mr. G. - The biography of Clark Gable.
    Boston, Toronto: Little, Brown and Company, 1961.

  1314. Harris, Warren G.
    Gable and Lombard.
    New York: Simon and Schuster, 1974.

  1315. Frank, Gerold.
    Zsa Zsa Gabor. My Story.
    Cleveland, New York: World Publishing Company, 1960.

  1316. Ava Gardner M.-G.-M. Star. Cut-Out Dolls.
    Raciner Whitman Publishing, 1952.

  1317. Daniell, John.
    Ava Gardner.
    London: W. H. Allen, 1982.

  1318. Gargan, William.
    Why Me? An autobiography.
    Garden City: Doubleday & Company, 1969.

  1319. Deans, Mickey and Ann Pinchot.
    Weep No More My Lady. An intimate biography of Judy Garland
    . London: W.H.Allen, 1972.

  1320. DiOrio, Al.
    Little Girl Lost. (The life and hard times of Judy Garland).
    New Rochelle: Arlington House Publishers, 1973.

  1321. Frank, Gerold.
    Judy.
    New York, Evanston, San Francisco, etc.: Harper & Row, 1975.

  1322. Garnett, Tay.
    Tall Tales from Hollywood.
    New York: Liveright, 1932.

  1323. Janet Gaynor.
    Affärsbiträdet som blev filmstjärna.
    Stockholm: Ahléen & Akerlunds Förlag, 1932.

  1324. Gazzo, Michael Vincente.
    A Hatful of Rain.
    New York: Signet Book by The New American Library, 1957.

  1325. Gelmis, Joseph.
    The Film Director as Superstar.
    Harmondsworth: Penguin Books, 1974.

  1326. Gibbon, Monk.
    The Red Shoes Ballet. A critical study.
    London: Saturn Press, 1948.

  1327. Gibbon, Monk.
    The Tales of Hoffmann. A study of the film.
    Southampton: Saturn Press, 1951.

  1328. Gifford, Denis.
    The Armchair Odeon. The collector's guide to the movies.
    Hertfordshire: Fountain Press, 1974.

  1329. Gillett, Eric (ed.).
    Collins Film Book.
    London, Glasgow: Collins, n.d.

  1330. Gillett, Eric (ed.).
    Junior Film Annual 1946-1947. To all my listeners in children's hour.
    Foreword by Derek McCulloch.
    London: Sampson Low, Marston & Co., (1947).

  1331. Gilliatt, Penelope.
    Sunday Bloody Sunday. The script of the John Schlesinger Film.
    Toronto, New York, London: Bantam Books, 1971.

  1332. Gish, Lillian and Ann Pinchot.
    The Movies, Mr. Griffith and Me.
    Englewood Cliffs: Prentice-Hall, 1969.

  1333. Gish, Lillian and Ann Pichot.
    The Movies, Mr.Griffith and Me.
    London: W.H. Allen, 1969.

  1334. Goldwyn, Samuel.
    Behind the Screen.
    New York: George H. Doran Company, 1923.

  1335. Griffith, Richard.
    Samuel Goldwyn the Producer and His Films.
    New York: Simon and Schuster for the Museum of Modern Art Film Library, 1956.

  1336. Griffith, Richard.
    Samuel Goldwyn. The producer and his films.
    Waterloo: National Film Theatre, 1957.

  1337. Johnston, Alva.
    The Great Goldwyn.
    New York: Random House, 1937.

  1338. Marx, Arthur.
    Goldwyn. A biography of the man behind the myth.
    New York: W.W.Norton & Company, 1976.

  1339. The Samuel Goldwyn Motion Picture Production of Porgy and Bess.
    New York: Random House, 1959.

  1340. Goode, James.
    The Story of The Misfits.
    Indianapolis, New York: Bobbs-Merrill Company, 1963.

  1341. Goodman, Ezra.
    The Fifty-Year Decline and Fall of Hollywood.
    New York: Simon and Schuster, 1961.

  1342. Gordon, Jan & Cora.
    Star-Dust in Hollywood.
    London, Bombay, Sydney: George G.Harrap & Co., 1931.

  1343. Gordon, Ruth and Garson Kanin.
    Adam's Rib. Screenplay.
    New York: Viking Press, 1972.

  1344. Gottesman, Ronald.
    Focus on Citizen Kane.
    Englewood Cliffs: Prentice-Hall, 1971.

  1345. Gow, Gordon.
    Hollywood in the Fifties.
    New York: A.S.Barnes & Co.; London: A. Zwemmer, 1971.

  1346. Betty Grable Life Story Album. The story of 3 men and a girl.
    New York: Dell Publishing, 1949.

  1347. Graham, Sheilah.
    The Garden of Allah.
    London, New York: W. H. Allen, 1971.

  1348. Graham, Sheilah.
    Scratch an Actor. Confessions of a Hollywood columnist.
    London: W.H.Allen, 1969.

  1349. Vermilye, Jerry.
    Cary Grant.
    New York: Galahad Books, 1973.

  1350. The Great American Films.
    Los Angeles: Los Angeles County Museum of Art Film Bulletin, 1973.

  1351. Greene, Graham and Carol Reed.
    The Third Man. A film.
    London: Lorrimer, 1969.

  1352. Hardy, Forsyth (ed.).
    Grierson on Documentary.
    London: Collins, 1946.

  1353. Hardy, Forsyth (ed.).
    Grierson on Documentary.
    With American notes by Richard Griffith and Mary Losey.
    New York: Harcourt, Brace and Company, 1947.

  1354. Hardy, Forsyth (ed.).
    Grierson on Documentary.
    London: Faber and Faber, 1966.

  1355. Hardy, Forsyth (ed.).
    Grierson und der Dokumentarfilm.
    Gütersloh: C.Bertelsmann, 1947.

  1356. Hardy, Forsyth.
    John Grierson. A documentary biography.
    London, Boston: Faber and Faber, 1979.

  1357. Griffith, Corinne.
    Hollywood Stories.
    New York: Frederick Fell, 1955.

  1358. Griffith, D. W.
    Ten Stills.
    New York: Film Library of the Museum of Modern Art, 1965.

  1359. Barry, Iris.
    D.W. Griffith. American Film Master.
    With an annoted list of films b Eileen Bowser.
    New York: Museum of Modern Art, 1965.

  1360. Brown, Karl.
    Adventures with D.W. Griffith.
    New York: Farrar, Straus and Giroux, 1973.

  1361. Croy, Homer.
    Star Maker. The story of D.W. Griffith. Introduction by Mary Pickford.
    New York: Duell, Sloan and Pearce, 1959.

  1362. Geduld, Harry M. (ed.).
    Focus on D. W. Griffith.
    Englewood Cliffs: Prentice-Hall, 1971.

  1363. Henderson, Robert M.
    D.W.Griffith. The years at biograph.
    London: Secker & Warburg, 1971.

  1364. O'Dell, Paul.
    Griffith and the Rise of Hollywood.
    London: A. Zwemmer; New York: A.S. Barnes & Co., 1970.

  1365. Griffith, Richard and Arthur Mayer.
    The Movies. The sixty-year story of the world of Hollywood and its effect on America, from pre-nickelodeon days to the present.
    New York: Simon and Schuster, 1957.

  1366. Haggard, H. Rider.
    King Solomon's Mines.
    Text from the Metro-Goldwyn-Mayer Technicolor Film.
    London, Melbourne: Ward, Lock & Co., ca. 1950.

  1367. Hall, Ben M.
    The Best Remaining Seats. The story of the golden age of the movie palace.
    New York: Clarkson N. Potter, 1961.

  1368. Halliday, Ruth Staff.
    Stars on the Crossways. An intimate guide to Hollywood.
    Sherman Oaks: Mitock and Sons, 1958.

  1369. Hamilton Ball, Robert.
    Shakespeare on Silent Film. A strange eventful history.
    London: George Allen and Unwin, 1968.

  1370. Hamlet. A Play by William Shakespeare. Written about 1600.
    Produced and directed by Laurence Olivier. A Two Cities film, 1948.
    London: Benjamin Pollock, n.d.

  1371. Hampton, Benjamin B.
    History of the American Film Industry from its Beginnings to 1931.
    (Formerly titled A history of the movies).
    With a new introduction by Richard Griffith.
    New York: Dover Publications, 1970.

  1372. Handel, Leo A.
    Hollywood Looks at its Audience. A report of film audience research.
    Urbana: University of Illinois Press, 1950.

  1373. Hardiman, James (ed.).
    Centurion Films Presents the Rowland V.Lee Production The Big Fisherman.
    Based on a novel by Lloyd C.Douglas.
    New York: Random House Book, 1959.

  1374. Conway, Michael and Mark Ricci (ed.).
    The Films of Jean Harlow.
    New York: Citadel Press, 1965.

  1375. Pascal, John.
    The Jean Harlow Story.
    New York: Popular Library, 1964.

  1376. Shulman, Irving.
    Harlow. An intimate biography.
    New York: Bernard Geis Associates, 1964.

  1377. Harrison, Rex.
    Rex. An autobiography.
    New York: William Morrow & Company, 1975.

  1378. Havilland, Olivia de.
    Every Frenchman Has One.
    New York: Random House, 1962.

  1379. Cameron, Ian (ed.).
    Howard Hawks.
    London: Movie Magazine, 1962/63.

  1380. Gili, Jean A.
    Howard Hawks. Propos de Howard Hawks.
    Paris: Seghers, 1971.

  1381. Missiaen, Jean-Claude.
    Howard Hawks.
    Paris: Editions Universitaires, 1966.

  1382. Hayes, Helen.
    A Gift of Joy.
    New York: M. Evans and Company, 1965.

  1383. Moley, Raymond.
    The Hays Office.
    Indianapolis, New York: Bobbs-Merrill Company, 1945.

  1384. Kobal, John.
    Rita Hayworth. The time and the place and the women.
    London: W. H. Allen, 1977.

  1385. Morella, Joseph and Edward Z. Epstein.
    Rita. The Life of Rita Hayworth.
    London: W. H. Allen, 1984.

  1386. Paery, Gerald.
    Rita Hayworth. A Pyramid Illustrated History of the Movies.
    New York: Pyramid, 1976.

  1387. Ringgold, Gene.
    The Films of Rita Hayworth. The Legend and Career of a Love Goddess.
    Secaucus: Citadel Press, 1974.

  1388. Hecht, Ben.
    A Child of the Century.
    New York: Signet Book, 1955.

  1389. Hellman, Lillian.
    An Unfinished Woman. A memoir.
    London: Macmillan, 1969.

  1390. Hennebelle Guy.
    Los cinemas nationales contra el imperialismo de Hollywood.
    Vol. 1: Nuevas tendencias del cine mundial (1960-1975).
    Introducción de Fernando Soalnes. Traduccióon: Xavier Aleixandre.
    Valencia: Fernando Torres, 1977.

  1391. Henrey, Robert.
    A Film Star in Belgrave Square.
    London: Peter Davies, 1948.

  1392. Heed, Börje and Torsten Quensel.
    Audrey Hepburn.
    Stockholm-Uddevalla, Bokförlaget Niloé, 1954.

  1393. Higham, Charles.
    Kate. The life of Katherine Hepburn.
    New York: W.W.Norton & Company, 1975.

  1394. Marill, Alvin H.
    Katherine Hepburn.
    New York: Pyramid Publications, 1973.

  1395. Hepworth, Cecil M.
    Came the Dawn. Memories of a film pioneer.
    London: Phoenix House, 1951.

  1396. Heston, Charlton.
    The Actor's Life. Journals 1956-1976. Edited by Hollis Alpert.
    New York: Henry Robbins Book, E.P.Dutton, 1978.

  1397. Higham, Charles.
    The Art of the American Film 1900-1971.
    Garden City: Anchor Press, Doubleday, 1973.

  1398. Higham, Charles.
    Hollywood Cameramen: Sources of Light.
    London: Thames and Hudson in association with the British Film Institute, 1970.

  1399. Higham, Charles and Joel Greenberg.
    Hollywood in the Forties.
    London: A. Zwemmer; New York: A.S.Barnes & Co., 1968.

  1400. High Heel Magazine. Vol. 2, no. 2.
    New York: Ultem Publications, 1938.

  1401. Hirschhorn, Clive.
    The Warner Bros. Story.
    London: Octopus, 1979.

  1402. Anobile, Richard J. (ed.).
    Alfred Hitchcock's Psycho.
    New York: Diverse Books, 1974.

  1403. Bogdanovich, Peter.
    The Cinema of Alfred Hitchcock.
    Garden City: Doubleday & Co. for the Museum of Modern Art Film Library, n.d.

  1404. Douchet, Jean.
    Alfred Hitchcock.
    Paris: Edition del'Herne, 1967.

  1405. Durgnat, Raymond.
    The Strange case of Alfred Hitchcock or The Plain Man's Hitchcock.
    London: Faber and Faber, 1974.

  1406. Manz, H. P.
    Alfred Hitchcock.
    Mit Texten von Alfred Hitchcock, Jean-Luc Godard, Alexandre Astruc etc.
    Zürich: Sanssouci Verlag, 1962.

  1407. Noble, Peter.
    Index to the Work of Alfred Hitchcock.
    London: British Film Institute, 1949.

  1408. Perry, George.
    The Films of Alfred Hitchcock.
    London, New York: Studio Vista, Dutton, 1965.

  1409. Rohmer, Eric and Claude Chabrol.
    Hitchcock.
    Paris: Editions Universitaires, 1957.

  1410. Simsolo, Noël.
    Alfred Hitchcock. Propos d'Alfred Hitchcock.
    Paris: Seghers, 1969.

  1411. Spoto, Donald.
    The Art of Alfred Hitchcock. Fifty years of his motion pictures.
    New York: Hopkinson and Blake, ca. 1977.

  1412. Taylor, John Russell.
    Hitch. The life and times of Alfred Hitchcock.
    New York: Pantheon Books, 1978.

  1413. Truffaut, F. and Helen Scott.
    Le cinéma selon Hitchcock.
    Paris: Robert Laffont, 1966.

  1414. Wood, Robin.
    Hitchcock's Films.
    London: A. Zwemmer; New York: A.S. Barnes & Co, 1965.

  1415. Castello, Giulio Cesare.
    William Holden.
    Milano: Sedit, 1956.

  1416. Höllriegel, Arnold.
    Hollywood Bilderbuch.
    Leipzig, Wien: E.P.Tal & Co., 1927.

  1417. Holloway, Stanley.
    Wiv a Little Bit O'Luck. The life story of Stanley Holloway as told to Dick Richards.
    London: Leslie Frewin, 1967.

  1418. Hope, Bob.
    Five Women I Love. Bob Hope's Vietnam story.
    Garden City: Doubleday & Company, 1966.

  1419. Hope, Bob.
    I Owe Russia $1200.
    Garden City: Doubleday & Company, 1963.

  1420. Hope, Bob and Bob Thomas.
    The Road to Hollywood. My 40-year love affair with the movies.
    Garden City: Doubleday & Company, 1977.

  1421. Bob Hope's Own Story. Have Tux, Will Travel. As told to Pete Martin.
    New York: Simon and Schuster, 1954.

  1422. Hopper, Hedda and James Brough.
    The Whole Truth and Nothing But.
    Garden City: Doubleday & Company, 1963.

  1423. Howard, Leslie Ruth.
    A Quite Remarkable Father. The biography of Leslie Howard.
    New York: Harcourt, Brace and Company, 1959.

  1424. Hubert, Ali.
    Hollywood. Legende und Wirklichkeit. Eingeleitet von Emil Jannings.
    Leipzig: E.A.Seemann, 1930.

  1425. Huff, Theodore.
    Intolerance.
    The film by David Wark Griffith. Shot-by-shot analysis.
    New York: Museum of Modern Art, 1966.

  1426. Huntley, John.
    British Film Music. Foreword by Muir Mathiesen.
    London: Skelton Robinson, 1947.

  1427. Huntley, John.
    British Technicolor Films.
    London: Skelton Robinson, 1949.

  1428. Hurren, Kenneth A. and S. Evelyn Thomas (eds.).
    British Cinema. With foreword by Vivien Leigh.
    London: S. Evelyn Thomas, ca.1949.

  1429. Huston, John.
    An Open Book.
    New York: Alfred A.Knopf, 1980.

  1430. Benayoun, Robert.
    John Huston. Propos de John Huston.
    Paris: Seghers, 1966.

  1431. Collectif and Freddy Buache.
    John Huston.
    Lyon: Serdoc, 1966.

  1432. Pratley, Gerald.
    The Cinema of John Huston.
    South Brunswick, N.Y.: A.S. Barnes and Company; London: Tantivy Press, 1977.

  1433. Hutton, Clayton.
    Macbeth. The making of the film.
    London: Max Parrish, 1960.

  1434. Imagery. American Journal of Cinematic Art. vol. 1 no. 2.
    Berkeley: Professional Press, 1961.

  1435. Inglis, Ruth A.
    Der Amerikanische Film. Eine kritische Studie.
    Nürnberg: Nest-Verlag, 1951.

  1436. Irwin, Will.
    The House that Shadows Built.
    Garden City: Doubleday, Doran & Company, 1928.

  1437. Israel, Lee.
    Miss Tallulah Bankhead.
    New York: Berkley Books, 1980.

  1438. Ivory, James.
    Savages. Shakespeare Wallah. Two Films.
    New York: Grove Press, 1973.

  1439. Jacobs, Lewis.
    The Rise of the American Film. A critical history.
    With an essay on Experimental Cinema in America 1921-1947.
    New York: Teachers College Press, 1968.

  1440. Grierson, John, Kathleen Raine, Basil Wright, etc.
    Humphrey Jennings, 1907 - 1950. A tribute.
    London: Humphrey Jennings Memorial Fund Committee, n.d.

  1441. Jerome, V. J.
    The Negro in Hollywood Films.
    New York: Masses & Mainstream, 1952.

  1442. Jessel, George.
    Halo over Hollywood.
    Van Nuys: Toastmaster Publishing Co., 1963.

  1443. Jessel, George.
    This Way, Miss. With a foreword by William Saroyan.
    New York: Henry Holt and Company, 1955.

  1444. Sieben, Pearl.
    The Immortal Jolson.
    New York: Frederick Fell, 1962.

  1445. Kael, Pauline.
    Going Steady.
    Boston, Toronto: Little, Brown and Company, 1970.

  1446. Kael, Pauline.
    I Lost it at the Movies.
    London: Jonathan Cape, 1966.

  1447. Kael, Pauline, Herman J. Mankiewicz and Orson Welles.
    The Citizen Kane Book.
    Raising Kane by Pauline Kael. The Shooting Script by Herman J. Mankiewicz and Orson Welles.
    London: Secker & Warburg, 1971.

  1448. Kahn, Gordon.
    Hollywood on Trial. The story of the 10 who where indicted.
    Foreword by Thomas Mann.
    New York: Boni & Gaer, 1948.

  1449. Kanin, Garson.
    Hollywood: Stars and Starlets, Tycoons and Flesh-Peddlers, Moviemakers and Moneymakers,
    Frauds and Geniuses, Hopefuls and Has-Beens, Great Lovers and Sex Symbols.
    New York: Viking Press, 1974.

  1450. Kardish, Laurence.
    Reel Plastic Magic. A history of films and filmmaking in America.
    Boston, Toronto: Little, Brown and Company, 1972.

  1451. Lindsay, Cynthia.
    The Life of William Henry Pratt a.k.a. Boris Karloff.
    New York: Alfred A. Knopf, 1975.

  1452. Underwood, Peter.
    Horror Man. The life of Boris Karloff.
    With an appendix of the films in which he appeared.
    London: Leslie Frewin, 1972.

  1453. Karmel, Alex.
    Something Wild. (Original title: Mary Ann).
    London: Panther Book, 1961.

  1454. Kauffmann, Stanley and Bruce Henstell (eds.).
    American Film Criticism.
    From the beginnings to Citizen Kane.
    Reviews of significant films at the time they first appeared.
    New York: Liveright, 1972.

  1455. Singer, Kurt.
    The Danny Kaye Saga. London: Robert Hale, 1957.

  1456. Tailleur, Roger.
    Elia Kazan. Propos d'Elia Kazan.
    Paris: Seghers, 1966.

  1457. Working with Kazan.
    Published on the occasion of a complete retrospective of the films of Elia Kazen. Presented by the Wesleyan Film Program for the inauguration of the Cinema of The Center for the Arts.
    Middletown: Wesleyan University, 1973.

  1458. Keaton, Buster and Charles Samuels.
    My Wonderful World of Slapstick.
    Garden City: Doubleday & Company, 1960.

  1459. Anobile, Richard J. (ed.).
    The Best of Buster.
    The classic comedy scenes direct from the films of Buster Keaton.
    London: Hamish Hamilton, Elm Tree Books, 1976.

  1460. Blesh, Rudi.
    Keaton.
    London: Secker & Warburg, 1967.

  1461. Buster Keaton 1917-1931.
    N.p., n.d.

  1462. Coursodon, Jean-Pierre.
    Keaton et Cie les burlesques américains du "muet".
    Propos de Buster Keaton et Harold Lloyd.
    Paris: Seghers, 1964.

  1463. Lebel, Jean-Patrick.
    Buster Keaton. Paris: Editions Universitaires, 1964.

  1464. Lebel, J.-P.
    Buster Keaton. Translated by P.D.Stovin.
    London: A. Zwemmer; New York: A.S.Barnes & Co., 1967.

  1465. Oms, Marcel.
    Buster Keaton.
    Lyon: Serdoc, 1964.

  1466. Oms, Marcel.
    Buster Keaton.
    Barcelona, Tusquets Editor, 1969.

  1467. Robinson, David.
    Buster Keaton.
    London: Secker & Warburg, British Film Institue, 1969.

  1468. Gaither, Gant.
    Princess of Monaco. The story of Grace Kelly.
    New York: Henry Holt and Company, 1957.

  1469. Kelly, Katie.
    My Prime Time. Confessions of a TV Watcher.
    New York: Seaview Books, 1980.

  1470. Kennedy, G. H. and Cance King (eds.).
    Production Encyclopedia 1952 (1947-1951).
    Hollywood: The Hollywood Reporter, 1952.

  1471. Kerouac, Jack.
    Pull My Daisy. Text ad-libbed by Jack Kerouac for the film by Robert Frank and Alfred Leslie.Introduction by Jerry Tallmer.
    New York: Grove Press; London: Evergreen Books, 1961.

  1472. Kessel, J.
    Hollywood. Ville mirage.
    Paris: Gallimard, 1937.

  1473. Israel, Lee.
    Kilgallen.
    New York: Delacorte Press, 1979.

  1474. Kobal, John.
    Gotta Sing Gotta Dance. A pictorial history of film musicals.
    London, New York, Sydney etc.: Hamlyn, 1972.

  1475. Kobal, John and V. A, Wilson.
    Foyer Pleasure. The Golden Age of Cinema Lobby Cards.
    Foreword by Benny Green.
    London: Aurum Press, 1982.

  1476. Kober, Arthur.
    That Man is Here Again. The adventures of a Hollywood agent.
    New York: Random House, 1946.

  1477. Komroff, Manuel, Nathan Resnick and Konrad Cramer.
    The Third Eye.
    New York: Walker & Company, 1962.

  1478. Korda, Michael.
    Charmed Lives. A family romance.
    New York: Random House, 1979.

  1479. Kostelanetz, Richard (ed.).
    The New American Arts.
    Film by Harris Dienstfrey. Theatre by Richard Kostelanetz. Painting by Max Kozloff etc.
    New York: Horizon Press, 1965.

  1480. Kracauer, Siegfried.
    National Types as Hollywood Presents Them.
    N.p., 1949.

  1481. Krafsur, Richard P.(ed.).
    The American Film Institute Catalog of Motion Pictures.
    Feature films 1961-1970.
    New York, London: R.R.Bowker Company, 1976.

  1482. Linet, Beverly.
    Ladd. The Life, the Legend, the Legacy of Alan Ladd. A biography.
    New York: Arbor House, 1979.

  1483. Lahue, Kalton C.
    Bound and Gagged. The story of the silent serials.
    South Brunswick, N.Y.: A.S.Barnes and Company; London, Thomas Yoseloff, 1968.

  1484. Lahue, Kalton C.
    Dreams for Sale. The rise and fall of the triangle film corporation.
    South Brunswick, N.Y.: A.S. Barnes and Company; London: Thomas Yoseloff, 1971.

  1485. Lahue, Kalton C. (ed.).
    Motion Picture Pioneer: The Selig Polyscope Company.
    South Brunswick, N.Y.: A.S.Barnes and Company; London: Thomas Yoseloff, 1973.

  1486. Lahue, Kalton C.
    World of Laughter. The motion picture comedy short, 1910 - 1930.
    Norman: University of Oklahoma Press, 1966.

  1487. Lahue, Kalton C. and Terry Brewer.
    Kops and Custards.The legend of Keystone films.
    With a foreword by Kent D. Eastin.
    Norman: University of Oklahoma Press, 1968.

  1488. Lake, Veronica and Donald Bain.
    Veronica. Autobiography.
    London: W.H.Allen, 1969.

  1489. Lamarr, Hedy.
    Ecstasy and Me. My life as a woman.
    N.p.: Batholomew House, 1966.

  1490. Lambert, Gavin.
    The Slide Area. Scenes of Hollywood Life.
    London: Hamish Hamilton, 1959.

  1491. Lamparski, Richard.
    Whatever Became of ... ? Introduction by Cleveland Amory.
    New York: Crown Publishers, 1967.

  1492. Lamparski, Richard.
    Whatever Became of ... ? Second Series.
    New York: Crown Publishers, 1968.

  1493. Hunter, Allan.
    Burt Lancaster. The Man and his Movies.
    Edinburgh: Paul Harris, 1984.

  1494. Vermilye, Jerry.
    Burt Lancaster. Hollywood's Magic People.
    New York: Falcon Enterprises, 1971.

  1495. Windeler, Robert.
    Burt Lancaster.
    London: W. H. Allen, 1984.

  1496. Lasky, Jesse L.
    Whatever Happened to Hollywood?
    New York: Funk & Wagnalls, 1975.

  1497. Lasky, Jesse L. and Don Weldon.
    I Blow My Own Horn.
    Garden City: Doubleday & Company, 1957.

  1498. Singer, Kurt.
    The Charles Laughton Story.
    London: Robert Hale, 1954.

  1499. Singer, Kurt.
    La historia de Charles Laughton.
    Traducción direct del inglés por L. Sureda Guyto.
    Barcelona: Editorial Ahr, 1955.

  1500. Burrows, Michael.
    Charles Laughton and Fredric March.
    Cornwall: Primestyle, 1969.

  1501. Barr, Charles.
    Laurel & Hardy.
    London: Studio Vista, 1967.

  1502. Borde, Raymond and Charles Perrin.
    Laurel et Hardy.
    Lyon: Serdoc, 1965.

  1503. McGabe, John.
    Mr. Laurel and Mr. Hardy.
    Garden City: Doubleday & Company, 1961.

  1504. Lawson, John Howard.
    Film in the Battle of Ideas.
    New York: Masses & Mainstream, 1953.

  1505. Leab, Daniel J.
    From Sambo to Superspade. The black experience in motion picture.
    London: Secker & Warburg, 1975.

  1506. Lee, Gypsy Rose.
    The G-String Murders.
    Cleveland, New York: World Publishing Company, 1945.

  1507. Lehmann, Ernest.
    North by Northwest. Screenplay.
    New York: Viking Press, 1972.

  1508. Leigh, Dorian and Laura Hope.
    The Girl Who Had Everything. The story of "The Fire and Ice Girl".
    Garden City: Doubleday & Company, 1980.

  1509. Dent, Alan.
    Vivien Leigh. A Bouquet.
    London: Hamish Hamilton, 1969.

  1510. Robyns, Gwen.
    Light of a Star. (Vivien Leigh).
    London: Leslie Frewin, 1968.

  1511. Leloir, Maurice.
    Cinq mois à Hollywood avec Douglas Fairbanks and Max de Cuvillon.
    Films muets films parlants.
    Paris: J. Peyronnet & Cie., 1929.

  1512. LeRoy, Mervyn.
    It Takes More than Talent. As told to Alyce Canfield.
    With an introduction by Louis B. Mayer.
    New York: Alfred A. Knopf, 1953.

  1513. Leutrat, Paul and Jean Louis.
    Jeune cinéma américain.
    Lyon: Serdoc, 1967.

  1514. Levin, Martin (ed.).
    Hollywood and the Great Fan Magazines.
    New York: Castle Books, 1970.

  1515. Lewis, Arthur H.
    It Was Fun While it Lasted.
    New York: Trident Press, 1973.

  1516. Lewis, Grover.
    Academy All the Way.
    San Francisco: Straight Arrow Books, 1974.

  1517. Leutrat, Jean-Louis and Paul Simonci.
    Jerry Lewis.
    Lyon: Serdoc, 1965.

  1518. Recasens, Gerard.
    Jerry Lewis. Propos de Jerry Lewis.
    Paris: Seghers, 1970.

  1519. Simsolo, Noël.
    Le monde de Jerry Lewis.
    Paris: Editions du Cerf, 1969.

  1520. Life Goes to the Movies.
    New York: Wallaby Book published by Pocket Books, 1977.

  1521. Lipton, Lenny.
    Lipton on Filmmaking. Edited by Chet Roaman.
    New York: Fireside Book by Simon and Schuster, 1979.

  1522. Lloyd, Ann and David Robinson (eds.).
    They Went That-A-Way.
    London: Orbis Publishing, 1982.

  1523. Lloyd, Harold and Wesley W. Stout.
    An American Comedy. With an introductory note by Richard Griffith.
    New York: Dover Publications, 1971.

  1524. Borde, Raymond.
    Harold Lloyd.
    Lyon: Serdoc, 1968.

  1525. Cahn, William.
    Harold Llyod's World of Comedy.
    New York: Duell, Sloan and Pearce, 1964.

  1526. Lacourbe, Roland.
    Harold Lloyd. Propos de Harold Lloyd.
    Paris: Seghers, 1970.

  1527. Swindell, Larry.
    Screwball. The Life of Carole Lombard.
    New York: William Morrow and Company, 1975.

  1528. Loos, Anita.
    A Girl Like I.
    New York: Viking Press, 1966.

  1529. Loos, Anita.
    Kiss Hollywood Good-Bye.
    London: W.H. Allen, 1974.

  1530. Snyder, Robert L.
    Pare Lorentz and the Documentary Film.
    Norman: University of Oklahoma Press, 1968.

  1531. Leahy, James.
    The Cinema of Joseph Losey.
    London: A. Zwemmer; New York: A.S. Barnes & Co., 1967.

  1532. Ledieu, Christian.
    Joseph Losey. Propos de Joseph Losey.
    Paris: Seghers, 1963.

  1533. Milne, Tom (ed.).
    Losey on Losey.
    London: Secker & Warburg in association with the British Film Institute, 1967.

  1534. Rissient, Pierre.
    Losey.
    Paris: Editions Universitaires, 1966.

  1535. Lovelace, Linda and Mike McGrady.
    Ordeal. (An autobiography).
    Secaucus: Citadel Press, 1980.

  1536. Low, Rachael and Roger Manvell.
    The History of the British Film 1896-1906.
    London: George Allen & Unwin, 1948.

  1537. Low, Rachael.
    The History of the British Film 1906-1914.
    London: George Allen & Unwin, 1949.

  1538. Low, Rachael.
    The History of the British Film 1914-1918.
    London: George Allen & Unwin, 1950.

  1539. Lynn, Nicholas and Ed Tyler.
    It's Camp.
    New York: Salisbury House, 1965.

  1540. Mac Liammóir, Micheál.
    Put Money in thy Purse. The diary of the film Othello.
    With a preface by Orson Welles.
    London: Methuen & Co., 1952.

  1541. McCaffrey, Donald W.
    4 Great Comedians. Chaplin, Lloyd, Keaton, Langdon.
    London: A. Zwemmer; New York: A.S.Barnes & Co., 1968.

  1542. McCallum, John.
    Scooper. Authorized story of Scoop Conlon's Motion Picture World.
    Seattle: Wood & Reber, 1960.

  1543. MacCann, Richard Dyer.
    Hollywood in Transition.
    Boston: Houghton Mifflin Company, 1962.

  1544. McClellan, Doug.
    Hollywood on Hollywood. Tinsel town talks.
    Boston, London: Faber and Faber, 1985.

  1545. McClintick, David.
    Indecent Exposure. A true story of Hollwood and Wall Street.
    New York: William Morrow and Company, 1982.

  1546. MacDonald, Dwight.
    Dwight MacDonald on Movies.
    Englewood Cliffs: Prentice-Hall, 1969.

  1547. MacLaine, Shirley.
    Don't Fall off the Mountain.
    New York: W.W.Norton & Company, 1970.

  1548. MacLaine, Shirley.
    You Can Get There from Here.
    New York: W.W. Norton & Company, 1975.

  1549. Erens, Patricia.
    The Films of Shirley MacLaine.
    South Brunswick, N.Y.: A.S. Barnes and Company; London: Thomas Yoseloff, 1978.

  1550. Mccoy, Malachy.
    Steve McQueen.
    London: Robert Hale & Company, 1974.

  1551. Maddux, Rachel, Stirling Silliphant and Neil D. Isaacs.
    Fiction into Film. A walk in the spring rain.
    New York: Delta Book, 1970.

  1552. Malins, Geoffrey H.
    How I Filmed the War. A record of the extraordinary experiences of the man who filmed the great somme battles etc.
    Edited by Low Warren.
    London: Herbert Jenkins, 1920.

  1553. Milne, Tom.
    Rouben Mamoulian.
    London: Secker & Warburg in association with the British Film Institute, 1969.

  1554. Silke, James R. (ed.).
    Rouben Mamoulian. "Style is the Man".
    Beverly Hills: American Film Institute, 1971.

  1555. Mankiewicz, Joseph L.
    All About Eve. A screenplay. Based upon a short story by Mary Orr.
    New York: Random House, 1951.

  1556. Mann, Abby.
    Judgement at Nuremberg. The script of the film.
    London: Cassell, 1961.

  1557. Missiaen, Jean-Claude.
    Anthony Mann.
    Paris: Editions Universitaires, 1964.

  1558. Callan, Michael Feeney.
    Pink Goddness. The Jayne Mansfield Story.
    London: W. H. Allen, 1986.

  1559. Mann, May.
    Jayne Mansfield. A biography.
    New York: Drake Publishers, 1973.

  1560. Manvell, Roger.
    New Cinema in Britain.
    London: Studio Vista, 1969.

  1561. Manvell, Roger.
    New Cinema in the USA. The feature film since 1946.
    London, New York: Studio Vista, Dutton, 1968.

  1562. Manvell, Roger (ed.).
    Three British Screen Plays. Brief Encounter. Odd Man Out.
    Scott of the Antarctic.     Foreword by Frank Launder.
    London: Methuen & Co., 1950.

  1563. Marx, Arthur.
    Everybody Loves Somebody Sometime (Especially Himself).
    The story of Dean Martin and Jerry Lewis.
    New York: Hawthorn Books, 1974.

  1564. Martin, Olga J.
    Hollywood's Movie Commandments.
    A handbook for motion picture writers and reviewers.
    New York: H.W. Wilson Company, 1937.

  1565. Martin, Pete.
    Hollywood Without Make-Up.
    With a foreword by Nunnally Johnson and a afterword by Jack Alexander.
    New York: Bantam Books, 1949.

  1566. Marx, Arthur.
    Groucho.
    London:, Victor Gollancz, 1954.

  1567. Marx, Groucho.
    Groucho and Me.
    New York: Bernard Geis Associates, distributed by Random House, 1959.

  1568. Chandler, Charlotte.
    Hello, I must be going. Groucho and his friends.
    Garden City: Doubleday & Company, 1978.

  1569. The Groucho Letters. Letters from and to Groucho Marx.
    New York: Simon and Schuster, 1967.

  1570. Marx, Arthur.
    Son of Groucho.
    New York: David McKay Company, 1972.

  1571. Marx, Harpo and Rowland Barber.
    Harpo Speaks!
    New York: Bernard Geis Associates, 1961.

  1572. Anobile, Richard J. (ed.).
    Why a Duck? Visual and verbal gems from the Marx Brothers movies.
    Introduction by Groucho Marx. Preface by Richard F. Shepard.
    London: Studio Vista, 1972.

  1573. Crichton, Kyle.
    The Marx Brothers.
    Garden City: Doubleday & Company, 1950.

  1574. Durgnat, Raymond.
    The Marx Brothers.
    Wien: Österreichisches Filmmuseum, 1966.

  1575. Eyles, Allen.
    The Marx Brothers. Their world of comedy.
    London: A. Zwemmer; New Jersey: A.S. Barnes & Co., 1966.

  1576. The Four Marx Brothers in Monkey Business and Duck Soup.
    London: Lorrimer Publishing, 1972.

  1577. Marx, Groucho and Richard J. Anobile.
    The Marx Bros. Scrapbook.
    New York: Darien House, 1973.

  1578. Zimmermann, Paul D. and Burt Goldblatt.
    The Marx Brothers at the Movies.
    New York: G.P. Putnam's Sons, 1968.

  1579. Mascelli, Joseph V. (ed.).
    American Cinematographer Manual.
    Hollywood: American Society of Cinematographers, 1966.

  1580. Hirschhorn, Clive.
    The Films of James Mason.
    With some second thoughts by James Mason. Research by Corin Moore.
    Secaucus: Citadel Press, 1977.

  1581. Beddington, Jack, Nicolas Bentley, Henri Langlois etc.
    Richard Massingham. A tribute by his friends and a record of his films. Foreword by Basil Wright.
    N.p.: Richard Massingham Memorial Fund, 1955.

  1582. Maugham, W. Somerset.
    Quartet. Stories. Screen-plays by R.C.Sherriff.
    New York: Avon Publishing Company, 1949.

  1583. Maugham, W. Somerset.
    Trio. Stories.
    Screenplays by W. Somerset Maugham, R.C. Sherriff, Noel Langley.
    New York: Avon Publishing Co., 1951.

  1584. Mayer, J. P.
    British Cinemas and their Audiences. Sociological studies.
    London: Dennis Dobson, 1948.

  1585. Crowther, Bosley.
    Hollywood Rajah. The Life and Times of Louis B. Mayer.
    New York: Holt, Rinehart and Winston, 1960.

  1586. Crowther, Bosley.
    Hollywood Rajah. The life and times of Louis B. Mayer.
    New York: Dell Book, 1961.

  1587. Mayer, Michael F.
    Rights of Privacy.
    New York: Law-Arts Publishers, 1972.

  1588. Mayersberg, Paul.
    Hollywood the Haunted House.
    London: Allen Lane, The Penguin Press, 1967.

  1589. Mellen, Joan.
    Big Bad Wolves. Masculinity in the American film.
    New York: Pantheon Books, 1977.

  1590. Shibuk, Charles.
    An Index to the Films of Lewis Milestone.
    N.p.: Research Project of the Theodore Huff Memorial Film Society, 1958.

  1591. Miller, Arthur.
    The Misfits.
    New York: Viking Press, 1961.

  1592. Miller, Arthur.
    The Misfits.
    New York: Dell Book, 1961.

  1593. Miller, Arthur.
    Situation Normal ...
    New York: Reynal & Hitchcock, 1944.

  1594. Miller, Max.
    For the Sake of Shadows.
    New York: E.P.Dutton & Co., 1936.

  1595. Milligan, Spike.
    The Q Annual.
    London: Michael Joseph, M & J Hobbs, 1979.

  1596. Roche, Catherine de la
    Vincente Minnelli.
    Petone: The New Zealand Institute, 1959.

  1597. Roche, Catherine de la.
    Vincente Minnelli.
    Lyon: Serdoc, 1966.

  1598. Trucaud, François.
    Vincente Minnelli.
    Paris: Editions Universitaires, 1966.

  1599. Downing, David.
    Robert Mitchum.
    London: W.H.Allen, 1985.

  1600. Marill, Alvin H.
    Robert Mitchum on the Screen.
    South Brunswick, N.Y., London: A.S.Barnes and Company, Thomas Yoseloff, 1978.

  1601. Mix, Paul E.
    The Life and Legend of Tom Mix.
    South Brunswick, N.Y.: A.S.Barnes and Company; London: Thomas Yoseloff, 1972.

  1602. Ponicsan, Darryl.
    Tom Mix Died for Your Sins. A novel based on his life.
    New York: Delacorte Press, 1975.

  1603. Stokes Mix, Olive and Eric Heath.
    The Fabulous Tom Mix.
    Englewood Cliffs: Prentice-Hall, 1957.

  1604. Monaco, James.
    American Film Now. The People, the Power, the Money, the Movies.
    New York: Oxford University Press, 1979.

  1605. Carpozi, Goerge.
    The Agony of Marilyn Monroe.
    London: World Distributors, 1961.

  1606. Franklin, Joe and Laurie Palmer.
    The Marilyn Monroe Story.
    New York: Rudolf Field Company, 1953.

  1607. Guiles, Fred Lawrence.
    Norma Jean. The life of Marilyn Monroe.
    New York, Toronto, London etc.: McGraw-Hill Book Company, 1969.

  1608. Hamblett, Charles.
    Who Killed Marilyn Monroe? or, Cage to Catch our Dreams.
    London: Leslie Frewin, 1966.

  1609. Hoyt, Edwin P.
    Marilyn. The Tragic Venus.
    New York: Duell, Sloan and Pearce, 1965.

  1610. Kobal, John (ed.).
    Marilyn Monroe. A Life on Film. Introduction by David Robinson.
    London, New York, Sydney, etc.: Hamlyn, 1974.

  1611. Laclos, Michel.
    Marilyn Monroe.
    Paris: Jean-Jacques Pauvert, n.d.

  1612. Mailer, Norman.
    Marilyn. A biography. Pictures by the world's foremost photographers.
    London: Hodder and Stoughton, 1973.

  1613. Mailer, Norman.
    Marilyn. A biography. Pictures by the world's foremost photographers.
    London: Spring Books, 1988.

  1614. Marilyn Monroe as The Girl.
    The candid picture-story of the making "The Seven Year Itch".
    Foreword by George Axelrod.
    New York: Balantine Books, 1955.

  1615. Martin, Pete.
    Will Acting Spoil Marilyn Monroe?
    Garden City: Doubleday & Company, 1956.

  1616. Mellen, Joan.
    Marilyn Monroe.
    New York: Pyramid, 1973.

  1617. Reiner, Silvain.
    La Tragédie de Marilyn Monroe.
    Paris: Plon, 1965.

  1618. Rosten, Norman.
    Marilyn, a Very Personal Story.
    London: Millington, 1974.

  1619. Spada, James and George Zeno.
    Monroe. Her Life in Pictures.
    London: Sidwick & Jackson, 1982.

  1620. Summers, Anthony.
    Goddess. The Secret Lives of Marilyn Monroe.
    London: Victor Gollancz, 1985.

  1621. Wagenknecht, Edward (ed.).
    Marilyn Monroe. A composite view.
    Philadelphia, New York, London: Chilton Book Company, 1969.

  1622. Zanetti, Livio and Giuseppe Calzolari.
    Marilyn Monroe.
    Milano: Sedit, 1955.

  1623. Zolotow, Maurice.
    Marilyn Monroe.
    New York: Harcourt, Brace & Company, 1960.

  1624. Zolotow, Maurice.
    Marilyn Monroe. An uncensored biography.
    London: Panther Book, 1962.

  1625. Moore, Colleen.
    Silent Star.
    Garden City: Doubleday & Company, 1968.

  1626. Roger Moore as James Bond.
    Roger Moore's own account of filming Live and Let Die.
    London: Pan Books, 1973.

  1627. Morella, Joe and Edward Z. Epstein.
    The "It" Girl. The incredible story of Clara Bow.
    New York: Delacorte Press, 1976.

  1628. Morley, Robert and Sewell Stokes.
    Robert Morley "Responsible Gentleman".
    London: Heinemann, 1966.

  1629. Morrison, Jack.
    The Rise of the Arts on the American Campus.
    New York, St.Louis, San Francisco etc.: McGraw-Hill Book Company, 1973.

  1630. Mosley, Leonard.
    The Battle of Britain. The making of a film.
    London: Weidenfeld and Nicolson, 1969.

  1631. Movie Humor. Hollywood Girls and Gags. Vol. 4, no. 2.
    New York: Ultem Publications, 1937.

  1632. Movie Humor. Hollywood Girls and Gags. Vol. 5, no. 5.
    New York: Lex Publications, 1939.

  1633. Movie Lot to Beachhead.
    The motion picture goes to war and prepares for the future
    by the Editors of Look. With a preface by Robert St. John.
    Garden City: Doubleday, Doran and Company, 1945.

  1634. Mullen, Pat.
    Man of Aran.
    Cambridge, London: M.I.T.Press, 1970.

  1635. Munden, Kenneth W. (ed.).
    The American Film Institute Catalog of Motion Pictures
    Produced in the United States. Feature films 1921 - 1930.
    Credit & subject indexes.
    New York, London: R.R.Bowker Company, 1971.

  1636. Myers, Denis.
    Secrets of the Stars.
    London: Odhams Press, n.d.

  1637. Hamblett, Charles.
    Paul Newman.
    Chicago: Henry Regnery Company, 1975.

  1638. Newquist, Roy.
    A Special Kind of Magic.
    N.p.: Rand McNally & Company, 1967.

  1639. Nielsen, Arthur C.
    Television Audience Research for Great Britain.
    Chicago, Oxford: A.C.Nielsen Company, 1955. .

  1640. Niven, David.
    Bring on the Empty Horses.
    New York: Putnam's Sons, 1975.

  1641. Niver, Kemp R.
    In the Beginning.
    Program notes to accompany one hundred early motion pictures.
    New York: Brandon Books, 1967.

  1642. Noble, Peter.
    Reflected Glory. An autobiographical sketch.
    London: Jarrolds, 1958.

  1643. Noerdlinger, Henry S.
    Moses and Egypt.
    The documentation to the motion picture The Ten Commandments.
    With an introduction by Cecil B. de Mille.
    Los Angeles: University of Southern California Press, 1956.

  1644. Norris, Frank.
    McTeague. A story of San Francisco.
    New York: Grosset & Dunlap, n.d.

  1645. Noble, Peter.
    Ivor Novello. Man of the Theatre. Authorised biography.
    With an introduction by Ivor Novello and a foreword by Noël Coward.
    London: News of the World, 1952.

  1646. Nye, Russel.
    The Unembarrassed Muse: The Popular Arts in America.
    New York: Dial Press, 1971.

  1647. Oakley, C. A.
    Where We Came In. Seventy years of the British film industry.
    London: George Allen & Unwin, 1964.

  1648. Barker, Felix.
    The Oliviers. A biography.
    London: Hamish Hamilton, 1953.

  1649. Laurence Olivier zeigt: Hamlet von William Shakespeare.
    Ein J. Arthur Rank Film (Program).
    Hamburg: Eagle-Lion-Film, n.d.

  1650. Spiel, Hilde.
    Sir Laurence Olivier.
    Berlin: Rembrandt-Verlag, 1958.

  1651. Villani, Silvano.
    Laurence Olivier.
    Milano: Sedit, 1955.

  1652. Osborne, John.
    Tom Jones. A film script.
    London: Faber and Faber, 1964.

  1653. Osborne, John.
    Tom Jones. A film script.
    Film book editor: Robert Hughes.
    New York: Grove Press, 1964.

  1654. Osborne, John.
    Tom Jones. Drehbuch.
    Aus dem Englischen übertragen von Klaus Hellwig und Peter H. Schröder.
    Hamburg: Marion von Schröder Verlag, 1965.

  1655. Paar, Jack and John Reddy.
    My Saber is Bent.
    New York: Trident Press Book, Simon and Schuster, 1961.

  1656. Hickman, Gail Morgan.
    The Films of George Pal.
    South Brunswick, New York: A.S.Barnes and Company; London: Thomas Yoseloff, 1977.

  1657. Parish, James Robert.
    The Paramount Pretties. Editor: T. Allan Taylor.
    New Rochelle: Arlington House, 1972.

  1658. Parish, James Robert.
    The RKO Gals. Editor: T. Allan Taylor.
    New Rochelle: Arlington House, 1974.

  1659. Parish, James Robert.
    The Tough Guys.
    Carlstadt: Rainbow Books, 1977.

  1660. Parsons, Louella O.
    Tell it to Louella.
    New York: G.P.Putnam's Sons, 1961.

  1661. Pasternak, Joe.
    Easy the Hard Way. As told to David Chandler.
    New York: G.P.Putnam's Sons, 1956.

  1662. Paul, Elliot.
    Film Flam.
    London: Frederick Muller Ltd., 1956.

  1663. Pearson, George.
    Flashback. The Autobiography of a British Film-maker.
    London: George Allen & Unwin, 1957.

  1664. Freedland, Michael.
    Gregory Peck.
    New York: William Morrow and Company, 1980.

  1665. Wood, Robin.
    Arthur Penn.
    London: Studio Vista, 1967.

  1666. Perrella, Robert.
    They Call Me the Showbiz Priest.
    New York: Trident Press, 1973.

  1667. Perry, Dick.
    Not Just a Sound. The story of WLW.
    Englewood Cliffs: Prentice-Hall, 1971.

  1668. Perry, George.
    The Great British Picture Show.
    London: Hart-Davis, MacGibbon, 1974.

  1669. Petrou, David Michael.
    The Making of Superman the Movie.
    New York: Warner Books, 1978.

  1670. Pickford, Mary.
    Sunshine and Shadow. Foreword by Cecil B. de Mille.
    London, Melbourne, Toronto: William Heinemann, 1956.

  1671. Cushman, Robert B.
    Tribute to Mary Pickford.
    Presented by the American Film Institute Theatre, Los Angeles County Museum of Art, M.H. de Young Memorial Museum, San Francisco in conjunction with the Mary Pickford Corporation.
    N.p.: The American Film Institute Theatre, 1970.

  1672. Lee, Raymond.
    The Films of Mary Pickford.
    South Brunswick, N.Y.: A.S.Barnes and Company; London: Thomas Yoseloff, 1970.

  1673. Niver, Kemp R.
    Mary Pickford, Comedienne. Edited by Bebe Bergsten.
    New York: Biograph Company, 1969.

  1674. Windeler, Robert.
    Sweetheart. The story of Mary Pickford.
    London, New York: W.H.Allen, 1973.

  1675. Pildas, Ave.
    Movie Palaces. Text by Lucinda Smith. Foreword by King Vidor.
    New York: Clarkson N. Potter, 1980.

  1676. Pirosh, Robert, George Seaton and George Oppenheimer.
    A Day at the Races. Screenplay.
    Original story by Robert Pirosh and George Seaton.
    New York: Viking Press, 1973.

  1677. Poitier, Sidney.
    This Life.
    New York: Alfred A. Knopf, 1980.

  1678. Dennis, Patrick.
    Little Me.
    The intimate memoirs of the great star of stage, screen and television Belle Poitrine.
    New York: E.P.Dutton and Company, 1961.

  1679. Taylor, William R.
    Sydney Pollack.
    Boston: Twayne Publishers, 1981.

  1680. Powdermaker, Hortense.
    Hollywood the Dream Factory.
    An anthropologist looks at the movie-makers.
    Boston: Little, Brown and Company, 1950.

  1681. Powell, Dilys.
    Films Since 1939.
    London, New York, Toronto: Longmans, Green & Co., 1947.

  1682. Jane Powell M.-G.-M.
    Star. Cut-Out Dolls.
    Racine: Whitman Publishing, 1952.

  1683. Gough-Yates, Kevin and Emeric Pressburger.
    Michael Powell.
    Cincinnati: First Media Press, 1971.

  1684. Arce, Hector.
    The Secret Life of Tyrone Power.
    New York: William Morrow and Company, 1979.

  1685. Guiles, Fred Lawrence.
    Tyrone Power. The Last Idol.
    Garden City: Doubleday & Company, 1979.

  1686. Grove, Martina A.
    The King is Dead. Elvis Presley.
    New York: Manor Books, 1977.

  1687. Previn, Dory.
    Midnight Baby. An autobiography.
    New York: Macmillan Publishing Co., 1976.

  1688. Quigley, Martin and Richard Gertner.
    Films in America 1929 - 1969.
    New York: Golden Press, 1970.

  1689. Quinn, Anthony.
    The Original Sin. A self-portrait.
    Boston, Toronto: Little, Brown and Company, 1972.

  1690. Yablonsky, Lewis.
    George Raft.
    New York, St. Louis, San Francisco etc.: McGraw-Hill Book Company, 1974.

  1691. Wood, Alan.
    Mr. Rank. A study of J. Arthur Rank and British films.
    London: Hodder and Stoughton, 1952.

  1692. Raphael, Frederic.
    Zwei auf gleichem Weg.
    Reinbek: Rowohlt, 1968.

  1693. Rattigan, Terence.
    The Prince and the Show-girl. The script for the film.
    New York: Signet Book by The New American Library, 1957.

  1694. Truchaud, Frangois.
    Nicholas Ray.
    Paris: Editions Universitaires, 1965.

  1695. Real Screen Fun. Girls, Gags, Cartoons, Stories.
    Louisville: Tilsam Publications, 1936.

  1696. Reed, Rex.
    Conversations in the Raw. Dialogues, monologues and selected short subjects.
    New York, Cleveland: World Publishing Company, 1969.

  1697. Renan, Sheldon.
    An Introduction to the American Underground Film.
    New York: E.P. Dutton & Co., 1967.

  1698. Renan, Sheldon.
    The Underground Film. An introduction to its development in America.
    London: Studio Vista, 1968.

  1699. Reynolds, Debbie and Bob Thomas.
    If I Knew Then.
    New York: Bernard Geis Associates, 1962.

  1700. Rossetti, Enrico.
    Jovanka e le altre di Martin Ritt.
    Bologna: Cappelli, 1960.

  1701. Rivkin, Allen and Laura Kerr.
    Hello, Hollywood.
    A book about the movies by the people who make them.
    N.p.: Doubleday & Company, 1962.

  1702. Robinson, David.
    Hollywood in the Twenties.
    London: A. Zwemmer; New York: A.S. Barnes & Co., 1968.

  1703. Paris, James Robert and Alvin H. Marill.
    The Cinema of Edward G. Robinson.
    South Brunswick, N.Y.: A.S.Barnes and Company; London: Thomas Yoseloff, 1972.

  1704. Rogers St. Johns, Adela.
    Love, Laughter and Tears. My Hollywood story.
    Garden City, 1978.

  1705. Rollins, Charlemae.
    Famous Negro Entertainers of Stage, Screen, and TV.
    New York: Dodd, Mead & Company, 1967.

  1706. Rooney, Mickey.
    I. E. An autobiography.
    New York: G.P.Putnam's Sons, 1965.

  1707. Rosenberg, Bernard and Harry Silverstein.
    The Real Tinsel.
    London: Macmillan Company, 1970.

  1708. Rosenstein, Jaik.
    Hollywood Leg Man.
    Los Angeles: Madison Press, 1950.

  1709. Ross, Lillian.
    Film. Eine Geschichte aus Hollywood.
    Berlin: F.A. Herbig Verlagsbuchhandlung, 1953.

  1710. Ross, Lillian.
    Picture. A story about Hollywood.
    New York, Toronto: Rinehart & Company, 1952.

  1711. Ross, Lillian and Helen Ross.
    The Player. A profile of an art.
    New York: Simon and Schuster, 1962.

  1712. Rossen, Robert.
    Three Screenplays. All the King's Men. The Hustler. Lilith.
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    Garden City: Doubleday & Company, 1972.

  1713. Rosten, Leo C. Hollywood.
    The movie colony. The movie makers.
    New York: Harcourt, Brace and Company, 1941.

  1714. Roth, Lillian.
    I'll Cry Tomorrow.
    Written in collaboration with Mike Connolly and Gerold Frank.
    New York: Frederick Fell, 1954.

  1715. Roth, Lillian, Mike Connolly and Gerold Frank.
    I'll Cry Tomorrow.
    New York: Popular Library, 1956.

  1716. Rotha, Paul.
    Documentary Diary. An informal history of the British documentary film, 1928-1939.
    New York: Hill and Wang, 1973.

  1717. Roye (photogr.).
    Constellation. A galaxy of British stars.
    London: Elstree Publications, n.d.

  1718. Keown, Eric.
    Margaret Rutherford.
    London: Rockliff, 1956.

  1719. Robyns, Gwen.
    Margaret Rutherford. An autobiography.
    London: W.H.Allen, 1972.

  1720. Sale, Richard.
    The Oscar.
    London: Cassell and Company, 1964.

  1721. Sanders, George.
    Memoirs of a Professional Cad.
    New York: G.P.Putnam's Sons, 1960.

  1722. Sarris, Andrew.
    The American Cinema. Directors and directions 1929 - 1968.
    New York: E.P. Dutton & Co., 1968.

  1723. Sarris, Andrew (ed.).
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    Indianapolis, New York: The Bobbs-Merrill Company, 1971.

  1724. Schary, Dore.
    Case History of a Movie. As told to Charles Palmer.
    New York: Random House, 1950.

  1725. Schickel, Richard.
    The Stars.
    New York: Dial Press, 1962.

  1726. Schildkraut, Joseph.
    My Father and I. As told to Leo Lania.
    New York: Viking Press, 1959.

  1727. Screen Facts. Vol. 4, no. 1.
    Kew Gardens: Screen Facts Press, 1968.

  1728. Evans, Peter.
    The Mask Behind the Mask. A life of Peter Sellers.
    London: Leslie Frewin, 1969.

  1729. Buzzi, Aldo.
    Ridolini e la collana della suocera e Ridolini esploratore di Larry Semon.
    Milano: Editoriale Domus, 1945.

  1730. Sennett, Mack.
    King of Comedy as told to Cameron Shipp.
    Garden City: Doubleday & Company, 1954.

  1731. Fowler, Gene.
    Father Goose. The story of Mack Sennett.
    New York: Covici, Friede Publishers, 1934.

  1732. Lahue, Kalton C.
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    South Brunswick, N.Y.: A.S.Barnes and Company; London: Thomas Yoseloff, 1971.

  1733. Turconi, Davide.
    Mack Sennett il "re delle comiche".
    Roma: Edizioni dell'Ateneo, 1961.

  1734. Turconi, David.
    Mack Sennett. Propos de Mack Sennett.
    Paris: Seghers, 1966.

  1735. Sennett, Ted.
    Warners Brothers Presents.
    The most exciting years - from The Jazz Singer to White Heat.
    New Rochelle: Arlington House, 1971.

  1736. Behmler, Rudy (ed.).
    Memo from David O. Selznick.
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    New York, Viking Press, 1972.

  1737. Thomas, Bob.
    Selznick.
    Garden City: Doubleday & Company, 1970.

  1738. Sharp, Dennis.
    The Picture Palace and other buildings for the movies.
    London: Hugh Evelyn, 1969.

  1739. Costello, Donald P.
    The Serpent's Eye. Shaw and the cinema. Foreword by Cecil Lewis.
    Notre Dame, London: University of Notre Dame Press, 1965.

  1740. Shaw, Irwin, Leslie T. White, John O'Hara etc.
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    New York: Avon Publishing Co., 1951.

  1741. Jacobs, Jack and Myron Braum.
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    South Brunswick, N.Y.: A.S.Barnes and Company; London: Thomas Yoseloff, 1976.

  1742. Siclier, Jacques.
    Le mythe de la femme dans le cinéma américain.
    De "La Divine" à Blanche Dubois.
    Paris: Editions du Cerf, 1956.

  1743. Simonson, Solomon.
    Crisis in Television.
    A study of the private judgment and the public interest.
    New York: Living Books, 1966.

  1744. Shaw, Arnold.
    Sinatra. Retreat of the Romantic.
    London: W.H.Allen, 1968.

  1745. Sitney, P. Adams.
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    New York: Oxford University Press, 1974.

  1746. Sklar, Robert.
    Movie-Made America. A cultural history of American movies.
    New York: Vintage Books, 1975.

  1747. Skolsky, Sidney.
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    New York: G.P.Putnam's Sons, 1975.

  1748. Curti, Carlo.
    Skouras. King of Fox Studios.
    Los Angeles: Holloway House Publishing Company, 1967.

  1749. Slide, Anthony.
    Early American Cinema. With the assistance of Paul O'Dell.
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  1750. Slide, Anthony.
    Early Women Directors.
    South Brunswick, N.Y.: A.S. Barnes and Company; London: Thomas Yoseloff, 1977.

  1751. Smith, Jack.
    Jack Smith's L.A.
    New York, St.Louis, San Francisco etc.: McGraw-Hill Book Company, 1980.

  1752. Southern, Terry.
    Journal of the Loved One. The production log of a motion picture.
    New York: Random House, 1965.

  1753. Springer, John.
    All Talking! All Singing! All Dancing!
    A pictorial history of the movie musical.
    Introduction by Gene Kelly.
    New York: Citadel Press, 1966.

  1754. Stallings, Penny and Howard Mandelbaum.
    Flesh and Fantasy.
    London: Macdonalds & Jane's, 1979.

  1755. Stein, Ben.
    The View from Sunset Boulevard.
    America as brought to you by the people who make television.
    New York: Basic Books, 1979.

  1756. Burrows, Michael.
    John Steinbeck and His Films.
    Cornwall: Primestyle, 1970.

  1757. Sterling, Jack and William C. Vance.
    So Early in the morning or My Topsy-Turvy Day.
    New York: Thomas Y.Crowell Company, 1958.

  1758. Richie, Donald.
    George Stevens. An American Romantic.
    New York: Museum of Modern Art, 1970.

  1759. Jones, Ken D., Arthur F. McClure and Alfred E. Twomey.
    The Films of James Stewart.
    South Brunswick, N.Y.: A.S.Barnes and Company; London: Thomas Yoseloff, 1970.

  1760. Storck, Henri.
    The Entertainment Film for Juvenile Audiences.
    Paris: Unesco, 1950.

  1761. The Story of Bonnie and Clyde.
    Manchester: World Distributors, 1968.

  1762. Strasberg, Susan.
    Bitter Sweet.
    New York: New American Library, 1981.

  1763. Spada, James.
    Streisand. The woman and the legend.
    Garden City: Dolphin Book, Doubleday & Company, 1981.

  1764. Stuart, Ray (comp.).
    Immortals of the Screen.
    Los Angeles: Sherbourne Press, 1965.

  1765. Sullivan, John (ed.).
    The British Film Industry Yearbook.
    London: Film Press, 1947.

  1766. Swann, Thomas Burnett.
    The Heroine or the Horse. Leading Ladies in Republic's Films.
    South Brunswick, N.Y.: A. S. Barnes and Company; London: Thomas Yoseloff, 1977.

  1767. Taylor, Elizabeth.
    Elizabeth Taylor. An informal memoir.
    New York: Harper & Row, 1965.

  1768. 20th Century-Fox Presents Elizabeth Taylor in
    Joseph L. Mankiewicz' Cleopatra. Starring Richard Burton and Rex Harrison.
    New York: National Publishers, 1963.

  1769. Taylor, John Russell.
    Hollywood 1940s.
    New York: Gallery Books, 1985.

  1770. Thomas, Bob.
    Thalberg. Life and legend.
    Garden City: Doubleday & Company, 1969.

  1771. Third Annual Kenyon Film-Makers Festival. (Program). 1968.

  1772. Thomas, Bob.
    The Heart of Hollywood. A 50-year history of the film capital
    and the famed motion picture and television relief fund.
    Designed by C.Robert Moore and Norman Noceti.
    Los Angeles: Price, Stern, Sloan, 1971.

  1773. Thomas, Dylan.
    Rebecca's Doughters.
    London: Triton Book, 1965.

  1774. Thomas, Dylan.
    Under Milk Wood. Screenplay by Andrew Sinclair.
    London: Lorrimer, 1972.

  1775. Thomas, Lowell.
    Stanley Warner Corporation Presents the Lowell Thomas Production: Seven Wonders of the World.
    As seen through the greatest wonder Cinemarama.
    N.p.: n.d.

  1776. Thomson, David.
    Overexposures. The crisis in American filmmaking.
    New York: William Morrow, 1981.

  1777. Tickell, Jerrard.
    Odette. The book of the film.
    London: Chapman & Hall, 1950.

  1778. Tierney, Gene and Mickey Herskowitz.
    Self-portrait.
    New York: Wyden Books, 1979.

  1779. Cohn, Art (ed.).
    Michael Todd's Around the World in 80 Days. Almanac.
    New York: Random House, 1956.

  1780. Cohn, Art.
    The Nine Lives of Michael Todd.
    New York: Random House, 1958.

  1781. Toeplitz, Jerzy.
    Hollywood and After. The changing face of American cinema.
    Translated from the Polish by Boleslaw Sulik.
    London: George Allen & Unwin, 1974.

  1782. Swindell, Larry.
    Spencer Tracy. A biography.
    New York, Cleveland: Nal Book, World Publishing Company, 1969.

  1783. Kanin, Garson.
    Tracy and Hepburn. An intimate memoir.
    New York: Viking Press, 1971.

  1784. Norbom, Mary Ann.
    John and Diana: A Love Story.
    A reporter's account of the romance between John Travolta and
    Diana Hyland. Although John Travolta declined to be interviewed
    for this book, Mary Ann Norbom's account includes interviews with
    Ms. Hyland's parents, her neighbors, her close friends, as well as
    friends of John Travolta.
    New York: Bantam Book, 1979.

  1785. Trent, Paul.
    The Image Makers. Sixty years of Hollywood glamour.
    Designed by Richard Lawton.
    London: Octopus Books, 1973.

  1786. Truby, Jeffrey (ed.).
    Daily Mail Film Award Annual. British films of 1947.
    London: Winchester Publications, 1948.

  1787. Manfull, Helen (ed.).
    Additional Dialogue. Letters of Dalton Trumbo 1942-1962.
    New York: M. Evans and Company, 1970.

  1788. Turner, Lana.
    Lana. The lady, the legend, the truth.
    New York: E.P.Dutton, 1982.

  1789. Morella, Joe and Edward Z. Epstein.
    Lana. The public and private lives of Miss Turner.
    New York: Citadel Press, 1971.

  1790. Valentino, Lou.
    The Films of Lana Turner.
    Secaucus: Citadel Press, 1979.

  1791. Twomey, Alfred E. and Arthur F. McClure.
    The Versatiles: A Study of Supporting Character Actors and
    Actresses in the American Motion Picture, 1930-1955.
    South Brunswick, N.Y.: A.S.Barnes and Company; London: Thomas Yoseloff, 1969.

  1792. Tyler, Parker.
    The Hollywood Hallucination.
    New York: Creative Age Press, 1944.

  1793. Tyler, Parker.
    Magic and Myth of the Movies.
    New York: Henry Holt and Company, 1947.

  1794. Tyler, Parker.
    The Three Faces of the Film.
    New York, London: Thomas Yoseloff, 1960.

  1795. Thomas, Tony.
    Ustinov in Focus.
    London: A.Zwemmer; New York: A.S.Barnes & Co., 1971.

  1796. Willans, Geoffrey.
    Peter Ustinov.
    London: Peter Owen, 1957.

  1797. Vermilye, Jerry.
    The Great British Films. Foreword by Deborah Kerr.
    Secaucus: Citadel Press, 1978.

  1798. Vidor, King.
    A Tree is a Tree.
    New York: Harcourt, Brace and Company, 1953.

  1799. Paladini, Aldo.
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    Bologna: Cappelli, 1956.

  1800. Vizzard, Jack.
    See no Evil. Life inside a Hollywood censor.
    New York: Simon and Schuster, 1970.

  1801. Wagner, Walter.
    You Must Remember This.
    New York, G.P.Putnam's Sons, 1975.

  1802. Walker, Alexander.
    Hollywood, England. The British film industry in the sixties.
    London: Michael Joseph, 1974.

  1803. Walker, Alexander.
    Stardom. The Hollywood phenomenom.
    London: Michael Joseph, 1970.

  1804. Marmin, Michel.
    Raoul Walsh. Propos de Raoul Walsh.
    Paris: Seghers, 1970.

  1805. Gidal, Peter.
    Andy Warhol. Films and paintings.
    London: Studio Vista; New York: Dutton, 1971.

  1806. Koch, Stephen.
    Stargazer. Andy Warhol's World and His Films.
    New York, Washington: Praeger Publishers, 1973.

  1807. Warner, Jack L. and Dean Jennings.
    My First Hundred Years in Hollywood.
    New York: Random House, 1965.

  1808. Eyles, Allen.
    John Wayne. Introduction by Louise Brooks.
    South Brunswick, N.Y.: A.S.Barnes and Co.; London: Tantivy Press, 1979.

  1809. Goldstein, Norm.
    John Wayne. A tribute. Foreword by James Stewart.
    New York: Holt, Rinehart and Winston, 1979.

  1810. Ricci, Mark, Boris Zmijewsky and Steve Zmijewsky.
    The Films of John Wayne.
    Secaucus: Citadel Press, 1973.

  1811. Zolotow, Maurice.
    John Wayne. Shooting Star. A biography.
    London, New York: W.H. Allen, 1974.

  1812. Weiss, Ken and Ed Goodgold.
    To Be Continued...
    New York: Crown Publishers, 1972.

  1813. Haining, Peter.
    Raquel Welch. Sex Symbol to Super Star.
    London: W. H. Allen, 1984.

  1814. Welles, Orson.
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    London: Lorrimer Publishing, 1970.

  1815. Welles, Orson.
    Le procès.
    Paris: Seuil, Avant-Scène, 1971.

  1816. Allais, Jean-Claude.
    Orson Welles.
    Lyon: Serdoc, 1961.

  1817. Bazin, A.
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    Paris: Editions du Cerf, 1972.

  1818. Bessy, Maurice.
    Orson Welles. Propos d'Orson Welles.
    Paris: Seghers, 1963.

  1819. Cantril, Hadley.
    The Invasion fram Mars.
    A study in the psychology of panic. With the complete script of the famous Orson Welles broadcast. With the assistance of Hazel Gaudet & Herta Herzog.
    Princeton: University Press, 1947.

  1820. Cocteau, Jean and André Bazin.
    Orson Welles.
    Paris: Chavane, 1950.

  1821. Cowie, Peter.
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    London: A. Zwemmer; New York: A.S. Barnes & Co., 1965.

  1822. Cowie, Peter.
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    South Brunswick, N.Y.: A.S.Barnes and Company; London: Tantivy Press, 1973.

  1823. Fowler, Roy Alexander.
    Orson Welles.
    London: Pendulum Publications, 1946.

  1824. Higham, Charles.
    The Films of Orson Welles.
    Berkeley, Los Angeles, London: University of California Press, 1970.

  1825. McBride, Joseph.
    Orson Welles.
    London: Secker and Warburg in association with the British Film Institute, 1972.

  1826. Naremore, James.
    The Magic World of Orson Welles.
    New York: Oxford University Press, 1978.

  1827. Noble, Peter.
    The Fabulous Orson Welles.
    London: Hutchinson, 1956.

  1828. Coakley, Mary Lewis.
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    Garden City: Doubleday & Company, 1958.

  1829. 1824.
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    To See the Dream.
    London: Hodder and Stoughton, 1958.

  1830. West, Mae.
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    Englewood Cliffs: Prentice-Hall, 1959.

  1831. Weintraub, Joseph (ed.).
    The Wit and Wisdom of Mae West.
    New York: Avon, 1970.

  1832. Wilcox, Herbert.
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    London, Sydney, Toronto: The Bodley Head, 1967.

  1833. Wilder, Billy.
    Sunset Boulevard. (Viale del tramonto).
    Sceneggiatura. Tradotta a cura di Fernaldo di Giammatteo.
    Roma: Bianco e Nero, 1952.

  1834. Wilder, Billy and I. A. L. Diamond.
    The Apartment and The Fortune Cookie. Two screenplays.
    London: Studio Vista, n.d.

  1835. Wilder, Billy and I. A. L. Diamond.
    Some Like it Hot. A screenplay.
    London: A Panther Book, 1959.

  1836. Madsen, Axel.
    Billy Wilder.
    London: Secker & Warburg in association with the British Film Institute, 1968.

  1837. Wilk, Max (ed.).
    The Wit and Wisdom of Hollywood. From the Squaw Man to the Hatchet Man.
    New York: Warner Paperback Library, 1973.

  1838. Williams, Tennessee.
    Baby Doll. The script for the film.
    Harmondsworth: Penguin Books, 1957.

  1839. Williams, Tennessee.
    Baby Doll. Drehbuch.
    Aus dem Englischen übersetzt von Donata Elschenbroich.
    Frankfurt/Main: Verlag Filmkritik, 1967.

  1840. Wilson, Arthur (ed.).
    The Warner Bros. Golden Anniversary Book. The first complete feature filmography.
    With a critical essay by Arthur Knight. Introduction by Williard van Dyke.
    New York: Film and Venture Corp., 1973.

  1841. Wilson, Ivy Crane (ed.).
    Hollywood Album.
    London: Sampson Low, Marston & Company, n.d.

  1842. Wilson, Ivy Crane (ed.).
    Hollywood Album. The Wonderful City and its Famous Inhabitants.
    London: Sampson Low, Marston & Company, n.d.

  1843. Wilson, Ivy Crane (ed.).
    The Fifth Hollywood Album.
    London: Sampson, Low, Marston & Co., 1950.

  1844. Wilson, Ivy Crane (ed.).
    The Eighth Hollywood Album.
    London: Sampson Low, Marston & Co., 1953.

  1845. Wilson, Ivy Crane (ed.).
    The Eleventh Hollywood Album.
    London: Sampson Low Marston & Co., 1957.

  1846. Winnington, Richard and Nicholas Davenport.
    The Future of British Films.
    London: News Chronicle, n.d.

  1847. Winters, Shelley.
    Shelley. Also known as Shirley.
    New York: William Morrow and Company, 1980.

  1848. Winters, Shelley.
    Shelley. Also Known as Shirley.
    New York: Ballantine Books, 1981.

  1849. Benson, Thomas W. and Carolyn Anderson.
    Reality Fictions. The films of Frederick Wiseman.
    Carbondale, Edwardsville: Southern Illinois University Press, 1989.

  1850. Wiseman, Thomas.
    The Seven Deadly Sins of Hollywood.
    London: Oldbourne Press, 1957.

  1851. Wood, Michael.
    America in the Movies, or "Santa Maria, It Had Slipped My Mind".
    New York: Basic Books, 1975.

  1852. Shibuk, Charles.
    An Index to the Films of William Wyler.
    N.p.: Research Project of the Theodore Huff Memorial Film Society, 1957.

  1853. William Wyler.
    An Index.
    London: British Film Institute, n.d.

  1854. Young, Loretta.
    The Things I Had to Learn. As told to Helen Ferguson.
    Indianapolis, New York: Bobbs-Merrill, 1961.

  1855. Zierold, Norman.
    The Hollywood Tycoons.
    London: Hamish Hamilton, 1969.

  1856. Zierold, Norman.
    The Moguls.
    New York: Coward-McCann, 1969.

  1857. Zolotow, Maurice.
    No People Like Show People.
    With an introduction by Brooks Atkinson.
    New York: Random House, 1951.

  1858. Zukor, Adolph.
    The Public is Never Wrong. The Autobiography of Adolph Zukor with Dale Kramer.
    New York: G. P. Putnam's Sons, 1953.

  1859. Allombert, Guy, Raymond Bellour, Robert Benayoun, etc.
    Le western. Sources, thèmes, mythologies, auteurs, acteurs, filmographies.
    Paris: Union Générale d'Editions, 1966.

  1860. Annan, David.
    Ape. The Kingdom of Kong.
    London: Lorrimer Publishing, 1974.

  1861. Baraket, Mark.
    Scream Gems.
    New York, London: Drake Publishers Inc., 1977.

  1862. Barbour, Alan G.
    Days of Thrills and Adventure.
    London: Collier-Macmillan Limited, 1970.

  1863. Baxter, John.
    The Gangster Film.
    London: A. Zwemmer; New York: A.S. Barnes & Co, 1970.

  1864. Baxter, John.
    Science Fiction in the Cinema.
    New York: A.S. Barnes & Co.; London: A. Zwemmer, 1970.

  1865. Bouyxou, Jean-Pierre.
    Frankenstein.
    Lyon: Serdoc, 1969.

  1866. Bouyxou, Jean-Pierre.
    La science-fiction au cinéma. Avec la collaboration de Roland Lethem.
    Paris: Cristian Bourgois et Dominique de Roux, 1971.

  1867. Butler, Ivan.
    The Horror Film.
    London, A. Zwemmer; New York, A.S. Barnes & Co., 1967.

  1868. Cameron, Ian.
    A Pictorial History of Crime Films.
    London, New York, Sydney etc.: Hamlyn 1975.

  1869. Cameron, Ian and Elisabeth.
    Broads. London: Studio Vista, 1969.

  1870. Cameron, Ian and Elisabeth.
    The Heavies.
    London: Studio Vista, 1967.

  1871. Cauliez, Armand-Jean.
    Le film criminel et la film policier.
    Paris: Editions du Cerf, 1956.

  1872. Clarens, Carlos.
    Crime Movies. From Griffith to the godfather and beyond.
    New York, London: W.W.Norton, 1980.

  1873. Clarens, Carlos.
    Horror Movies. An illustrated survey.
    London: Secker & Warburg, 1968.

  1874. Clarens, Carlos.
    An Illustrated History of the Horror Films.
    New York: G.P.Putnam's Sons, 1967.

  1875. Davies, David Stuart.
    Holmes of the Movies. The screen career of Sherlock Holmes.
    Foreword by Peter Cushing.
    London: New English Library, 1976.

  1876. Douglas, Drake.
    Horror!
    New York: Macmillan Company, 1966.

  1877. Edelson, Edward.
    Great Monsters of the Movies.
    New York: Pocket Books, 1974.

  1878. Eliot, T. S. and George Hoellering.
    The Film of Murder in the Cathedral.
    London: Faber and Faber, 1952.

  1879. Epstein, Jean.
    Le Cinéma du Diable.
    Paris: Jacques Melot, 1947.

  1880. Everson, William K.
    The Bad Guys. A pictorial history of the movie villain.
    Secaucus: Citadel Press, 1974.

  1881. Everson, William K.
    Classics of the Horror Film. From the Days of the Silent Film to The Exorcist.
    Secaucus: Citadel Press, 1977.

  1882. Everson, William K.
    A Pictorial History of the Western Film.
    New York: Citadel Press, 1969.

  1883. Eyles, Allen (comp.).
    Horror Film Album.
    London: Ian Allen, 1971.

  1884. Eyles, Allen.
    The Western. An illustrated guide.
    London: A. Zwemmer; New York: A.S. Barnes & Co., 1967.

  1885. Eyles, Allen, Robert Adkinson and Nicholas Fry (eds.).
    The House of Horror. The story of hammer film.
    London: Lorrimer Publishing, 1973.

  1886. Fenin, George N. and William K. Everson.
    The Western. From silents to cinerama.
    New York: Orion Press, 1962.

  1887. Fenin, George N.and William K. Everson.
    The Western. From silent to the seventies.
    Harmondsworth: Penguin Books, 1977.

  1888. Ferguson, Ken and Sylvia (eds.).
    The Boy's Western Television and Film Annual.
    London: Purnell, 1963.

  1889. Ford, John.
    Stagecoach. Starring John Wayne. Edited by Richard J.Anobile.
    New York: Universe Books, 1975.

  1890. Place, J. A.
    The Western Films of John Ford.
    Secaucus: Citadel Press, 1974.

  1891. Frank, Alan.
    Horror Films.
    London, New York, Sydney etc.: Hamlyn, 1977.

  1892. Frank, Alan G.
    The Movie Treasury Horror Movies. Tales of Terror in the Cinema.
    London: Octopus Books, 1974.

  1893. Frank, Alan.
    The Movie Treasury. Monsters & Vampires.
    London: Octopus Books, 1976.

  1894. French, Philip.
    Westerns. Aspects of a Movie Genre.
    London: Secker and Warburg, 1973.

  1895. Gifford, Denis.
    Movie Monsters.
    London, New York: Studio Vista, Dutton, 1969.

  1896. Gifford, Denis.
    A Pictorial History of Horror Movies.
    London, New York, Sydney etc.: Hamlyn, 1973.

  1897. Gifford, Denis.
    Science Fiction Film.
    London: Studio Vista; New York: Dutton, 1971.

  1898. Glut, Donald F.
    The Frankenstein Legend: A Tribute to Mary Shelley and Boris Karloff.
    Metuchen: Scarecrow Press, 1973.

  1899. Goldner, Orville and George E. Turner.
    The Making of King Kong. The story behind a film classic.
    New York: Ballantine Books, 1975.

  1900. Gubern, Román (ed.).
    Homenaje a King Kong.
    Barcelona: Tusquets Editor, 1973.

  1901. Hammond, Lawrence.
    The Movie Treasury Thriller Movies. Classic films of suspense and mystery.
    London: Octopus Books, 1974.

  1902. Hanisch, Michael.
    Western. Die Entwicklung eines Filmgenres.
    Berlin: Henschelverlag Kunst und Gesellschaft, 1984.

  1903. Hardy, Phil.
    The Western.
    London: Aurum Press, 1983.

  1904. Hart, William S. and Mary.
    Pinto Ben and other stories.
    New York: Britton Publishing Company, 1919.

  1905. Hough, Emerson.
    The Covered Wagon.
    New York: Grosset & Dunlap, 1922.

  1906. Hough, Emerson.
    The Covered Wagon.
    Nybyggar-teget över prärierna.
    Stockholm: Albert Bonniers Förlag, 1924.

  1907. Kitses, Jim.
    Horizons West. Anthony Mann, Budd Boetticher, Sam Peckinpah:
    studies of Authorship within the Western.
    London: Thames and Hudson in association with the British Film Institute, 1969.

  1908. Laclos, Michel.
    Le fantastique au cinéma.
    Paris: Jean-Jacques Pauvert, 1958.

  1909. Lahue, Kalton C.
    Winners of the West: The Sagebrush Heroes of the Silent Screen.
    South Brunswick, N.Y.: A.S. Barnes and Company; London: Thomas Yoseloff, 1970.

  1910. Lee, Raymond and B. C. Van Hecke.
    Gangsters and Hoodlums. The underworld in the cinema.
    With a foreword by Edward G.Robinson.
    South Brunswick, N.Y.: A.S.Barnes and Company; London: Thomas Yoseloff, 1971.

  1911. Lenne, Gérard.
    Le cinéma fantastique et ses mythologies.
    Paris: Editions du Cerf, 1970.

  1912. Siegel, Joel E.
    Val Lewton: The Reality of Terror.
    London: Secker and Warburg, 1972.

  1913. McArthur, Colin.
    Underworld U.S.A.
    London: Secker and Warburg, 1972.

  1914. McCarty, John.
    Splatter Movies. Breaking the Last Taboo of the Screen.
    Bromley: Columbus Books, 1984.

  1915. McClure, Arthur F. and Ken D. Jones.
    Heroes, Heavies and Sagebrush.
    A picturial history of the "B" western players.
    South Brunswick, N.Y.: A.S. Barnes and Company; London, Thomas Yoseloff, 1972.

  1916. Mamoulian, Rouben.
    Dr. Jekyll and Mr. Hyde. Starring Frederic March.
    Edited by Richard J.Anobile.
    New York: Universe Books, 1975.

  1917. Metro-Goldwyn-Mayer and Cinerama (pres.).
    HOW the West Was Won.
    New York: Random House, 1963.

  1918. Matthews, Leonard.
    History of Western Movies.
    London: W.H. Smith, 1984.

  1919. Naha, Ed.
    Horrors from Screen to Scream. An Encyclopedic Guide
    to the Greatest Horror and Fantasy Films of all Time.
    New York: A Flaire Book, publ. by Avon Books, 1975.

  1920. Neugebauer, Peter.
    Vivat Vampir! Ein Fotobuch über sonderbare Filmlieblinge
    von Dracula bis Frankenstein.
    Mit einem Vorwort von Loriot.
    Zürich: Diogenes, 1963.

  1921. Newman, Kim.
    Nightmare Movies. Wide horror since 1968.
    New York: Proteus Books, 1984

  1922. Parkinson, Michael and Clyde Jeavons.
    A Pictorial History of Westerns. Special picture research by John Kobal.
    London, New York, Sydney, etc.: Hamlyn, 1972.

  1923. Pirie, David.
    The Vampire-Cinema.
    London, New York, Sydney etc.: Hamlyn, 1978.

  1924. Pohle, Robert W. and Douglas C. Hart.
    Sherlock Holmes an the Screen. The motion picture adventures of the world's most popular detective.
    South Brunswick, N.Y.: A.S. Barnes and Company; London: Thomas Yoseloff, 1977.

  1925. Prédal, René.
    Le cinéma fantastique.
    Paris: Seghers, 1970.

  1926. Prodolliet, Ernest.
    Kleines Lexikon des Wilden Westens. Geschichte und Filme.
    Zürich: Sanssouci, 1963.

  1927. Reisner, Bob.
    The Brave Ghouls.
    Indianapolis, New York: Bobbs-Merrill Company, 1960.

  1928. Rieupeyrout Jean-Louis.
    Le western ou le cinéma américain par exellence.
    Préface par André Bazin.
    Paris: Editions du Cerf, 1953.

  1929. Rieupeyrout, Lean-Louis.
    Der Western. Geschichten aus dem Wilden Westen. Die Geschichte des Wildwest-Films. Mit einem Vorwort von André Bazin. Herausgegeben von Joe Hembus. Aus dem Franz. von Barbara Kloeß.
    Bremen: Carl Schünemann, 1963.

  1930. Rubenstein, Leonard.
    The Great Spy Films.
    Secaucus: Citadel Press, 1979.

  1931. Siclier, Jacques and André S. Labarthe.
    Images de la science-fiction. Préface de Pierre Kast.
    Paris: Editions du Cerf, 1958.

  1932. Siegel, Richard and Jean-Claude Suarès.
    Alien Creatures. Introduction by Boylston Tompkins.
    Los Angeles: Red Books, 1978.

  1933. Sobchack, Vivian Carol.
    The Limits of Infinity. The American science fiction film 1950-75.
    South Brunswick, N.Y.: A.S.Barnes and Company; London: Thomas Yoseloff, 1980.

  1934. Stacy, Jan and Ryder Syvertsen.
    The Great Book of Movie Monsters.
    Bromley: Columbus Books, 1983.

  1935. Starburst. The Annual of Cinema & Television Fantasy.
    Classics of the Horror Film.
    Edited by John Barraclough.
    London: Marvel Comics International, n.d.

  1936. Steinbrunner, Chris and Burt Goldblatt.
    Cinema of the Fantastic.
    New York: Galahad Books, 1972.

  1937. Sternberg, Jacques.
    Une succursale du fantastique nommée science-fiction.
    Préface de Jacques Bergier.
    Paris: Le Terrain Vague, 1958.

  1938. Strick, Philip.
    Science Fiction Movies.
    London: Octopus Books, 1976.

  1939. Thomas, Tony.
    The Great Adventure Films.
    Secaucus: Citadel Press, 1980.

  1940. Turner, George and Michael H. Price.
    Forgotten Horrors. Early Talkie Chillers from Poverty Row.
    South Brunswick, N.Y.: A.S. Barnes and Company; London: Thomas Yoseloff, 1979.

  1941. Tuska, Jon.
    The Filming in the West.
    Garden City: Doubleday & Company, 1976.

  1942. Warman, Eric and Tom Vallance (ed.).
    Westerns. A preview special.
    London: Golden Pleasure Books, 1964.

  1943. Whale, James.
    Frankenstein. Starring Boris Karloff.
    Edited by Richard J. Anobile.
    New York: Universe Books, 1974.

  1944. Dietrich, Marlene.
    Die Geschichte meiner Karriere.
    Wien: Verlag "Mein Film", 1947.

  1945. Dietrich, Marlene.
    Marlene Dietrich's ABC.
    Garden City: Doubleday & Company, 1962.

  1946. Dietrich, Marlene.
    Nehmt nur mein Leben ... Reflexionen.
    München: C. Bertelsmann, 1979.

  1947. Aros.
    Marlene Dietrich. Ein interessantes Künstlerschicksal.
    Berlin: Verlag Scherl, 1932.

  1948. Droz, René.
    Marlene Dietrich und die Psychologie des Vamps.
    Eine Bildchronik mit Texten von Victor Barnowsky, Jacques Feyder, Robert Siodmak etc.
    Zürich: Sanssouci Verlag, 1961.

  1949. Frewin, Leslie.
    Blond Venus. A life of Marlene Dietrich.
    London: Macgibbon & Kee, 1955.

  1950. Frewin, Leslie.
    Dietrich. The story of a star.
    London: Leslie Frewin, 1967.

  1951. Granz, Norman.
    Norman Granz Presents Marlene Dietrich. (Program)
    . N.p., n.d.

  1952. Griffith, Richard.
    Marlene Dietrich. Image and legend.
    Garden City, New York: Museum of Modern Art Film Library distributed by Doubleday & Company, 1959.

  1953. Hessel, Franz.
    Marlene Dietrich.
    Berlin: Kindt & Bucher, 1931.

  1954. Kobal, John.
    Marlene Dietrich.
    London, New York: Studio Vista, Dutton, 1968.

  1955. Silver, Charles.
    Marlene Dietrich.
    New York: Pyramid Publications, 1974.

  1956. Quasimodo, Salvatore.
    Anita Ekberg.
    Milano: Leici editori, 1965.

  1957. Aros.
    Greta Garbo. Ihr Weg von Stockholm bis Hollywood.
    Berlin: Scherl, 1932.

  1958. Bainbridge, John.
    Garbo.
    Garden City: Doubleday & Company, 1955.

  1959. Bainbridge, John.
    Garbo.
    Stockholm: Albert Bonniers förlag, 1955.

  1960. Bainbridge, John.
    Memorias de Greta Garbo.
    Barcelona: Editorial AHR, 1956.

  1961. Billquist, Fritiof.
    Greta Garbo vedette solitaire.
    Traduction de Asa Roussel. Préface de François Mauriac.
    Paris: Arthème Fayard, 1959.

  1962. Billquist, Fritiof.
    Garbo. A biography.
    With an introduction by François Mauriac.
    Translated from the Swedish by Maurice Nichael.
    London: Arthur Barker, 1960.

  1963. Blei, Franz.
    Die göttliche Garbo. Nachwort von Greta Garbo.
    Giessen, Kindt & Bucher, 1930.

  1964. Durgnat, Raymond and John Kobal.
    Greta Garbo.
    London: Studio Vista; New York: Dutton, 1965.

  1965. Kühn, Richard.
    Greta Garbo. Der Weg einer Frau und Künstlerin.
    Dresden: Carl Reissner, 1935.

  1966. Laing, E. E.
    Greta Garbo. The story of a specialist.
    London: John Gifford, 1946.

  1967. Lernet-Holenia, Alexander (intr.).
    Greta Garbo. Ein Wunder in Bildern.
    Berlin, Wien, Leipzig: Höger, 1938.

  1968. Lernet-Holenia, Alexander.
    Greta Garbo. Ideal des Jahrhunderts.
    Wiesbaden: Limes Verlag, 1956.

  1969. Payne, Robert.
    The Great Garbo.
    New York: Praeger Publishers, 1976.

  1970. Sjolander, Ture.
    Garbo.
    New York, Evanston, London: Harper & Row, 1971.

  1971. Zierold, Norman.
    Garbo.
    New York: Stein and Day, 1969.

  1972. Tabori, Paul.
    Alexander Korda.
    London: Oldbourne, 1959.

  1973. Bogdanovich, Peter.
    Fritz Lang in America.
    London: Studio Vista, 1967.

  1974. Lubitsch, Ernst.
    Ninotchka. Starring Greta Garbo and Melvyn Douglas.
    Edited by Richard J.Anobile.
    New York: Universe Books, 1975.

  1975. Poague, Leland A.
    The Cinema of Ernst Lubitsch.
    Filmography by Gary Hooper and Leland A. Poague.
    South Brunswick, N.Y.: A.S. Barnes and Company; London: Thomas Yoseloff, 1978.

  1976. Verdone, Maria.
    Ernst Lubitsch.
    Lyon: Serdoc, 1964.

  1977. Weinberg, Herman G.
    The Lubitsch Touch. A critical study.
    New York: E.P.Dutton & Co., 1968.

  1978. Mercouri, Melina.
    I Was Born Greek.
    Garden City: Doubleday & Company, 1971.

  1979. Negri, Pola.
    Memoirs of a Star.
    Garden City: Doubleday & Company, 1970.

  1980. Palmer, Lilli.
    Change, Lobsters and Dance. An autobiography.
    New York: Macmillan Publishing Co., 1975.

  1981. Pensel, Hans.
    Seastrom and Stiller in Hollywood.
    Two Swedish directors in silent American films 1923-1930.
    New York, Washington, Hollywood: Vantage Press, 1969.

  1982. Polanski, Roman.
    Ekel. Protokoll.
    Hamburg: Marion von Schröder Verlag, 1965.

  1983. Polanski, Roman.
    Three Film Scripts. Knife in the Water. Repulsion. Cul-de-Sac.
    Introduction by Soleslaw Sulik.
    New York, Evanston, San Francisco, etc.: Harper & Row, 1975.

  1984. Belmans, Jacques.
    Roman Polanski. Propos par Roman Polanski.
    Paris: Seghers, 1971.

  1985. Butler, Ivan.
    The Cinema of Roman Polanski.
    London: A. Zwemmer; New York: A.S. Barnes & Co., 1970.

  1986. Kané, Pascal.
    Roman Polanski.
    Paris: Editions du Cerf, 1970.

  1987. Kiernan, Thomas.
    The Roman Polanski Story.
    New York: Grove Press, 1980.

  1988. Lourcelles, Jacques.
    Otto Preminger. Propos d'Otto Preminger.
    Paris: Seghers, 1965.

  1989. Pratley, Gerald.
    The Cinema of Otto Preminger.
    London: A. Zwemmer; New York: A.S. Barnes & Co., 1971.

  1990. Ryan, Tom.
    Otto Preminger Films Exodus. A Report.
    New York: Random House, 1960.

  1991. Sakall, S. Z.
    The Story of Cuddles. My Life under the Emperor Francis Joseph,
    Adolf Hitler and the Warner Brothers.
    Translated by Paul Tabori.
    London: Cassell & Co., 1954.

  1992. Sternberg, Josef von.
    Fun in a Chinese Laundry.
    New York: Macmillan Company, 1965.

  1993. Sternberg, Josef von.
    Marocco and Shanghai Express. Two films.
    London: Lorrimer Publishing, 1973.

  1994. Baxter, John.
    The Cinema of Josef von Sternberg.
    London: A. Zwemmer; New York, A.S. Barnes & Co., 1971.

  1995. The Films of Josef von Sternberg.
    A film cycle presented by the Committee on Arts and Lectures,
    University of California.
    Santa Barbara: University of California, n.d.

  1996. Goetz, Alice and Helmut W. Banz (comps.).
    Josef von Sternberg. Eine Darstellung.
    Mannheim: Verband der deutschen Filmklubs e.V., 1966.

  1997. Sarris, Andrew.
    The Films of Josef von Sernberg.
    Garden City: Doubleday & Co. for the Museum of Modern Art New York, 1966.

  1998. Weinberg, Herman G.
    Josef von Sternberg. Propos de Josef von Sternberg.
    Paris: Seghers, 1966.

  1999. Weinberg, Herman G.
    Josef von Sternberg. A critical study.
    New York: E.P. Dutton & Co., 1967.

  2000. Stroheim, Erich von.
    The Complete Greed.
    A reconstruction of the film in 348 still photos and the original
    screenplay. Plus 52 production stills. Compiled and
    annotated with a foreword by Herman G. Weinberg.
    New York: E.P. Dutton & Co., 1973.

  2001. Stroheim, Erich von.
    Les feux de la Saint-Jean. 2 vols.
    Traduit de l'anglais par Renée Nitschke.
    Paris: André Martel, 1951-1954.

  2002. Stroheim, Erich von.
    Greed. A film. Edited by Joel W.Finler.
    London: Lorrimer Publishing, 1972.

  2003. Stroheim, Erich von.
    Paprika.
    Traduction et adaption française de Jacqueline Odile Verly.
    Paris: André Martel, 1948.

  2004. Stroheim, Erich von.
    Poto-Poto. Traduit de l'Américain par Renée Nitzschke.
    Paris: Editions de la Fontaine, 1956.

  2005. Barna, Jon.
    Erich von Stroheim.
    Wien: Österreichisches Filmmuseum, 1966.

  2006. Bergut, Bob.
    Eric von Stroheim.
    Paris: Le Terrain Vague, 1960.

  2007. Castello, Giulio Cesare.
    Erich von Stroheim.
    Lyon: Serdoc, 1963.

  2008. Finler, Joel W.
    Stroheim.
    London: Studio Vista, 1967.

  2009. Marion, Denis (ed.).
    Stroheim.
    Paris: M.J. Minard, 1966.

  2010. Noble, Peter.
    Hollywood Scapegoat.The biography of Erich von Stroheim.
    London: Fortune Press, 1950.

  2011. Weinberg, Herman G.
    Stroheim. A pictorial record of his nine films.
    New York: Dover Publications, 1975.

  2012. Arnold, Alan.
    Valentino. Foreword by John Paddy Carstairs.
    London: Hutchinson, 1952.

  2013. Basanez Arrese, Jesus.
    Rodolfo Valentino. (En el XXV aniversario de su muerte).
    Bilbao: Graficas Bilbao, 1951.

  2014. Ben-Allah.
    Rudolph Valentino. His romantic life and death.
    Hollywood: Ben-Allah, 1926.

  2015. Oberfirst, Robert.
    Rudolph Valentino. The Man Behind the Myth.
    New York: Citadel Press, 1962.

  2016. Shulman, Irving.
    Valentino.
    New York: Trident Press, 1967.

  2017. Tello, Antonio and Gonzalo Otero Pizarro.
    Valentino. La seducción manipulada.
    Barcelona, Bogotà, Buenes Aires etc.: Editorial Bruguera, 1978.

  2018. Ullman, George.
    Valentino as I Knew Him. With an introduction by O.O.McIntyre.
    New York: Macy-Masius, 1927.

  2019. Ullmann, Georges.
    Le Véritable Valentino. Révélations sur sa vie intime.
    Traduit de l'anglais par Madeleine Mélot.
    Paris: Le Calame, n.d.

  2020. Albrecht, Gerd.
    Nationalsozialistische Filmpolitik. Eine soziologische Untersuchung
    über die Spielfilme des Dritten Reichs.
    Stuttgart: Ferdinand Enke, 1969.

  2021. Atlas-Stoff-Bilder. Filmstar-Serie-A. Album-A.
    Wupertal-Barmen: Imo-Seidendruck, 1932.

  2022. Auf Neuen Wegen. 5 Jahre fortschrittlicher deutscher Film.
    Berlin: Deutscher Filmverlag, 1951.

  2023. Axen, Hermann.
    Über die Fragen der fortschrittlichen deutschen Filmkunst.
    Rede auf der Konferenz des ZK der SED am 17. und 18.September 1952 in Berlin.
    Berlin: Dietz Verlag, 1952.

  2024. Bauer, Alfred.
    Deutscher Spielfilm-Almanach 1929-1950.
    Das Standardwerk des deutschen Films herausgegeben aus Anlaß des 20jährigen deutschen Tonfilm-Jubiläums.
    Berlin, Filmblätter Verlag, 1950.

  2025. Baumert, Heinz.
    Grundfragen der Filmdramaturgie. Analysen von Drehbüchern der DEFA 1946-1953.
    Berlin, Ministerium für Kultur, (1956).

  2026. Beiträge zur deutschen Filmgeschichte.
    Berlin: Institut für Filmwissenschaft and der Deutschen Hochschule für Filmkunst, 1965.

  2027. Berger, Ludwig.
    Wir sind vom gleichen Stoff aus dem die Träume sind.
    Summe eines Lebens.
    Tübingen: Rainer Wunderlich Verlag Hermann Leins, 1953.

  2028. Bergner, Elisabeth.
    Bewundert viel und viel gescholten... Unordentliche Erinnerungen.
    München: Wilhelm Goldmann, 1978.

  2029. Eloesser, Arthur.
    Elisabeth Bergner.
    Charlottenburg: Williams & Co., 1927.

  2030. Borde, Raymond, Freddy Buache, Francis Courtade and Marcel Tariol.
    Le cinéma réaliste allemand.
    Lausanne: Cinémathèque suisse, 1959.

  2031. Borde, R., F. Buache and F. Courtade.
    Le cinéma réaliste allemand.
    Lyon: Serdoc, 1965.

  2032. Ernst Thälmann. Sohn seiner Klasse. Literarisches Szenarium.
    Berlin: Henschelverlag, 1954.

  2033. Bucher, Felix and Leonhard H. Gmür.
    Germany.
    London: A. Zwemmer; New York: A.S.Barnes & Co., 1970.

  2034. Caid Film-Bilder. Album 1.
    Berlin: Caid, 1934.

  2035. Photo: Casparius. Filmgeschichte in Bildern.
    Berlin um 1930. Auf Reisen. Catalogue. Staatliche Kunsthalle
    Berlin vom 23.Februar bis 5.März 1978.
    Berlin: Stiftung Deutsche Kinemathek, 1978.

  2036. Courtade, Francis.
    Jeune cinéma allemand.
    Lyon: Serdoc, 1969.

  2037. Creutz, Lothar, Carl Andrießen and Richard Groschopp.
    Ware für Katalonien. Das Buch zu dem gleichnamigen Kriminalfilm der DEFA.
    Berlin: Henschelverlag, 1959.

  2038. De Kowa, Victor.
    Als ich noch Prinz war von Arkadien.
    Nürnberg: Glock und Lutz, 1955.

  2039. Lohmeyer, Walter-Gottfried.
    Viktor De Kowa. Die Geschichte eines Aufstiegs.
    Berlin: Hermann Wendt, 1934.

  2040. Zehder, Hugo.
    Ernst Deutsch.
    Berlin: Rembrandt-Verlag, 1960.

  2041. Zivier, Goerg.
    Ernst Deutsch und das deutsche Theater. Fünf Jahrzehnte deutscher Theatergeschichte. Der Lebensweg eines großen Schauspielers.
    Berlin: Haude & Spenersche Verlagsbuchhandlung, 1964.

  2042. Der Deutsche Film. Fragen-Forderungen-Aussichten.
    Bericht vom Ersten Deutschen Film-Autoren-Kongreß 6.-9. Juni 1947 in Berlin.
    Berlin: Verlag Bruno Henschel und Sohn, 1947.

  2043. Der Deutsche Film 1963.
    Berlin: Verlag Filmblätter, 1963.

  2044. Dolin, B.
    Jagd mit der Filmkamera. Aus den Aufzeichnungen eines Filmregisseurs.
    Berlin: Henschelverlag, 1954.

  2045. Berger, Ludwig.
    Käthe Dorsch.
    Berlin: Rembrandt Verlag, 1957.

  2046. Egel, Karl Georg and Paul Wiens.
    Das Lied der Matrosen. Eine Erzählung für den Film.
    Berlin: Henschelverlag, 1958.

  2047. Eisner, Lotte H.
    L'écran démoniaque. Influence de Max Reinhardt et de l'expressionnisme.
    Paris: André Bonne, 1952.

  2048. Eisner, Lotte H.
    Dämonische Leinwand. Die Blütezeit des deutschen Films.
    Wiesbaden-Biebrich: Der neue Film, Verlagsgesellschaft Feldt & Co., 1955.

  2049. Eisner, Lotte H.
    The Haunted Screen. Expressionism in the German cinema and the influence of Max Reinhardt.
    Translated from the French by Roger Greaves.
    London: Thames and Hudson, 1969.

  2050. Fantastique et réalisme dans le cinéma allemand 1912-1933.
    Cataloque de la rétrospective présentée par le Musée du Cinéma de la Staatliches Filmarchiv der Deutschen Demokratischen Republik et la Cinémathèque Royale de Belgique.
    Bruxelles, mars et avril 1969.
    Bruxelles: Musée du Cinéma, 1969.

  2051. Fassbinder, Rainer Werner.
    Querelle. The film book.
    Edited by Dieter Schidor and Michael McLernon.
    Translated by Arthur S.Wensinger and Richard H.Wood.
    München: Schirmer/Mosel; New York: Grove, 1983.

  2052. Hayman, Ronald.
    Fassbinder, Film Maker.
    New York: Simon and Schuster, 1984.

  2053. Katz, Robert.
    Love Is Colder Than Death. The life and times of Rainer Werner Fassbinder.
    New York: Random House, 1987.

  2054. Pflaum, Hans Günther and Rainer Werner Fassbinder.
    Das bißchen Realität, das ich brauche. Wie Filme entstehen.
    München: Carl Hanser, 1976.

  2055. Le film allemand 1952.
    Cannes: Festival International du Film, 1952.

  2056. Film in Deutschland. Eine Dokumentation.
    Wiesbaden: Verlag Horst Axtmann, 1966.

  2057. Frisch, Max.
    Zürich-Transit. Skizze eines Films.
    Frankfurt am Main: Suhrkamp, 1966.

  2058. Fritsch, Willy.
    Berättelsen om en lyckosam karriär.
    Stockholm: Ahlen & Akerlunds Förlag, 1932.

  2059. Fritsch, Willy.
    ... das kommt nicht wieder. Erinnerungen eines Filmschauspielers.
    Zürich, Stuttgart: Werner Classen, 1963.

  2060. Fritz, Walter.
    Geschichte des österreichischen Films.
    Aus Anlaß des Jubiläums 75 Jahre Film.
    Wien: Bergland Verlag, 1969.

  2061. Für den Aufschwung der fortschrittlichen deutschen Filmkunst.
    Berlin: Dietz Verlag, 1953.

  2062. Drews, Berta.
    Heinrich George. Ein Schauspielerleben.
    Hamburg: Rowohlt, 1959.

  2063. Goetz, Curt.
    Napoleon ist an allem schuld.
    Stuttgart: Deutsche-Verlags-Anstalt, 1968.

  2064. Luft, Friedrich.
    Gustaf Gründgens.
    Berlin: Rembrandt Verlag, 1958.

  2065. Hagge, Hans.
    Das gab's schon zweimal... Auf den Spuren der Ufa.
    Berlin: Henschelverlag, 1959.

  2066. Harlan, Veit.
    Im Schatten meiner Filme.
    Selbstbiographie, hrsg. und mit einem Nachwort versehen von H.C.Opfermann.
    Gütersloh: Sigbert Mohn Verlag, 1966.

  2067. Harlan, Veit.
    Souvenirs ou le cinéma allemand selon Goebbels.
    Traduction française d'Albert Cologny.
    Paris: Editions France-Empire, 1974.

  2068. Hasenclever, Walter.
    Die Pest. Ein Film.
    Berlin: Paul Cassirer, 1920.

  2069. Knudsen, Hans.
    O. E. Hasse.
    Berlin: Rembrandt-Verlag, 1960.

  2070. Haus Bergmann Farb-Filmbilder. Die beliebten Darsteller vom Film im neuen Deutschland.
    Dresden: Haus Bergmann-Zigarettenfabrik, 1934.

  2071. Heidel, Manfred.
    Die Stadt der tausend Wunder.
    Mit Notizbuch und Kamera durch Europas größte Filmstadt.
    Berlin: Henschelverlag, 1958.

  2072. Heinig, Heinrich.
    Goethe und der Film.
    Baden-Baden: Neue Verlag-Anstalt, 1949.

  2073. Vallières, Jean des (ed.).
    Brigitte Helm. Avec une notice de Georges Pillement.
    Paris: Nouvelle Librairie Française, 1932.

  2074. Hembus, Joe.
    Der deutsche Film kann gar nicht besser sein.
    Bremen: Carl Schünemann, 1961.

  2075. Hull, David Stewart.
    Film in the Third Reich. A study of the German cinema 1933-1945.
    Berkeley, Los Angeles: University of California Press, 1969.

  2076. Illustrierter Film-Kurier. 57 different numbers.
    Berlin: Verlag Illustrierter Film-Kurier, 1933 ff.

  2077. Jannings, Emil.
    Theater-Film-Das Leben und ich. Autobiographie bearbeitet von C.C. Bergius.
    Berchtesgarden: Zimmer & Herzog, 1951.

  2078. Bie, Richard.
    Emil Jannings. Eine Diagnose des deutschen Films.
    Berlin: Frundsberg-Verlag, 1936.

  2079. Ihering, Herbert.
    Emil Jannings. Baumeister seines Lebens und seiner Filme.
    Heidelberg, Berlin, Leipzig: Verlagsanstalt Hüthig & Co., 1941.

  2080. Munkepunke (Alfred Richard Meyer).
    1000 % Jannings.
    Hamburg, Berlin: Prismen-Verlag, 1930.

  2081. Käutner, Helmut und Ernst Schnabel.
    In jenen Tagen. Geschichten eines Autos.
    Flensburg: Christian Wolff, 1947.

  2082. Kalbus, Oskar.
    Die Situation des deutschen Films.
    Ein aktueller Beitrag zur Analyse der Filmkrise von heute.
    Wiesbaden: Film-Echo, 1956.

  2083. Kalbus, Oskar.
    Vom Werden deutscher Filmkunst. 2 vols.
    Altona-Gahrenfeld: Cigaretten-Bilderdienst, 1935.

  2084. Keisch, Henryk, Michael Tschesno-Hell and Slatan Dudow.
    Der Hauptmann von Köln. Eine satirische Filmkomödie.
    Berlin: Henschelverlag, 1956.

  2085. Kersten, Heinz.
    Das Filmwesen in der sowjetischen Besatzungszone.
    Bonn: Bundesministerium für gesamtdeutsche Fragen, 1954.

  2086. Das Filmwesen in der sowjetischen Besatzungszone Deutschlands. 2 vols.
    Bonn, Berlin: Bundesministerium für gesamtdeutsche Fragen, 1963.

  2087. Das Kinobuch.
    Kinodramen von Bermann, Hasenclever, Lasker-Schüler, etc. Einleitung von Kurt Pinthus.
    Leipzig: Kurt Wolff, 1914.

  2088. Klebinder, Paul (ed.).
    Der Deutsche Kaiser im Film.
    Zum fünfundzwanzigjährigen Regierungs-Jubiläum Seiner Majestät
    des Deutschen Kaisers, Königs von Preußen Wilhelm II.
    Berlin: Verlag Paul Klebinder, 1912.

  2089. Kluge, Alexander.
    Abschied von Gestern. Protokoll.
    Frankfurt/Main: Verlag Filmkritik, 1967.

  2090. Kluge, Alexander.
    Die Artisten in der Zirkuskuppel: ratlos. Die Ungläubige.
    Projekt Z. Sprüche der Leni Peickert.
    München: Piper, 1968.

  2091. Koch, Heinrich and Heinrich Braune.
    Von deutscher Filmkunst. Gehalt und Gestalt.
    Berlin, Hermann Scherping, 1943.

  2092. Kohlhaas, Wolfgang and Hans Kubisch.
    Alarm im Zirkus. Literarisches Szenarium zu einem Kriminalfilm.
    Berlin: Henschelverlag, 1954.

  2093. Korte, Helmut (ed.).
    Film und Realität in der Weimarer Republik.
    Mit Analysen der Filme "Kuhle Wampe" und "Mutter Krausens Fahrt ins Glück".
    München, Wien: Carl Hanser, 1978.

  2094. Kortner, Fritz.
    Die Sendung der Lysistrata. Ein Film nach Motiven von Aristophanes.
    München: Kindler, 1961.

  2095. Koster, Simon.
    Duitsche filmkunst.
    Rotterdam: W.L. en J. Brusse's Uitgeversmaatschappij, 1931.

  2096. Kracauer, Siegfried.
    From Caligari to Hitler. A psychological history of the German film.
    Princeton: University Press, 1947.

  2097. Kracauer, Siegfried.
    Von Caligari bis Hitler. Ein Beitrag zur Geschichte des deutschen Films.
    Hamburg: Rowohlt, 1958.

  2098. Krauss, Werner.
    Das Schauspiel meines Lebens. Einem Freund erzählt.
    Eingeleitet von Carl Zuckmayer.
    Stuttgart: Henry Goverts Verlag, 1958.

  2099. Goetz, Wolfgang.
    Werner Krauß.
    Hamburg: Hoffmann und Campe, 1954.

  2100. Kriegk, Otto.
    Der deutsche Film im Spiegel der Ufa. 25 Jahre Kampf und Vollendung.
    Berlin: Ufa-Buchverlag, 1943.

  2101. Kruczkowski, Leon.
    Die Sonnenbrucks. Dem gleichnamigen Defa-Film nacherzählt von Tadeusz Kowalski.
    Berlin: Deutscher Filmverlag, 1951.

  2102. Kuball, Michael.
    Familienkino. Geschichte des Amateurfilms in Deutschland. 2 vols.
    Reinbek: Rowohlt, 1980.

  2103. Kubsch, Hermann Werner.
    Bärenburger Schnurre. Eine lustige Filmerzählung.
    Berlin: Henschelverlag, 1956.

  2104. Kühn, Gertraude, Karl Tümmler and Walter Wimmer (comp.).
    Film und revolutionäre Arbeiterbewegung in Deutschland 1918-1932.
    Dokumente und Materialien zur Entwicklung der Filmpolitik der revolutionären
    Arbeiterbewegung und zu den Anfängen einer sozialistischen Filmkunst in Deutschland. 2 vols.
    Berlin: Henschelverlag Kunst und Gesellschaft, 1975.

  2105. Lamprecht, Gerhard.
    Deutsche Stummfilme 1917 - 1931. In 6 vols.
    Berlin: Deutsche Kinemathek e.V., 1968 - 1969.

  2106. Lang, Fritz.
    M. Protokoll.
    Mit einem Interview des Regisseurs von Gero Gandert.
    Hamburg: Marion von Schröder Verlag, 1963.

  2107. Lang, Fritz.
    M. English translation and description of action by Nichilas Garnham.
    London: Lorrimer Publishing, 1968.

  2108. Lang, Fritz.
    Metropolis. A film.
    London: Lorrimer Publishing, 1973.

  2109. Courtade, Francis.
    Fritz Lang.
    Paris: Le Terrain Vague, 1963.

  2110. Eibel, Alfred.
    Fritz Lang.
    Paris, Présence du Cinéma, 1964.

  2111. Harbou, Thea von.
    Metropolis. Roman.
    Berlin: August Scherl, 1927.
    Together with: Ufa-Magazin. Sondernummer: Metropolis.
    Berlin: Ufa-Presse-Abteilung, n.d.

  2112. Jensen, Paul M.
    The Cinema of Fritz Lang.
    N.Y.: A.S.Barnes & Co.; London: A.Zwemmer Limited, 1969.

  2113. Moullet, Luc.
    Fritz Lang. Propos de Fritz Lang.
    Paris: Seghers, 1963.

  2114. Leiser, Erwin.
    "Deutschland, erwache!"
    Propaganda im Film des Dritten Reiches.
    Reinbek: Rowohlt, 1968.

  2115. Leiser, Erwin.
    "Mein Kampf". Documenti su Hitler e il Terzo Reich.
    Milano: Feltrinelli Editore, 1961.

  2116. Leiser, Erwin.
    Nazi Cinema.
    Translated from the German by Gertrud Mander and David Wilson.
    London: Secker & Warburg, 1974.

  2117. Leiser, Erwin.
    Wähle das Leben! Das Buch zum Film.
    Wien, Stuttgart, Basel: Hans Deutsch Verlag, 1963.

  2118. Lieberenz, Paul.
    Abenteuer mit der Filmkamera.
    Berlin: Minerva-Verlag, 1946.

  2119. Lindtberg, Leopold.
    Regiearbeit.
    Texte von Leopold Lindtberg, Kurt Hirschfeld, Ernst Ginsberg etc.
    St. Gallen, Stuttgart: Tschudy-Verlag, 1962.

  2120. Manvell, Roger and Heinrich Fraenkel.
    The German Cinema.
    London: JM Dent & Sons, 1971.

  2121. Manz, H. P.
    Ufa und der frühe deutsche Film.
    Eine Bildchronik mit Texten von Marlene Dietrich, Rudolf Kurtz, Fritz Lang etc.
    Zürich: Sanssouci Verlag, 1963.

  2122. May, Karl.
    Winnetou.
    Film-Bilderbuch nach dem gleichnamigen Rialto/Constantin-Film.
    Herausgegeben von Peter Korn.
    Bern, München, Wien: Phoenix Verlag, 1964.

  2123. Hempel, Rolf.
    Carl Mayer. Ein Autor schreibt mit der Kamera.
    Berlin: Henschelverlag Kunst und Gesellschaft, 1968.

  2124. Narath, Albert.
    Oskar Messter der Begründer der deutschen Kino- und Filmindustrie.
    Berlin: Deutsche Kinemathek e.V., 1966.

  2125. Meyerinck, Hubert von.
    Meine berühmten Freundinnen. Erinnerungen.
    Düsseldorf, Wien: Econ-Verlag, 1967.

  2126. Cuenca, Carlos Fernandez.
    F. W. Murnau.
    Madrid: Filmoteca Nacional de Espana, 1966.

  2127. Eisner, Lotte H.
    F.W.Murnau. Textes additionnels de Robert Plumpe et Robert Herlth.
    Paris: Le Terrain Vague, 1964.

  2128. Eisner, Lotte H.
    Murnau.
    Berkeley, Los Angeles: University of Calofornia Press, 1973.

  2129. Jameux, Charles.
    F. W. Murnau.
    Paris: Editions Universitaires, 1965.

  2130. Ophüls, Max.
    Spiel im Dasein. Eine Rückblende.
    Mit einem Nachwort von Hilde Ophüls und einer Einführung von Friedrich Luft.
    Stuttgart: Henry Goverts, 1959.

  2131. Das Orami-Album.
    Für unsere Film-Lieblinge.
    Dresden: Orientalisch-Macedonische Cigarettenfabrik "Orami", n.d.

  2132. Pabst, G. W.
    Pandora's Box (Lulu).
    Translated from the German by Christopher Holme.
    London: Lorrimer Publishing, 1971.

  2133. Amengual, Barthélemi.
    G.W. Pabst. Propos de Pabst.
    Paris: Seghers, 1966.

  2134. Buache, Freddy.
    G.W. Pabst.
    Lyon: Serdoc, 1965.

  2135. Six Talks on G.W.Pabst.
    The man - the director - the artist.
    New York: Group for Film Study, 1955.

  2136. Weno, Joachim.
    Lilli Palmer.
    Berlin: Rembrandt Verlag, 1957.

  2137. Phillips, Klaus (ed.).
    New German Filmmakers. From Oberhausen through the 1970s.
    New York: Frederick Ungar, 1984.

  2138. Pinthus, Kurt (ed.).
    Das Kinobuch.
    Kinostücke von Bermann, Hasenclever, Langer etc.
    Zürich: Die Arche, 1963.

  2139. Porten, Henny.
    Vom "Kintopp" zum Tonfilm.
    Ein Stück miterlebte Filmgeschichte.
    Dresden: Carl Reißner, 1932.

  2140. Porten, Henny.
    Wie ich wurde. Selbstbiographie.
    Berlin: Volkskraft-Verlag, 1919.

  2141. Rabenalt, Arthur Maria.
    Film im Zwielicht.
    Über den unpolitischen Film des Dritten Reiches und die Begrenzung des totalitären Anspruches.
    München: Copress-Verlag, 1958.

  2142. Rabenalt, Arthur Maria.
    Die verhinderte Filmkunst.
    Über die Ursachen der künstlerischen Krise des deutschen Nachkriegsfilms.
    München: Filmklub München e.V., 1950.

  2143. Reichsfilmkammer (ed.).
    Almanach der deutschen Filschaffenden 1938/39.
    Mit Anschriftenverzeichnis.
    Berlin: Max Hesses Verlag, 1938/39.

  2144. Weinberg, Herman G.
    An Index to the Creative Work of Hans Richter.
    New York: Film Culture Magazine, 1957.

  2145. Riess, Curt.
    Das gab's nur einmal. Das Buch der schönsten Filme unseres Lebens.
    Hamburg: Verlag der Sternbücher, 1957.

  2146. Riess, Curt.
    Das gibts nur einmal. Buch des deutschen Films nach 1945.
    Hamburg: Henri Nannen Verlag, 1958.

  2147. Rubner, Josef Michael.
    Der Himmel der Michele de Montgolfier.
    Ein Filmstoff und seine Geschichte.
    München: Drei Fichten Verlag, 1946.

  2148. Kirst, Hans Hellmut.
    Heinz Rühmann. Ein biographischer Report.
    München: Kindler, 1969.

  2149. Domburg, A. van.
    Walter Ruttmann en het beginsel.
    Purmerend: J. Muusses, (1956).

  2150. Salem-Filmbilder.
    2 albums.
    Dresden: Salem Cigarettenfabrik, n.d.

  2151. Salem Gold-Film-Bilder.
    Album 1.
    Dresden: Salem Cigarettenfabrik, n.d..

  2152. Weiland, Mato.
    Maria Schell. Die autorisierte Maria Schell-Story.
    Wien: Massimo-Verlag, 1959.

  2153. Schmieding, Walther.
    Kunst oder Kasse. Der Ärger mit dem deutschen Film.
    Hamburg: Rütten & Loening, 1961.

  2154. Siodmak, Kurt.
    F.P.1 antwortet nicht. Roman.
    Berlin: Scherl, (1932).

  2155. Die sowjetzonale Spielfilmproduktion 1946-1959.
    Eine Übersicht über die in den Jahren 1946-1959 von der DEFA gedrehten Filme, ihre Autoren und Hauptdarsteller sowie ihren Inhalt und ihre Tendenzen.
    Berlin: Bundesministerium für gesamtdeutsche Fragen, 1960.

  2156. Die sowjetzonale Spielfilmproduktion 1946-1960.
    Eine Übersicht über die in den Jahren 1946-1960 von der DEFA gedrehten Filme, ihre Autoren und Hauptdarsteller sowie ihren Inhalt und ihre Tendenzen.
    Berlin: Ministerium für gesamtdeutsche Fragen, 1961.

  2157. Spieker, Franz-Josef.
    Wilder Reiter GmbH. Protokoll.
    Frankfurt/Main: Verlag Filmkritik, 1967.

  2158. Staudte, Heckroth, Raguse.
    Die Dreigroschenoper. Werkbuch zum Film.
    München: Laokoon-Verlag, 1964.

  2159. Stern, Kurt and Jeanne.
    Stärker als die Nacht. Ein Filmszenarium.
    Berlin: Aufbau-Verlag, 1954.

  2160. Sternberg, Josef von.
    The Blue Angel. An authorized translation of the German continuity.
    London: Lorrimer Publishing, 1968.

  2161. Terveen, Fritz.
    Dokumente zur Geschichte der Schulfilmbewegung in Deutschland.
    Emsdetten: Verlag Lechte, 1959.

  2162. Tschechowa, Olga.
    Ich verschweige nichts!
    Autobiographie bearbeitet von C.C.Bergius.
    Berchtesgarden: Zimmer & Herzog, 1952.

  2163. Tschesno-Hell, Michael.
    Solange Leben in mir ist. Ein Film über Karl Liebknecht.
    Literarisches Szenarium.
    Berlin: Henschelverlag, 1966.

  2164. UFA 1929/1930.
    Catalogue. Programm 1929/1930.
    Berlin: UFA-Werbedienst, 1930.

  2165. UFA-1937/38.
    Catalogue. Programm 1937/38.
    Durch Leistung zum Erfolg. 40 UFA-Filme.
    Berlin: UFA-Werbedienst, 1938.

  2166. Ufa 1939-1940.
    Catalogue. Programm 1939/40.
    Kulturfilme/Kurzfilme/Ufa- und Deulig-Tonwoche.
    Berlin: UFA-Werbedienst, 1940.

  2167. Die UFA-Lehrschau.
    Der Weg des Films von der Planung bis zur Vorführung.
    Berlin: UFA-Buchverlag, 1941.

  2168. Schulte, Michael (ed.).
    Das große Karl Valentin Buch.
    München, Zürich: R.Piper & Co., 1977.

  2169. Wegener, Paul.
    Sein Leben und seine Rollen. Ein Buch von ihm und über ihn.
    Eingerichtet von Kai Möller.
    Hamburg: Rowohlt, 1954.

  2170. Pfeiffer, Herbert.
    Paul Wegener.
    Berlin: Rembrandt-Verlag, 1957.

  2171. Weinschenk, H. E.
    Wir von Bühne und Film.
    Berlin: Wilhelm Limpert-Verlag, 1941.

  2172. Wenders, Wim and Sam Shepard.
    Paris, Texas. Edited by Chris Sievernich.
    Berlin: Road Movies, 1984.

  2173. Fontana, Oskar Maurus.
    Paula Wessely.
    Berlin: Rembrandt-Verlag, 1959.

  2174. Horch, Franz.
    Paula Wessely. Weg einer Wienerin.
    Wien, Leipzig, Olten: Wilhelm Frick Verlag, 1937.

  2175. Ibach, Alfred.
    Die Wessely. Skizze ihres Werdens.
    Wien: Wilhelm Frick, 1943.

  2176. Wiene, Robert, Carl Mayer and Hans Janowitz.
    The Cabinet of Dr. Caligari. A film.
    English translation and description of action by R.V.Adkinson.
    London: Lorrimer Publishing, 1972.

  2177. Wille, Hanns Julius.
    Die Millionen der Yvette.
    Berlin: Henschelverlag, 1956.

  2178. Witt, Gustav Adolf.
    Fortschritte Österreichs im Lichtbild- und Lehrfilmwesen.
    Bericht für die III. Internationale Lehrfilmkonferenz in Wien (26. bis 31.Mai 1931) auf Grund von Einzelberichten und amtlichen Erhebungen.
    Wien, Leipzig: Österreichischer Bundesverlag für Unterricht, Wissenschaft und Kunst, 1931.

  2179. Wollenberg, H. H.
    Fifty Years of German Film.
    London: Falcon Press, 1948.

  2180. Wortig, Kurt.
    Ihre Hoheit Lieschen Müller.
    Hof- und Hinterhofgespräche um Film und Fernsehen.
    München: Kreisselmeier, 1961.

  2181. Wolf, Friedrich.
    Filmerzählungen.
    Berlin: Aufbau-Verlag, 1959.

  2182. Wulf, Joseph.
    Theater und Film im Dritten Reich. Eine Dokumentation.
    Gütersloh: Sigbert Mohn, 1964.

  2183. Zeitschrift für Filmkunst und Filmwirtschaft.
    Sonderausgabe 1940/41. Der Deutsche Film.
    Berlin: Max Hesses Verlag im Auftrage der Reichsfilmkammer, in Zusammenarbeit mit der deutschen Filmindustrie, 1941.

  2184. Agel, Geneviève.
    Hulot parmi nous.
    Paris: Editions du Cerf, 1955.

  2185. Agel, Henri.
    Mirois de l'insolite dans le cinéma français.
    Paris: Editions du Cerf, 1958.

  2186. Agel, H, J.-P. et Barrot, A. Bazin etc.
    Sept ans de cinéma français.
    Paris: Editions du Cerf, 1953.

  2187. Annuaire biographique du cinéma et de la télévision en France 1953-1954.
    Paris: Contact-Organisation, 1953.

  2188. Annuaire biographique du cinéma et de la télévision en France, en Belgique et en Afrique du Nord. Edition complémentaire 1957.
    Paris: Contact Editions, 1957.

  2189. Annuaire biographique du cinéma et de la télévision en France et en Belgique. Edition 1962-1963. 2 vols.
    Paris: Contact-Editions, 1963.

  2190. Perrin, Michel.
    Arletty.
    Paris: Calmann-Lévy, 1952.

  2191. Armes, Roy.
    French Cinema.
    New York, Oxford University Press, 1985.

  2192. Armes, Roy.
    French Cinema Since 1946. 2 vols.
    London: A.Zwemmer; N.Y.: A.S.Barnes & Co., 1966.

  2193. Armes, Roy.
    French Film.
    London: Studio Vista; New York: Dutton, 1970.

  2194. Artsept no. 3.
    Octobre/December 1963. L'amour.
    Lyon: "la proue", 1963.

  2195. Ashelbé.
    Dédée d'anvers. Roman.
    Monaco: Editions du Rocher, 1949.

  2196. Bellour, Raymond.
    Alexandre Astruc.
    Paris: Seghers, 1963.

  2197. Audiberti, Jacques.
    Scénario et dialogues de La Poupée.
    Mise en scène et réalisation Jacques Baratier.
    Paris: Gallimard, 1962.

  2198. L'Avant-Scène no. 88.
    Cinema. Lola Montes le chef d'oeuvre de Max Ophuls sort de l'Enfer.
    Paris: Avant-Scène du Cinéma, 1969.

  2199. Beauvoir, Simone de.
    Brigitte Bardot and the Lolita Syndrome.
    Translated by Bernard Fretchman.
    London: André Deutsch and Weidenfeld & Nicolson, 1960.

  2200. Carpozi, George.
    The Brigitte Bardot Story.
    New York: Belmont Books, 1961.

  2201. Clandé, Flavius.
    Brigitte Bardot.
    Eine Bildchronik mit Texten von Marcel Achard, Brigitte Bardot, Simone de Beauvoir etc.
    Zürich: Sanssouci Verlag, 1961.

  2202. Evans, Peter.
    Bardot: Eternal Sex Goddess.
    London: Leslie Frewin, 1972.

  2203. Jourdan, Denise.
    La fabulosa vida de Brigitte Bardot.
    Barcelona, Buenos Aires, Bogota: Editorial Bruguera, 1961.

  2204. Margueritte, Yves.
    Brigitte Bardot.
    Paris: Jean-Jacques Pauvert, n.d.

  2205. Barret, André.
    Tintin and the Blue Oranges.
    Adapted and translated by Leslie Lonsdale-Cooper and Michael Turner. Based on Herge's characters.
    London: Methuen & Co., 1967.

  2206. Bazin, André.
    French Cinema of the Occcupation and Resistance.
    The birth of a critical esthetic. Collected and with an introduction by François Truffaut. Translated by Stanley Hochman.
    New York: Frederick Ungar, 1981.

  2207. Belmondo, Jean-Paul.
    Trente ans et vingt-cinq films. Suivi des Dix commandements du Belmondisme.
    Paris: Union Générale d'Editions, 1963.

  2208. Belmondo et Delon.
    Dans un film de Jacques Deray. Borsalino.
    Paris: Julliard, 1970.

  2209. Blier, Bertrand.
    Hitler, connais pas.
    Paris: Union Générale d'Editions, 1963.

  2210. Borde, Raymond, Freddy Buache and Jean Curtelin.
    Nouvelle Vague.
    Lyon: Serdoc, 1962.

  2211. Bresson, Robert.
    Procés de Jeanne d'Arc. Film.
    Paris: René Julliard, 1962.

  2212. Briot, René.
    Robert Bresson.
    Paris: Editions du Cerf, 1957.

  2213. Droguet, Robert.
    Robert Bresson.
    Lyon: Serdoc, 1966.

  2214. Estève, Michel.
    Robert Bresson.
    Paris: Seghers, 1962.

  2215. The Films of Robert Bresson.
    London: Studio Vista, 1969.

  2216. Sémolué, Jean.
    Bresson.
    Paris: Editions Universitaires, 1959.

  2217. Brialy, Jean-Claude.
    Les volets clos. Un film.
    Paris: Seghers, 1973.

  2218. Brunius, Jacques B.
    En Marge du Cinéma Français. Couverture de Marcel Duchamp.
    Paris: Arcanes, 1954.

  2219. Carn&eaucte;, Marcel.
    Alba Tragica.
    Milano: Editoriale Domus, 1945.

  2220. Carné, Marcel.
    Les enfants du Paradis. A film.
    Translated from the French by Dinah Brooke.
    London: Lorrimer, 1968.

  2221. Carné, Marcel and Jacques Prévert.
    Le jour se leve. A film.
    English translation and description of action by Dinah Brooke and Nicola Hayden.
    London: Lorrimer Publishing, 1970.

  2222. Chazal, Robert.
    Marcel Carné. Propos de Marcel Carné.
    Paris: Seghers, 1965.

  2223. Landry, Bernard-G.
    Marcel Carné.
    Paris: Jacques Vautrain, 1952.

  2224. Quéval, Jean.
    Marcel Carné.
    London: British Film Institute, 1950.

  2225. Quéval, Jean.
    Marcel Carné.
    Paris: Editions du Cerf, 1952.

  2226. Turk, Edward Baron.
    Child of Paradise.
    Marcel Carné and the golden age of French cinema.
    Cambridge, London: Harvard University Press, 1989.

  2227. Viazzi, Glauco.
    Alba tragica di Marcel Carné.
    Milano: Editoriale Domus, 1945.

  2228. Cayatte, André and Jacques Prévert.
    Les amants de Vérone. Un film.
    Paris: Nouvelle Edition, 1949.

  2229. Braucourt, Guy.
    André Cayatte. Propos de André Cayatte.
    Paris: Seghers, 1969.

  2230. Cayrol, Jean.
    Muriel. Scibnario et dialogues.
    Réalisation Alain Resnais.
    Paris: Editions du Seuil, 1963.

  2231. Cayrol, Jean and Claude Durand.
    Le coup de grace. Scénario.
    Paris: Editions du Seuil, 1965.

  2232. Chabrol, Claude.
    Les noces rouges. Un film. Préface de Jean Curtelin.
    Paris: Seghers, 1973.

  2233. Braucourt, Guy.
    Claude Chabrol. Propos de Claude Chabrol.
    Paris: Seghers, 1971.

  2234. Wood, Robin and Michael Walker.
    Claude Chabrol.
    London: Studio Vista, 1970.

  2235. Wood, Robin and Michael Walker.
    Claude Chabrol.
    Madrid: Editorial Fundamentos, 1972.

  2236. Charensol, Georges.
    Renaissance du cinéma français.
    Paris: Editions du Sagittaire, 1946.

  2237. Chavance, Louis and H.-G. Clouzot.
    Le corbeau.
    Paris: Nouvelle Edition, 1948.

  2238. Chevalier, Maurice.
    I Remember It Well.
    Preface by Marcel Pagnol. Translated from the French by Cornelia Higginson.
    New York: Macmillan Company, 1970.

  2239. Clair, René.
    Adams. Roman.
    Paris: Bernard Grasset, 1926.

  2240. Clair, René.
    A nous la liberté and Entr'acte.
    Films. English translation and description of the action by Richard Jacques and Nicola Hayden.
    London: Lorrimer Publishing, 1970.

  2241. Clair, René.
    Porte des lilas. Un film.
    Paris: L'Avant-Scène, 1957.

  2242. Clair, René.
    La princesse de Chine. Suivi de De film en aiguille.
    Paris: Bernard Grasset, 1951.

  2243. Clair, René.
    Die Prinzessin von China. Roman.
    Aus dem Französischen von N.0. Scarpi.
    München: Paul List, 1956.

  2244. Clair, René.
    Schweigen ist Gold.
    Drehbuch. Mit einem Vorwort und einem Kommentar des Autors und einem Nachwort von Jean Mitry.
    Aus dem Französischen übertragen von Frieda Grafe.
    Hamburg: Marion von Schröder Verlag,
    1962.

  2245. Clair, René.
    Il silenzio è d'oro. Sceneggiatura.
    Tradotta a cura di Mario Verdone.
    Roma: Bianco e Nero, 1951.

  2246. Clair, René.
    Tout l'or du monde.
    Paris: Gallimard, 1961.

  2247. Amengual, Barthélemy.
    René Clair. Propos de René Clair.
    Paris: Seghers, 1963.

  2248. Bourgeois, Jacques.
    René Clair.
    Genève, Paris: Editions Roulet, 1949.

  2249. Charensol, Georges.
    René Clair et les belles-de-nuit.
    Avant-propos de René Clair.
    Paris: Editions du Cerf, 1953.

  2250. Charensol, Georges and Roger Régent.
    Un maitre du cinéma René Clair.
    Paris: La Table Ronde, 1952.

  2251. Lattuada, Bianca.
    Il milione di René Clair.
    Milano: Editoriale Domus, 1945.

  2252. Mitry, Jean.
    René Clair.
    Paris: Editions Universitaires, 1960.

  2253. Farwagi, André.
    René Clément.
    Propos de René Clément.
    Paris: Seghers, 1967.

  2254. Paladini, Aldo.
    La diga sul Pacifico di René Clément.
    Bologna: Cappelli, 1957.

  2255. Bianchi, Pietro.
    Henri-Georges Clouzot.
    Parma: Guanda, 1951.

  2256. Chalais, François.
    Henri-Georges Clouzot.
    Paris: Jacques Vautrain, 1950.

  2257. Pilard, Philippe.Henri-Georges Clouzot. Propos de Henri-Georges Clouzot.
    Paris: Seghers, 1969.

  2258. Cocteau, Jean.
    La belle et la bête. Journal d'un film.
    Paris: J.B.Janin, 1946.

  2259. Cocteau, Jean.
    The Blood of a Poet. A film.
    Translated from the French by Lily Pons.
    New York: Bodley Press, 1949.

  2260. Cocteau, Jean.
    Diary of a Film. (La Belle et la Bête).
    Translated from the French by Ronald Duncan.
    London: Dennis Dobson, 1950.

  2261. Cocteau, Jean.
    Entretiens autour de la cinématographie.
    Recueillis par André Fraigneau.
    Paris: André Bonne, 1951.

  2262. Cocteau, Jean.
    Orphée. Film.
    Paris: André Bonne, 1950.

  2263. Cocteau, Jean.
    Orphée. Drehbuch.
    Mit Vorbemerkungen des Autors und einem Gespräch zwischen dem Autor und André Fraigneau.
    Hamburg: Marion von Schröder Verlag, 1963.

  2264. Cocteau, Jean.
    Ruy Blas. Mis en scène par Pierre Billon.
    Paris: Paul Morihien, 1948.

  2265. Cocteau, Jean.
    Le sang d'un poète. Film.
    Paris: Robert Marin, 1948.

  2266. Cocteau, Jean.
    Le Testament d'orphée. Film.
    Monaco: Editions du Rocher, 1961.

  2267. Cocteau, Jean.
    Two Screenplays. The Blood of a Poet. The Testament of Orpheus.
    Translated from the French by Carol Martin-Sperry.
    London: Calder & Boyars, 1970.

  2268. Cocteau on the Film.
    A Conversation recorded by André Fraigneau.
    Translated by Vera Traill.
    New York: Roy Publishers, 1954.

  2269. Fraigneau, André.
    Cocteau. Translated by Donald Lehmkuhl.
    New York: Grove Press; London: Evergreen Books, 1961.

  2270. Fraigneau, André.
    Cocteau on the Film. Conversation with Jean Cocteau.
    Translated by Vera Traill. With a new introduction by George Amberg.
    New York: Dover Publications, 1972.

  2271. Gilson, René.
    Jean Cocteau. Propos de Jean Cocteau.
    Paris: Seghers, 1964.

  2273. Jean Cocteau tourne son dernier film. (Journal du Testament d'Orphée).
    Paris: La Table Ronde, 1960.

  2274. Simon, Karl Günter.
    Jean Cocteau oder die Poesie im Film.
    Berlin: Rembrandt-Verlag, 1958.

  2275. Colomb de Daunant, Denys.
    Braco.
    Paris: Julliard, 1954.

  2276. Constantes du cinéma français.
    Mulhouse: Souillac, 1962.

  2277. Le cinéma, notre métier. Préface de René Clair.
    Paris: Editeurs Français Réunis, 1960.

  2278. Ferrero, Adelio.
    Jules Dassin. Con una appendice di interviste del regista.
    Parma: Guanda, 1961.

  2279. Mangini, Cecilia.
    La legge di Jules Dassin.
    Bologna: Cappelli, 1959.

  2280. Tariol, Marcel.
    Louis Delluc.
    Paris: Seghers, 1965.

  2281. Demy, Jacques.
    Les demoiselles de Rochefort.
    Paris: Solar, 1967.

  2282. Deslandes, Jacques.
    Le boulevard du cinéma à l'époque de Georges Méliès.
    Paris: Editions du Cerf, 1963.

  2283. Duras, Marguerite.
    Hiroshima mon amour.
    Scénario et dialogues. Réalisation: Alain Resnais.
    Paris: Gallimard, 1960.

  2284. Duras, Marguerite and Gérard Jarlot.
    Une aussi longue absence. Scénario et dialogues.
    Paris: Gallimard, 1961.

  2285. Durgnat, Raymond.
    French Cinema. The A-Z guide to the "New Wave".
    Loughton: Motion Publications, 1963.

  2286. Dussane.
    Maria Casarès.
    Paris: Calmann-Lévy, 1953.

  2287. Chirat, Raymond.
    Julien Duvivier.
    Lyon: Serdoc, 1968.

  2288. Viazzi, Glauco.
    Il bandito della Casbah di Julien Duvivier.
    Milano: Editoriale Domus, 1945.

  2289. Epstein, Jean.
    L'intelligence d'une machine.
    Paris: Jacques Melot, 1946.

  2290. Leprohon, Pierre.
    Jean Epstein.
    Paris: Seghers, 1964.

  2291. Rim, Carlo.
    Fernadel.
    Paris: Calmann-Libvy, 1952.

  2292. Lacassin, Francis.
    Louis Feuillade. Préface de Henri Fescourt.
    Paris: Seghers, 1964.

  2293. Kemp, Robert.
    Edwige Feuillère.
    Paris: Calmann-Lévy, 1951.

  2294. Feyder, Jacques and Françoise Rosay.
    Le cinéma notre metier.
    Genève: Editions d'Art Albert Skira, 1944.

  2295. Buzzi, Aldo.
    La kermesse eroica di Jacques Feyder.
    Milano: Editoriale Domus, 1945.

  2296. Soueff, M. Claude.
    Filmographie de Jacques Feyder. Préface de Jean Gribmillon.
    Paris: Cinémathèque Française, 1949.

  2297. Losada, Antonio.
    Vida de Joan Fontaine.
    Barcelona: Editorial Maravilla, 1944.

  2298. Fowler, Roy.
    The Film in France.
    London: Pendulum Publications, 1946.

  2299. Durgnat, Raymond.
    Franju.
    London: Studio Vista, 1967.

  2300. Vialle, Gabriel.
    Georges Franju. Propos de Georges Franju.
    Paris: Seghers, 1968.

  2301. Dubeux, Albert.
    Pierre Fresnay.
    Paris: Calmann-Lévy, 1950.

  2302. Viazzi, Clauco.
    Jean Gabin.
    Milano: Sedit, 1956.

  2303. Gance, Abel.
    Napoléon. Epopée cinégraphique en cinq époques. Première époque: Bonaparte.
    Paris: Librairie Plon, 1927.

  2304. Daria, Sophie.
    Abel Gance hier et demain. Avec un texte inédit par Abel Gance.
    Paris, Gendève: La Palatine, 1959.

  2305. Icart, Roger.
    Abel Gance.
    Paris: l'Institut Pédagogique National, 1960.

  2306. Gilson, Paul.
    Merveilleux.
    Paris: Calmann-Lévy, 1945.

  2307. Godard, Jean-Luc.
    Alphaville. Screenplay.
    English translation by Peter Whitehead.
    London: Immediate Publishing Company, 1967.

  2308. Godard, Jean-Luc.
    A bout de souffle. Vivre sa vie. Une femme maribe. Deux ou trois choses que je sais d'elle. La Chinoise.
    Madrid: Alianza, 1973.

  2309. Godard, Jean-Luc.
    Les Carabiniers. Protokoll.
    Aus dem Französischen übersetzt und protokolliert von Herbert Linder.
    Frankfurt/Main: Verlag Filmkritik, 1967.

  2310. Godard, Jean-Luc.
    Made in USA. Screenplay.
    London: Lorrimer Publishing, 1967.

  2311. Godard, Jean-Luc.
    Masculine-Feminine. A Film.
    Consulting Editor: Pierre Billard.
    New York: Grove Press, 1969.

  2312. Godard, Jean-Luc.
    Le Petit Soldat. Screenplay.
    English translation by Nicholas Garnham.
    London: Lorrimer Publishing, 1967.

  2313. Godard, Jean-Luc.
    Pierrot le Fou. A film.
    English translation and description of action by Peter Whitehead.
    London: Lorrimer Publishing, 1969.

  2314. Godard, Jean-Luc.
    Eine verheiratete Frau. Protokoll.
    Hamburg: Marion von Schröder Verlag, 1966.

  2315. Godard, Jean-Luc.
    Vivre sa Vie. Die Geschichte der Nana S.
    Drehbuch. Mit einem Interview des Autors in "Cahiers du Cinéma" und einem Nachwort von Frieda Grafe.
    Hamburg: Marion von Schröder Verlag, 1964.

  2316. Godard, Jean-Luc.
    Weekend and Wind from the East. Two films.
    London: Lorrimer Publishing, 1972.

  2317. Brown, Royal S. (ed.).
    Focus on Godard.
    Englewood Cliffs: Prentice-Hall, 1972.

  2318. Collet, Jean.
    Jean-Luc Godard.
    Paris: Seghers, 1963.

  2319. Collet, Jean.
    Jean-Luc Godard. Translated by Ciba Vaughan.
    New York: Crown Publishers, 1970.

  2320. French, Philip, Charles Barr, Stig Björkman, etc.
    The Film of Jean-Luc Godard
    London: Studio Vista, 1967.

  2321. Roud, Richard.
    Jean-Luc Godard.
    London: Secker & Warburg in association with the British Film Institute, 1967.

  2322. Vianey, Michel.
    En attendant Godard.
    Paris: Bernard Grasset, 1966.

  2323. Graham, Peter.
    The New Wave. Critical landmarks.
    London: Secker & Warburg in association with the British Film Institute, 1968.

  2324. Agel, Henri.
    Jean Grémillon.
    Paris: Seghers, 1969.

  2325. Guitry, Sacha.
    Napoléon. Film.
    Paris: Raoul Solar, 1955.

  2326. Images du cinéma français.
    Lausanne: Musée des Beaux-Arts, 1945.

  2327. Index de la cinématographie française 1947.
    Analyse critique complète de tous les films projetes en France de Juillet 1946 à Juillet 1947.
    Paris: La Cinématographie Française, 1947.

  2328. Index de la cinématographie française 1949-1965 in 23 vols.
    Analyse critique complète de tous le films.
    Paris: La Cinématographie Française, 1949-1965.

  2329. Japrisot, Sébastian.
    Adieu l'ami.
    Paris: Denoël, 1968.

  2330. Jaque, Christian.
    La chartreuse de Parme.
    Un film. D'après le roman de Stendhal. Avec les dialogues intégraux de Pierre Véry.
    Paris: Editions Self, 1948.

  2331. Jeanne, René and Charles Ford (eds.).
    Le Livre d'Or du Cinéma Français 1946.
    Paris: Agence d'Information Cinégraphique, 1946.

  2332. Jeanne, René and Charles Ford (eds.).
    Le Livre d'Or du Cinéma Français 1947-1948.
    Paris: Agence d'Information Cinégraphique, 1948.

  2333. Jeanne, René and Charles Ford (eds.).
    Le Livre d'Or du Cinéma Français 1950.
    Supplément annuel de France Film-Export.
    Paris: Expansion Cinématographique Française, 1950.

  2334. Jeanson, Henri.
    Entrée des artistes. Préface de Louis Jouvet.
    Paris: La Nouvelle Edition, 1946.

  2335. Jessua, Alain.
    Traitement de choc. Un film.
    Paris: Seghers, 1973.

  2336. Kaplan, Nelly.
    Le sunlight d'Austerlitz. Préface d'Abel Gance.
    Paris: Librairie Plon, 1963.

  2337. Labarthe, André S.
    Essay sur le jeune cinéma français and Comment peut-on être martien?
    Paris: Le Terrain Vague, 1960.

  2338. Lacassin, Francis and Raymond Bellour
    Le procès Clouzot.
    Paris: Le Terrain Vague, 1964.

  2339. Lamorisse, Albert.
    Le ballon rouge.
    Paris: Hachatte, 1956.

  2340. Lamorisse, Albert.
    Bim. Le petit âne. Texte de Jacques Prévert.
    Lausanne: La Guilde du Livre, 1951.

  2341. Lamorisse, Albert.
    Le voyage en ballon.
    Paris: Hachette, 1960.

  2342. Lamorisse, Albert and D. Colomb de Daunant.
    Crine-Blanc. Tiré du film "Crin-Blanc" d'Albert Lamorisse.
    Paris: Hachette, 1953.

  2343. Lapierre, Marcel.
    Aux portes de la nuit. Le roman d'un film de Marcel Carné.
    Paris: La Nouvelle Edition, 1946.

  2344. Leclerc, Ginette.
    Ma vie privée. Préface de Jean Nohain.
    Paris: La Table Ronde, 1963.

  2345. Lelouch, Claude.
    A Man and a Women. A film.
    English translation and description of action by Nicholas Fry.
    London: Lorrimer Publishing, 1971.

  2346. Lev, Peter.
    Claude Lelouch, Film Director.
    Rutherford, Madison, Teaneck: Fairleigh Dickinson University Press, 1983.

  2347. Leprohon, Pierre.
    Cinquante ans de cinéma français (1895-1945).
    Paris: Editions du Cerf, 1954.

  2348. Leprohon, Pierre.
    Présence contemporaines cinéma. Gance, L'herbier, Duvivier etc.
    Paris: Nouvelles Editions Debresse, 1957.

  2349. Catelain, Jacque.
    Marcel L'Herbier.
    Paris: Jacques Vautrain, 1950.

  2350. Buzzi, Aldo.
    Sette anni di guai di Max Linder.
    Milano: Editoriale Domus, 1945.

  2351. Ford, Charles.
    Max Linder. Propos de Max Linder.
    Paris: Seghers, 1966.

  2352. Bessy, Maurice and Lo Duca.
    Louis Lumière. Inventeur.
    Paris: Editions Prisma, 1948.

  2353. Malle, Louis.
    Vie privée. Le film.
    Paris: Bernard Grasset, 1962.

  2354. Malle, Louis and Patrick Modiano.
    Lacombe Lucien. Un film.
    Paris: Gallimard, 1974.

  2355. Chapier, Henry.
    Louis Malle. Propos de Louis Malle.
    Paris: Seghers, 1964.

  2356. Marion, Denis.
    André Malraux. Propos d'André Malraux.
    Paris: Seghers, 1970.

  2357. Marais, Jean.
    Mes quatre vérités.
    Paris: Editions de Paris, 1957.

  2358. Cocteau, Jean.
    Jean Marais.
    Paris: Calmann-Lévy, 1951.

  2359. Marcenac, Jean.
    La beauté du diable.
    Racontée et suivie d'un entretien avec René Clair sur le problème de Faust.
    Paris: Editions Français Réunis, 1950.

  2360. Martin, Marcel.
    France.
    London: A.Zwemmer; New York: A.S.Barnes & Co., 1971.

  2361. Mauriac, François.
    Le pain vivant. Scénario et dialogues pour un film.
    Paris: Flammarion, 1955.

  2362. Bessy, Maurice and Lo Duca.
    Georges Méliès. Mage et "Mes mémoires" par Méliès.
    Paris: Prisma, 1945.

  2363. Bessy, Maurice and Lo Duca.
    Georges Méliès, mage.
    Edition du centenaire (1861-1961). "Mes mémoires" par Georges Méliès.
    Paris: Jean-Jacques Pauvert, 1961.

  2364. G. Méliès.
    Creator of the Magic of Films 1861-1938. An exhibit of the films and drawings of the great French film maker.
    Washington D.C.: National Museum of History and Technology, 1969/70.

  2365. Hammond, Paul.
    Marvellous Méliès.
    London: Gordon Fraser, 1974.

  2366. Sadoul, Georges.
    Georges Méliès. Propos de Méliès.
    Paris: Seghers, 1961.

  2367. Rui, Nogueira (ed.).
    Melville on Melville.
    London: Secker and Warburg in association with the British Film Institute, 1971.

  2368. Wagner, Jean.
    Jean-Pierre Melville. Propos de Jean-Pierre Melville.
    Paris: Seghers, 1963.

  2369. Mistinguett.
    Toute ma vie. 2 vols.
    Paris: Julliard, 1954.

  2370. Laclos, Michel.
    Leanne Moreau.
    Paris: Jean-Jacques Pauvert, n.d.

  2371. Morgan, Michèle.
    Mes yeux ont vu.
    Paris: Union Générale d'Editions, 1965.

  2372. Morin, Edgar.
    Les stars.
    Paris: Editions du Seuil, 1957.

  2373. Ohuls, Marcel.
    The Sorrow and the Pity. A film.
    Introduction by Stanley Hoffmann.
    New York: Berkeley Publishing Corporations, 1975.

  2374. Annenkov, G.
    Max Ophuls.
    Paris: Le Terrain Vague, 1962.

  2375. Roud, Richard.
    Max Ophuls. An index.
    London: British Film Institute, 1958.

  2376. Pagnol, Marcel.
    La belle meunière.
    Scénario et dilogues sur des mélodies de Franz Schubert.
    Paris: Editions Self, 1948.

  2377. Pathé, Charles.
    De Pathé frères à Pathé cinéma.
    Lyon: Serdoc, 1970.

  2378. Chapelle, Monique.
    Gerard Philipe notre éternelle jeunesse.
    Préface de Jean Vilar.
    Paris: Robert Laffont, 1965.

  2379. Giannoli, Paul.
    La Vie inspirée de Gérard Philipe.
    Paris: Librairie Plon, 1960.

  2380. Philipe, Anne and Claude Roy.
    Gérard Philipe.
    Paris: Gallimard, 1960.

  2381. Sadoul, Georges.
    Gérard Philipe. Propos de Gérard Philipe.
    Paris: Seghers, 1967.

  2382. Porcile, François.
    Défense du court métrage français.
    Paris: Editions du Cerf, 1965.

  2383. Prévert, Jacques and Pierre Laroche.
    Les visiteurs du soir. Préface de Mac Orlan.
    Portrait de Touchagues.
    Paris: La Nouvelle Edition, 1947.

  2384. Guillot, Gérard.
    Les Prévert.
    Paris: Seghers, 1966.

  2385. Jacob, Guy, André Henrich etc.
    Jacques Prévert.
    Lyon: Serdoc, 1960.

  2386. Pyriev, Ivan.
    L'Idiot. Entretien avec Alexandre Astruc and other documents.
    Paris: M.J. Minard, 1960.

  2387. Queneau, Raymond and Jean Queval.
    Rendez-vous de Juillet.
    Paris: Chavane, 1949.

  2388. Régent, Roger.
    Raimu. Présenté par Alexandre Arnoux.
    Paris: Chavane, 1950.

  2389. Ravar, Raymond.
    Tu n'as rien vu à Hiroshima!
    Un grand film "Hiroshima mon amour". Analysé par un groupe d'universitaires.
    Publié par le Centre national de sociologie du travail.
    Bruxelles: Institut de Sociologie, 1962.

  2390. Régent, Roger.
    Cinéma de France de "La Fille de Puisatier" aux "Enfants du Paradis".
    Paris: Editions Bellefaye, 1948.

  2391. Reid, Gordon.
    French Cinema Today. An illustrated survey of current production and trends.
    London: Eurap, 1963.

  2392. Renoir, Jean.
    La grande illusion. Un film.
    Scénario de Charles Spaak et Jean Renoir.
    Paris: Nouvelle Edition, 1949.

  2393. Renoir, Jean.
    La grande illusion.
    Paris: Seuil, Avant-Scène, 1971.

  2394. Renoir, Jean.
    La grande illusion.
    Paris: Balland, 1974.

  2395. Renoir, Jean.
    La Grande Illusion.
    Transl. from the French by Marianne Alexandre and Andrew Sinclair.
    London: Lorrimer Publishing, 1968.

  2396. Renoir, Jean.
    Ma vie et mes films.
    Paris: Flammarion, 1974.

  2397. Renoir, Jean.
    My Life and My Films.
    New York: Atheneum, 1974.

  2398. Renoir, Jean.
    The Rules of the Game. A film.
    Translated from the French by John McGrath and Maureen Teitelbaum.
    London: Lorrimer Publishing, 1970.

  2399. Bazin, André.
    Jean Renoir.
    Edited with an introduction by Francois Truffaut.
    Translated from the French by W.W.Halsey II and William H. Simon.
    New York: Simon and Schuster, 1973.

  2400. Braudy, Leo.
    Jean Renoir.The world of his films.
    Garden City: Doubleday & Company, 1972.

  2401. Cauliez, Armand-Jean.
    Jean Renoir.
    Paris: Editions Universitaires, 1962.

  2402. Chardère, Bernard.
    Jean Renoir.
    Lyon: Serdoc, 1962.

  2403. Cuenca, Carlos Fernandez.
    Jean Renoir.
    Madrid: Filmoteca Nacional de Españia, 1966.

  2404. Leprohon, Pierre.
    Jean Renoir. Propos de Jean Renoir.
    Paris: Seghers, 1967.

  2405. Rivette, Jacques and Francois Truffaut.
    Samtale med Jean Renoir.
    København: Danske Filmmuseum, 1970.

  2406. Alain Resnais ou la création au cinéma.
    Aix-En-Provence: Chemin de Pepentance, 1967.

  2407. Armes, Roy.
    The Cinema of Alain Resnais.
    London: A. Zwemmer; New York: A.S. Barnes & Co., 1968.

  2408. Bounoure, Gaston.
    Alain Resnais. Propos d'Alain Resnais.
    Paris: Seghers, 1962.

  2409. Pingaud, Bernard.
    Alain Resnais.
    Lyon: Serdoc, 1961.

  2410. Semprun, Jorge.
    La guerre est finie. Scénario du film d'Alain Resnais.
    Paris: Gallimard, 1966.

  2411. Semprun, Jorge.
    La guerre est finie. For the film by Alain Resnais.
    Translated by Richard Seaver.
    New York: Grove Press, 1967.

  2412. Ward, John.
    Alain Resnais, or the Theme of Time.
    London: Secker & Warburg in association with the British Film Institute, 1968.

  2413. Reynaud, Emile.
    Peintre de films 1844-1918.
    Edité par l'Office Français d'Edition.
    Paris: Cinémathèque Française, 1945.

  2414. Rezzori, Gregor von.
    Die Toten auf ihre Plätze!. Tagebuch des Films "Viva Maria".
    Reinbek: Rowohlt, 1966.

  2415. Robbe-Grillet, Alain.
    L'année dernière à Marienbad. Ciné-roman.
    Paris: Editions de Minuit, 1961.

  2416. Robbe-Grillet, Alain.
    Glissements progessifs du plaisir.
    Paris: Editions de Minuit, 1974.

  2417. Robbe-Grillet, Alain.
    L'immortelle.
    Paris: Les Editions de Minuit, 1963.

  2418. Robbe-Grillet, Alain.
    Last Year at Marienbad.
    For the Film by Alain Resnais. Translated by Richard Howard.
    New York: Grove Press, 1962.

  2419. Robbe-Grillet, Alain.
    Die Unsterbliche. L'Immortelle. Drehbuch.
    München: Carl Hanser, 1964.

  2420. Roché, Henri-Pierre.
    Jules et Jim.
    Paris: Gallimard, 1953.

  2421. Roos, Elisabeth de.
    Fransche filmkunst.
    Rotterdam: W.L. en Brusse's Uitgeversmaatschappij, 1931.

  2422. Rossif, Fréderic.
    Mourir à Madrid. Un film.
    Texte de Madeleine Chapsal.
    Paris: Seghers, 1963.

  2423. Rouch, Jean and Edgar Morin.
    Chronique d'un été.
    Paris: InterSpectacles, 1962.

  2424. Sadoul, Georges.
    Le cinéma français (1890-1962).
    Paris: Flammarion, 1962.

  2425. Sadoul, Georges.
    French Film.
    London: Falcon Press, 1953.

  2426. Sagan, Françoise and Claude Chabrol.
    Landru.
    Paris: René Julliard, 1963.

  2427. Siclier, Jacques.
    La femme dans le cinéma français.
    Paris: Editions du Cerf, 1957.

  2428. Siclier, Jacques.
    Nouvelle vague?
    Paris: Editions du Cerf, 1961.

  2429. Buache, Freddy.
    Michel Simon. Un acteur et ses personnages.
    Avant-propos de Lyne Anska.
    Fribourg: Editions du Panorama, 1962.

  2430. Fansten, Jacques.
    Michel Simon. Propos de Michel Simon.
    Paris: Seghers, 1970.

  2431. Guth, Paul.
    Michel Simon.
    Paris: Calmann-Lévy, 1951.

  2432. Situation du cinéma français.
    Paris: Esprit, 1960.

  2433. Straub, Jean-Marie.
    Chronik der Anna Magdalena Bach.
    Frankfurt/Main: Verlag Filmkritik, 1969.

  2434. Roud, Richard.
    Jean-Marie Straub.
    London: Secker & Warburg in association with the British Film Institute, 1971.

  2435. Cauliez, A.-J.
    Jacques Tati. Propos par J. Tati.
    Paris: Seghers, 1962.

  2436. Truffaut, François.
    Les aventures d'Antoine Doinel. Les quatre cents coups. L'amour a vingt ans.
    Baisers volés domicile conjugal.
    Paris: Mercure de France, 1970.

  2437. Truffaut, François.
    The Films in My Life. Translated by Leonard Mayhew.
    New York: Simon and Schuster, 1978.

  2438. Truffaut, François.
    Jules and Jim. Translated from the French by Nicholas Fry.
    London: Lorrimer, 1968.

  2439. Truffaut, François.
    Schießen Sie auf den Pianisten. Protokoll.
    Protokolliert und aus dem Französischen übertragen von Dorle Fischer und Rudolf Thome.
    Frankfurt/Main: Verlag Filmkritik, 1968.

  2440. Crisp, C. G.
    François Truffaut.
    London: November, 1972.

  2441. Petrie, Graham.
    The Cinema of François Truffaut.
    New York: A.S.Bernes & Co.; London: A.Zwemmer, 1970.

  2442. Vadim, Roger and Roger Vailland.
    Les liaisons dangereuses 1960. Un film.
    Dialogues de Roger Vailland d'aprés le roman de Choderlos de Laclos.
    Paris: René Julliard, 1960.

  2443. Frydland, Maurice.
    Roger Vadim. Propos de Roger Vadim.
    Paris: Seghers, 1963.

  2444. Vailland, Roger, Roger Vadim and Claude Brulé.
    Roger Vadim's Les Liaisons Dangereuses.
    Translated by Bernard Shir-Cliff.
    New York: Ballantine Books, 1962.

  2445. Varda, Agnès.
    Cléo de 5 à 7.
    Paris: Gallimard, 1962.

  2446. Vauthier, Jean.
    Les abysses. Scénario et dialogues.
    Réalisation: Nico Papatakis.
    Paris: Gallimard, 1963.

  2447. Vedrès, Nicole.
    Images du cinéma français. Avant-propos de Paul Eluard.
    Paris: Editions du Chêne, 1945.

  2448. Chardère, Bernard.
    Jean Vigo.
    Lyon: Serdoc, 1961.

  2449. Feldman, Harry and Joseph (comp.).
    Jean Vigo. Edited by Herman G.Weinberg.
    London: British Film Institute, n.d.

  2450. Lherminier, Pierre.
    Jean Vigo. Propos de Jean Vigo.
    Paris: Seghers, 1967.

  2451. Sales Gomes, P. E.
    Jean Vigo.
    Paris: Editions du Seuil, 1957.

  2452. Sales Gomes, P. E.
    Jean Vigo.
    London: Secker & Warburg, 1972.

  2453. Smith, John M.
    Jean Vigo.
    London: November Books, 1972.

  2454. Almanacco del cinema italiano 1952.
    Roma: Carlo Bestetti, 1952.

  2455. Antonioni, Michelangelo.
    L'Avventura. Drehbuch.
    Mit einem Nachwort von Günter Rohrbach. Aus dem Italienischen übertragen von Annemarie Czaschke.
    Hamburg: Marion von Schröder Verlag, 1963.

  2456. Antonioni, Michelangelo.
    Blow-up.
    Torino: Einaudi, 1967.

  2457. Antonioni, Michelangelo.
    Blow-Up. A film.
    London: Lorrimer Publishing, 1971.

  2458. Antonioni, Michelangelo.
    Die rote Wüste. Drehbuch.
    Hamburg: Marion von Schröder Verlag, 1965.

  2459. Antonioni, Michelangelo.
    Screenplays. Il grido. L'avventura. La notte. L'eclisse.
    With an introduction by the author.
    New York, Orion Press, 1963.

  2460. Antonioni, Michelangelo.
    Sei film. Le amiche.
    Il grido. L'avventura. La notte. L'eclisse. Deserto rosso.
    Torino: Giulio Einaudi, 1964.

  2461. Bartolini, Elio.
    Il grido di Michelangelo Antonioni.
    Bologna: Cappelli, 1957.

  2462. Cameron, Ian.
    Michelangelo Antonioni. A study.
    London: Movie Magazine, 1963.

  2463. Cameron, Ian and Robin Wood.
    Antonioni.
    London: Studio Vista, 1968.

  2464. Chiaretti, Tommaso.
    L'avventura di Michelangelo Antonioni.
    Bologna: Cappelli, 1960.

  2465. Di Carlo, Carlo.
    Il deserto rosso di Michelangelo Antonioni.
    Bologna: Cappelli, 1964.

  2466. Di Carlo, Carlo.
    Michelangelo Antonioni.
    Roma: Bianco e Nero, 1964.

  2467. Lane, John Francis.
    L'eclisse di Michelangelo Antonioni.
    Bologna: Cappelli, 1962.

  2468. Leprohon, Pierre.
    Michelangelo Antonioni.
    Paris: Seghers, 1961.

  2469. Leprohon, Pierre.
    Michelangelo Antonioni: An Introduction.
    Translated by Scott Sullivan.
    New York: Simon and Schuster, 1963.

  2470. Strick, Philip.
    Antonioni. Foreword by Michelangelo Antonioni.
    Loughton: Motion Publications, 1963.

  2471. Tailleur, Roger and Paul-Louis Thirard.
    Antonioni
    Paris: Editions Universitaires, 1963.

  2472. Armes, Roy.
    Patterns of Realism.
    South Brunswick, N.Y.: A.S. Barnes and Company; London: Thomas Yoseloff, 1971.

  2473. Belocchio, Marco.
    China is Near. With an introduction by Tommaso Chiaretti.
    Translated from the Italian by Judith Green.
    London: Calder and Boyars, 1970.

  2474. Bellocchio, Marco.
    I pugni in tasca. Un film.
    Milano: Garzanti, 1967.

  2475. Chiaretti, Tommaso.
    La Cine è vicina di Marco Bellocchio.
    Bologna: Cappelli, 1967.

  2476. Blasetti, Alessandro and Gian Luigi Rondi (eds.).
    Cinema italiana oggi. Prefazione di Cesare Zavattini.
    Roma: Carlo Bestetti, 1950.

  2477. Blasetti, Alexandre and Jean Louis Rondi (eds.).
    Cinéma Italien d'aujourd'hui. Préface de César Zavattini.
    Roma: Carlo Bestetti, Edizioni d'Arte, 1950.

  2478. Bianchi, Pietro.
    La Viaccia di Mauro Bolognini.
    Bologna: Cappelli, 1961.

  2479. Borde, Raymond and André Bouissy.
    Le néoréalisme italien. Une expérience de cinéma social.
    Préface de Freddy Buache.
    Lausanne: Clairefontaine, 1960.

  2480. Moravia, Alberto.
    Claudia Cardinale.
    Milano: Lerici Editori, 1963.

  2481. Caserta, Gino e Alessandro Ferraù.
    Annuario del cinema italiano 1954/55.
    Roma: Cinedizione, 1955.

  2482. Martini, Stelio.
    Giulietta e Romeo di Renato Castellani.
    Bologna: Cappelli, 1956.

  2483. Castello, Giulio Cesare.
    Il cinema neorealistico italiano.
    N.p.: Edizioni Radio Italiana, 1956.

  2484. Chiarini, Luigi.
    Il film nella battaglia delle idee.
    Milano, Roma: Fratelli Bocca, 1954.

  2485. De Angelis, Rodolfo.
    Storia del café-chantant.
    Milano: Il Balcone, 1946.

  2486. Blasetti, Alessandro.
    Io amo, tu ami... Un film di Dino De Laurentiis.
    Roma: Salvatore Sciascia, 1961.

  2487. De Sanctis, Filippo M.
    Un uomo a metà di Vittorio De Seta.
    Analisi di un film in costruzione.
    Bologna: Cappelli, 1966.

  2488. De Sica, Vittorio.
    Bicycle Thieves. A film.
    London: Lorrimer, 1968.

  2489. Agel, Henri.
    Vittorio De Sica.
    Paris: Editions Universitaires, 1955.

  2490. Gandin, Michele.
    Il tetto di Vittorio De Sica.
    Bologna: Cappelli, 1956.

  2491. Leprohon, Pierre.
    Vittorio De Sica.
    Paris: Seghers, 1966.

  2492. Pelzer, Helmuth.
    Vittorio De Sica.
    Berlin: Henschelverlag, 1964.

  2493. De Sica, Fellini; Monicelli, Visconti; Di Carlo, Carlo and Gaio Fratini.
    Boccaccio '70 di De Sica, Fellini, Monicelli, Visconti.
    Bologna: Cappelli, 1962.

  2494. Debreczeni, F. and H. Steinberg (eds.).
    Le néo-réalisme italien. Bilan de la critique.
    Paris: M.J.Minard, 1964.

  2495. Fellini, Federico.
    8 1/2. Drehbuch.
    Mit einem Nachwort von Hans Stempel und Martin Ripkens.
    Aus dem Italienischen übertragen von Annemarie Czaschke.
    Hamburg: Marion von Schröder Verlag, 1963.

  2496. Fellini, Federico.
    Il bidone.
    D'après le scénario de Federico Fellini, Ennio Flaiano, Tullio Pinelli. Traduit de l'italien par Dominique Delouche.
    Paris: Flammarion, 1956.

  2497. Fellini, Federico.
    La Dolce Vita.
    English translation by oscar DeLiso and Bernard Shir-Cliff.
    New York: Balantine Books, 1961.

  2498. Fellini, Federico.
    Julia und die Geister. Protokoll.
    Hamburg: Marion von Schröder Verlag, 1966.

  2499. Fellini, Federico.
    Roma. Traduit de l'italien par Marie-Hélène Ciosi.
    Paris: Solar, 1972.

  2500. Fellini, Federico.
    La Strada.
    Paris: Editions du Seuil, 1954.

  2501. Fellini, Federico and Lo Duca.
    La Dolce Vita.
    Paris: Jean-Jacques Pauvert, 1960.

  2502. Fellini, Federico and Tullio Pinelli.
    La strada. Sceneggiatura.
    Roma: Bianco e Nero, 1955.

  2503. Agel, Geneviève.
    Les chemins de Fellini.
    Suivi du Journal d'un bidoniste par Dominique Delouche.
    Préface de Roberto Rossellini.
    Paris: Editions du Cerf, 1956.

  2504. Boyer, Deena.
    Die 200 Tage von 8 1/2 oder Wie ein Film von Federico Fellini entsteht.
    Reinbek: Rowohlt, 1963.

  2505. Boyer, Deena.
    200 Dias con Fellini. La filmacion de 8 1/2.
    Mexico: Ediciones Era, 1965.

  2506. Budgen, Suzanne.
    Fellini.
    London: British Film Institute Education Department, 1966.

  2507. Caderna, Camilla.
    8 1/2 di Federico Fellini.
    Bologna: Cappelli, 1963.

  2508. Caderna, Camilla.
    8 1/2 de Fellini. Histoire d'un film.
    Traduit de l'italien par H. de Mariassy et C. de Lignac.
    Paris: René Julliard, 1963.

  2509. Del Fra, Lino.
    Le notti di Cabiria di Federico Fellini.
    Bologna: Cappelli, 1957.

  2510. Duca, Lo.
    La douceur de vivre. Le film de Fellini "La dolce vita".
    Paris: René Julliard, 1960.

  2511. Estève, Michel (ed.).
    Federico Fellini. 8 1/2.
    Paris: M.J.Minard, 1963.

  2512. Kezich, Tullio.
    La dolce vita di Federico Fellini.
    Bologna: Cappelli, 1960.

  2513. Kezich, Tullio.
    Giulietta degli spiriti di Federico Fellini.
    Bologna: Cappelli, 1965.

  2514. Kezich, Tullio (ed.).
    Federico Fellini's Juliet of the Spirits.
    Translated from the Italian by Howard Greenfeld.
    New York: Orion Press, 1965.

  2515. Kezich, Tullio (ed.).
    Federico Fellini's Juliet of the Spirits.
    Translated from the Italian by Howard Greenfeld.
    New York: Ballantine Books, 1966.

  2516. Rondi, Brunello.
    Il cinema di Fellini.
    Roma: Bianco e Nero, 1965.

  2517. Salachas, Gilbert.
    Federico Fellini. Propos de Federico Fellini.
    Paris: Seghers, 1963.

  2518. Silke, James R. (ed.).
    Federico Fellini.
    Beverly Hills: American Film Institute, 1970.

  2519. Solmi, Angelo.
    Fellini. Translated by Elizabeth Greenwood.
    London: Merlin Press, 1967.

  2520. Zanelli, Dario.
    Fellini Satyricon di Federico Fellini.
    Bologna: Cappelli, 1969.

  2521. Ferrara, Giuseppe.
    Il nuovo cinema italiano. Con prefazione di Carlo Battisti.
    Firenze: Felice le Monnier, 1957.

  2522. Il film italiano. Der italienische Film. El film italiano. A cura del censorzio per l'esportazione dei film italiani e sotto gli auspici della federazione nationale fascista degli industriali dello spettacolo.
    Roma: Societal Anonima Editrice Tipografica,
    1941.

  2523. I fotodocumentari di cinema nuovo.
    Milano: Cinema Nuovo, 1955.

  2524. Gambetti, Giacomo.
    Sedotta e abbandonata di Pietro Germi.
    Bologna: Cappelli, 1964.

  2525. Montesanti, Fausto.
    L'uomo di paglia di Pietro Germi.
    Bologna: Cappelli, 1958.

  2526. Gromo, Mario.
    Cinema italiana (1903-1953).
    Veronesi: Arnoldo Mondadori, 1954.

  2527. Hovald, Patrice G.
    Le néo-réalisme italien et ses créateurs.
    Paris: Editions du Cerf, 1959.

  2528. Italian Cinema 1945-1951.
    Preface by C. Zavattini.
    Roma: Edizioni d'Arte, Carlo Bestetti, 1951.

  2529. Italian Movie Stars.
    Roma: Carlo Bestetti, Edizioni d'Arte, 1952.

  2530. Jarratt, Vernon.
    The Italian Cinema.
    London: Falcon Press, 1951.

  2531. Calderoni, Franco.
    La steppa di Alberto Lattuada.
    Bologna: Cappelli, 1962.

  2532. De Sanctis, Filippo Maria.
    Alberto Lattuada. Prefazione di Mario Soldati.
    Parma: Guanda, 1961.

  2533. De Sanctis, F. M.
    Alberto Lattuada.
    Lyon: Serdoc, 1965.

  2534. De Sanctis, Filippo M.
    La tempesta di Alberto Lattuada.
    Bologna: Cappelli, 1958.

  2535. Lazzaro, Dante.
    Annuario Cineguida.
    Roma: Edizione dell'Annuario Cineguido, ca.1957.

  2536. Leprohon, Pierre.
    Le cinéma italien.
    Histoire, Chronologie, biographies, filmographies, documents, images.
    Paris: Seghers, 1966.

  2537. Leprohon, Pierre.
    The Italian Cinema.
    Translated from the French by Roger Greaves and Oliver Stallybrass.
    London: Secker & Warburg, 1972.

  2538. Lizzani, Carlo.
    Il cinema italiano.
    In appendice indicazioni metodologiche e una filmografia a cura di Leopoldo Paciscopi e Giorgio Signorini.
    Firenze: Parenti Editore, 1953.

  2539. Savignano, Antonio.
    Il processo di Verona di Carlo Lizzani.
    Bologna: Cappellif 1963.

  2540. Vento, Giovanni.
    L'oro di Roma di Carlo Lizzani.
    Bologna: Cappelli, 1961.

  2541. Reid, Gordon (comp.).
    Gina Lollobrigida. Her life and films.
    London: Eurap Publishing, 1956.

  2542. Renzi, Renzo.
    Gina Lollobrigida.
    Milano: Sedit, 1955.

  2543. Koppel, Helga.
    Sophia Loren. Portrait einer Schauspielerin.
    Berlin: Henschelverlag, 1966.

  2544. The Sophia Loren Story.
    London: Eurap Publishing Co., 1958.

  2545. Marchi, Virgilio; Guido Cincotti and Fausto Montesanti.
    La scenegrafia cinematografia in Italia. Con una premessa di Giuseppe Sala.
    Roma: Bianco e Nero, 1955.

  2546. Baldelli, Pio.
    I compagni di Mario Monicelli.
    Bologna: Cappelli, 1963.

  2547. Calderoni, Franco.
    La grande guerra di Mario Monicelli.
    Bologna: Cappelli, 1959.

  2548. Paladini, Aldo.
    Amedeo Nazzari.
    Milano: Sedit, 1955.

  2549. Palmieri, E. Ferdinando; Ettore Margadonna and Mario Gromo.
    Cinquanta anni di cinema italiano.
    Roma: Carlo Bestetti-Edizioni d'Arte, 1953.

  2550. Pasolini, Pier Paolo.
    Oedipus Rex. A film. Translated from the Italian by John Mathews.
    London: Lorrimer Publishing, 1971.

  2551. Pasolini, Pier Paolo.
    Uccellacci e uccellini.
    Milano: Garzanti, 1966.

  2552. Duflot, Jean.
    Entretiens avec Pier Paolo Pasolini.
    Paris: Pierre Belfond, 1970.

  2553. Stack, Oswald.
    Pasolini on Pasolini. Interviews.
    London: Thames and Hudson in association with the British Film Institute, 1969.

  2554. Rondi, Gian Luigi.
    Cinema italiano oggi 1952-1965.
    Roma: Carlo Bestetti, Edizioni d'Arte, 1966.

  2555. Ferrara, Giuseppe.
    Francesco Rosi.
    Roma: Canesi, 1965.

  2556. Rossellini, Roberto.
    The War Trilogy. Open City. Paisan. Germany - year zero.
    Edited with an introduction by Stefano Roncoroni. Translated from the Italian by Judith Green.
    New York: Grossman Publishers, 1973.

  2557. Guarner, José Luis.
    Roberto Rossellini. Translated by Elisabeth Cameron.
    New York: Praeger, 1970.

  2558. Mida, Massimo.
    Roberto Rossellini.
    Parma: Guanda, 1961.

  2559. Renzi, Renzo.
    Era notte a Roma di Roberto Rossellini.
    Bologna: Cappelli, 1960.

  2560. Leto, Marco.
    Odissea nuda di Franco Rossi.
    Bologna: Cappelli, 1961.

  2561. Schlappner, Martin.
    Von Rossellini zu Fellini.
    Das Menschenbild im italienischen Neo-Realismus.
    Zürich: Origo Verlag, 1958.

  2562. Buzzi, Aldo.
    Ridolini e la collana della suocera e Ridolini esploratore di Larry Semon.
    Milano: Editoriale Domus, 1945.

  2563. Ranieri, Tino.
    Alberto Sordi.
    Milano: Sedit, 1955.

  2564. Battisti, Carlo.
    Come divenni Umberto D.
    Roma: Edizioni della Cineteca Scolastica, 1955.

  2565. Bassoli, Vincenzo.
    La banda Casaroli di Florestano Vancini.
    Bologna: Cappelli, 1962.

  2566. Visconti, Luchino.
    La terra trema.
    Sceneggiatura desunta dall'edizione integrale del film da Fausto montesanti. Con introduzione di Luigi Chiarini.
    Roma: Bianco e Nero, 1951.

  2567. Visconti, Luchino.
    Three Screenplays. White nights. Rocco and his brothers. The job.
    Translated from the Italian by Judith Green.
    New York: Orion Press, 1970.

  2568. Amico, Suso Cecchi de.
    Il film "Il Gattopardo" e la regia di Luchino Visconti.
    Bologna: Cappelli, 1963.

  2569. Aristarco, G. and G. Carancini.
    Rocco e i suoi fratelli di Luchino Visconti.
    Bologna: Cappelli, 1960.

  2570. Bianchi, Pietro.
    Vaghe stelle dell'orsa ...di Luchino Visconti.
    Bologna: Cappelli, 1965.

  2571. Castello, Giulio Cesare.
    Luchino Visconti.
    Lyon: Serdoc, 1961.

  2572. Cavallaro, G. B.
    Senso di Luchino Visconti.
    Bologna: Cappelli, 1955.

  2573. Estève, Michel (ed.).
    Luchino Visconti l'histoire et l'esthétique.
    Paris: M.J. Minard, 1963.

  2574. Ferrara, Giuseppe.
    Luchino Visconti. Propos de Visconti.
    Paris: Seghers, 1964.

  2575. Guillaume, Yves.
    Luchino Visconti.
    Paris: Editons Universitaires, 1966.

  2576. Nowell-Smith, Goeffrey.
    Luchino Visconti.
    London: Secker & Warburg in association with the British Film Institute, 1967.

  2577. Renzi, Renzo.
    Le notti bianche di Luchino Visconti.
    Bologna: Cappelli, 1957.

  2578. Schitowa, W. W.
    Lukino Wiskonti.
    Moskwa: Iskusstwo, 1965.

  2579. Meccoli, Domenico.
    Luigi Zampa. Roma: Edizioni cinque lune, ca. 1956.

  2580. Zavattini, Cesare.
    Sequences from a Cinematic Life.
    Translated and with an introduction by William Weaver.
    Englewood Cliffs: Prentice-Hall, 1970.

  2581. Bolzoni, Francesco.
    I misteri di Roma di Cesare Zavattini.
    Bologna: Cappelli, 1963.

  2582. Anderson, Joseph L. and Donald Richie.
    The Japanese Film: Art and Industry.
    With a foreword by Akira Kurosowa.
    Rutland, Tokyo: Charles E., Tuttle Company, 1959.

  2583. The East is Red. A Song and Dance Pageant.
    Peking: China's Screen, n.d.

  2584. Giuglaris, Shinobu and Marcel.
    Le cinéma japonais (1896-1955).
    Paris: Editions du Cerf, 1956.

  2585. Glaessner, Verina.
    Kung Fu. Cinema of Vengeance.
    London: Lorrimer Publishing, 1974.

  2586. Iwasaki, Akira.
    Sowremennoe japonskoe kino.
    Pod obschtschej i s prediclowiem Doktora iskusstwowedenija I.N.Jurenewa.
    Moskwa: Iskusstwo, 1962.

  2587. Kuroda, Toyoji (ed.).
    Japanese Films 1960
    Tokyo: UniJapan Film, 1960.

  2588. Kurosawa, Akira.
    Ikiru. A film. Edited and with an introduction by Donald Richie.
    London: Lorrimer, 1968.

  2589. Kurosawa, Akira.
    Rashomon. A film from the filmscript by Akira Kurosawa and Shinobu Hashimoto.
    New York: Grove Press, 1969.

  2590. Kurosawa, Akira.
    Seven Samurai. A film.
    English translation and introduction by Donald Richie.
    London: Lorrimer Publishing, 1970.

  2591. Kurosawa.
    Uppsala: studenters Filmstudio, n.d.

  2592. Ezratty, Sacha.
    Kurosawa.
    Paris: Editions Universitaires, 1964.

  2593. Richie, Donald.
    The Films of Akira Kurosawa.
    Berkeley, Los Angeles: University of California Press, 1965.

  2594. Leyda, Jay.
    Dianying. An account of films and the film audience in China.
    Cambridge, London: MIT Press, 1972.

  2595. Masumura, Yasuzo.
    Profilo storico del cinema giapponese.
    Traduzione di Guido Cincotti.
    Roma: Bianco e Nero, 1955.

  2596. Kirihara, Donald.
    Patterns of Time. Mizoguchi and the 1930s.
    Madison: University of Wisconsin Press, 1992.

  2597. Mesnil, Michel.
    Mizoguchi Kenji. Propos de Mizoguchi.
    Paris: Seghers, 1965.

  2598. Vê-Hô.
    Kenji Mizoguchi.
    Adaption française en collaboration avec Philippe Esnault.
    Paris: Editions Universitaires, 1963.

  2599. The Monkey King Sun Wu-Kung.
    A picture story from the cartoon film Uproar in Heaven.
    N.p.: 1962.

  2600. Richie, Donald.
    Ozu.
    Berkeley, Los Angeles, London: University of California Press, 1974.

  2601. Reid, Gordon.
    The Japanese Cinema Today.
    N.p.: Shochiku, Gala, n.d.

  2602. Richie, Donald.
    Japanese Cinema. Film style and national character.
    Garden City Doubleday and Company, 1971.

  2603. Richie, Donald.
    Japanese Movies.
    Tokyo: Japan Travel Bureau, 1961.

  2604. Richie, Donald.
    The Japanese Movie. An illustrated history.
    Tokyo: Kodansha International Publishers, 1966.

  2605. Svensson, Arne.
    Japan.
    London: A.Zwemmer; New York: A.S.Barnes & Co., 1971.

  2606. Teshigahara, Hiroshi.
    Woman in the Dunes. First prize at the Cannes Festival 1965.
    New York: Phaedra Publishers, 1966.

  2607. Tsushinsha, Jiji (comp.).
    Japan Motion Picture Almanac 1957.
    N.p.: Promotion Council of Motion Picture Industry of Japan, 1957.

  2608. Tucker, Richard N.
    Japan: Film Image.
    London: Studio Vista, 1973.

  2609. Béranger, Jean.
    La grande aventure du cinéma suédois.
    Paris: Eric Losfeld, Le Terrain Vague, 1960.

  2610. Béranger, Jean.
    Le nouveau cinéma scandinave (de 1957 d 1968).
    Paris: Le Terrain Vague, 1968.

  2611. Bergman, Ingmar.
    Face to Face. A film. Translated by Alan Blair.
    New York: Pantheon Books, 1976.

  2612. Bergman, Ingmar.
    Fanny and Alexander.
    Translated from the Swedish by Alan Blair.
    New York: Pantheon Books, 1982.

  2613. Bergman, Ingmar.
    Four Screenplays.
    Translated from the Swedish by Lars Malstrom and David Kushner.
    New York: Simon and Schuster, 1960.

  2614. Bergman, Ingmar.
    Scenes From a Marriage. Transl. from the Swedish by Alan Blair.
    New York: Pantheon Books, 1974.

  2615. Bergman, Ingmar.
    Das Schweigen. Drehbuch.
    Aus dem Schwedischen übertragen von Tahita von Bonin.
    Hamburg: Marion von Schröder Verlag, 1965.

  2616. Bergman, Ingmar.
    The Serpent's Egg. A film.
    Translated from the Swedish by Alan Blair.
    New York: Pantheon Books, 1977.

  2617. Bergman, Ingmar.
    The Seventh Seal.
    Translated from the Swedish by Lars Malstrom and David Kushner.
    London: Lorrimer Publishing, 1968.

  2618. Bergman, Ingmar.
    Das siebente Siegel. Drehbuch.
    Mit einem Vorwort des Autors und einem Nachwort von Jacques Siclier.
    Aus dem Schwedischen übertragen von Tahitha von Bonin.
    Hamburg: Marion von Schröder Verlag, 1963.

  2619. Bergman, Ingmar.
    Wie in einem Spiegel. Drehbuch.
    Mit einem Nachwort von Reinhold E. Thiel.
    Aus dem Schwedischen übertragen von Tahitha von Bonin.
    Hamburg: Marion von Schröder Verlag, 1962.

  2620. Bergman, Ingmar.
    Wild Strawberries. A film.
    Translated from the Swedish by Lars Malström and David Kushner.
    London: Lorrimer Publishing, 1970.

  2621. Bergman, Ingmar, Vilgot Sjöman etc.
    Cinema sueco.
    Lisboa: Publicacões Dom Quixote, 1969.

  2622. Bergman on Bergman.
    Interviews with Ingmar Bergman by Stig Björkman, Torsten Manns, Jonas Sima.
    Translated from the Swedish by Paul Britten Austin.
    New York: Simon and Schuster, 1973.

  2623. Donner, Jörn.
    The Films of Ingmar Bergman. From Torment to All These Women.
    Translated by Holger Lundbergh.
    New York: Dover, 1972.

  2624. Donner, Jorn.
    Ingmar Bergman.
    Note complémentaire par Guy Braucourt. Propos d'Ingmar Bergman.
    Paris: Seghers, 1970.

  2625. Donner, Jörn.
    The Personal Vision of Ingmar Bergman.
    Translated by Holger Langbergh.
    Bloomington: Indiana University Press, 1964.

  2626. Estève, Michel.
    Ingmar Bergman. La trilogie.
    Paris: M.J. Minard, 1966.

  2627. Gado, Frank.
    The Passion of Ingmar Bergman.
    Durham: Duke University Press, 1986.

  2628. Guyon, François D.
    Ingmar Bergman.
    Lyon: Serdoc, 1959.

  2629. Guyon, Francis D. and Jean Béranger.
    Ingmar Bergman.
    Lyon: Serdoc, 1964.

  2630. Livingston, Paisley.
    Ingmar Bergman and the Rituals of Art.
    Ithaca, London: Cornell University Press, 1982.

  2631. Siclier, Jacques.
    Ingmar Bergman.
    Paris: Editions universitaires, 1960.

  2632. Siglier, Jacques.
    Ingmar Bergman.
    Hamburg: Marion von Schröder Verlag, 1965.

  2633. Young, Vernan.
    Cinema Borealis. Ingmar Bergman and the Swedish ethos.
    New York: Avon, 1972.

  2634. Björkman, Stig.
    The New Directors. Translated by Barrie Selman.
    London: Tantivy Press; South Brunswick, N.Y.: A.S. Barnes & Co., 1977.

  2635. Bordwell, David.
    Filmguide to La Passion de Jeanne d'Arc.
    Bloomington, London: Indiana University Press, 1973.

  2636. Cowie, Peter.
    Swedish Cinema.
    London, A. Zwemmer; New York, A.S. Barnes & Co., 1966.

  2637. Cowie, Peter and Arne Svensson.
    Sweden 1 + 2. 2 vols.
    London: A. Zwemmer; New York: A.S. Barnes & Co., 1970.

  2638. Dreyer, Carl Theodor.
    Four Screenplays. Transl. from the Danish by Oliver Stallybrass and with an introduction by Ole Storm.
    La passion de Jeanne d'Arc. Vampyr. Vredens dag. Ordet.
    London: Thames and Hudson, 1970.

  2639. Dreyer, Carl Theodor.
    La parola. (Ordet).
    Sceneggiatura desunta della copia originale del film da Guido Cincotti.
    Roma: Bianco e Nero, 1956.

  2640. Bordwell, David.
    The Films of Carl-Theodor Dreyer.
    Berkeley, Los Angeles, London: University of California Press, 1981.

  2641. Guerrasio, Guido.
    La Passione di Giovanna d'Arco di Carl Theodor Dreyer.
    Milano: Editoriale Domus, 1945.

  2642. Milne, Tom.
    The Cinema of Carl Dreyer.
    New York: A.S.Barnes & Co.; London: A. Zwemmer Limited, 1971.

  2643. Neergaard, Ebbe.
    Carl Dreyer. A film director's work.
    Translated by Marianne Helweg.
    London: British Film Institute, n.d.

  2644. Perrin, Claude.
    Carl Theodor Dreyer.
    Paris: Seghers, 1969.

  2645. Sémolué, Jean.
    Dreyer.
    Paris: Editions Universitaires, 1962.

  2646. Hardy, Forsyth.
    Scandinavian Film.
    London: Falcon Press, 1952.

  2647. Idestam-Almguist, Bengt.
    Classics of the Swedish Cinema. The Stiller & Sjöström Period.
    With an introduction by Victor Sjöström.
    Stockholm: Swedish Institute-A/B Svensk Filmindustri, 1952.

  2648. Idestam-Almguist, Bengt.
    Dramma e rinascita de cinema svedese.
    Roma: Bianco e Nero, 1954.

  2649. Lauritzen, Einar.
    Swedish Films. Introduction by Richard Griffith.
    New York: Museum of Modern Art Film Library, 1962.

  2650. Marie-Estelle.
    Je suis curieuse. Elle veut tout savoir. D'après les films de Vilgot Sjöman.
    N.p.: Solar, 1968.

  2651. Neergaard, Ebbe.
    Historien om dansk film.
    København: Gyldendal, 1960.

  2652. Mungenast, E. M.
    Asta Nielsen.
    Stuttgart: Walter Hädecke, 1928.

  2653. Sjöman, Vilgot.
    I am Curious (Yellow). A film.
    Translated from the Swedish by Martin Minow and Jenny Bohman.
    New York: Grove Press, 1968.

  2654. Jeanne, René and Charles Ford.
    Victor Sjöström et l'école suédoise.
    Paris: Editions Universitaires, 1963.

  2655. Svensk filmografi. Vol. 3: 1930-1939.
    Stockholm: Svenska Filminstitutet, 1979.

  2656. Svensk filmografi. Vol. 4: 1940-1949.
    Stockholm: Svenska Filminstitutet, 1980.

  2657. Svensk filmografi. Vol. 6: 1960-1969.
    Stockholm: Svensk Filminstitutet, 1977.

  2658. Swanson, Gloria.
    Swanson on Swanson.
    New York: Random House, 1980.

  2659. Hudson, Richard M. and Raymond Lee.
    Gloria Swanson.
    New York: Castie Books, 1970.

  2660. Ullmann, Liv.
    Changing.
    New York: Alfred A. Knopf, 1977.

  2661. Waldekranz, Rune.
    Swedish Cinema. English version by Steve Hopkins.
    Stockholm:, Swedish Institute, 1959.

  2662. Zetterling, Mai.
    Night Games.
    London: Constable, 1966.

  2663. Aktery Sowjetskowo Kino.
    Rolan Bykow, Anastasia Wertinskaja, Ada Wojzik etc.
    Moskwa: Iskusstwo, 1967.

  2664. Aleksandrow, B.
    Taras Schewtschenko. O filme i ego sosdateljach.
    Moskwa: Goskinoisdat, 1952.

  2665. Kolodjaschnaja, W.
    Harodnyj Artist RSFSR Boris Fedorowitsch Andreew.
    Moskwa: Goskinoisdat, 1951.

  2666. Poscharskaja, M.
    Olga Nikolaewna Androwskaja.
    Moskwa: Iskusstwo, 1951.

  2667. Babotschkin, Boris, Aleksej Bamalow, Nikolaj Bogoljubow etc. Aktery sowjetskowo kino.
    Moskwa: Iskusstwo, 1964.

  2668. Banitsky, Paul and John Rimberg.
    The Soviet Film Industry. Foreword by Alex Inkeles.
    New York: Frederick A. Praeger for the Research Program on the U.S.S.R., 1955.

  2669. Wendrowskaja, L.
    Iwan Nikolajewitsch Bersenjew.
    Moskwa: Iskusstwo, 1950.

  2670. Bogdanow, M. A., M. S. Wysozkij, B. N. Konoplew etc.
    Mosfilm, stati, Pyblikazii, isobrasiteleye materialy. Vol. 1: Rabota had filmom.
    Moskwo: Iskusstwo, 1959.

  2671. Ignatjewa, Nina.
    Sergei Bondartschuk.
    Berlin: Henschelverlag, 1967.

  2672. Bursaka, I. N. (ed.).
    Kino. Sowjetskaja kinematografia. Kino na sapade iwostoke. Nasche praiswodstwo ...
    Moskwa: Proletkino, 1925.

  2673. Catalogue of Soviet Films.
    Moscow: Sovexportfilm, 1958.

  2674. Catalogue of Soviet Feature Films.
    Moscow: Sovexportfilm, 1959.

  2675. Catalogue of Soviet Feature Films.
    Moscow: Sovexportfilm, 1960.

  2676. Chejfiz, I.
    O kino.
    Leningrad, Moskwa: Iskusstwo, 1966.

  2677. Constantine, Mildred and Alan Fern.
    Revolutionary Soviet Film Posters.
    Baltimore, London: Johns Hopkins Press, 1974.

  2678. Dickinson, Thorold and Catherine De la Roche.
    Soviet Cinema.
    London: Falcon Press, 1948.

  2679. Dobin, Efim.
    Gamlet. Film kossinzewa.
    Moskwa: Iskusstwo, 1967.

  2680. Domatovskaya, Galina and Irina Shilova.
    Who's Who in the Soviet Cinema. Seventy different portraits.
    Moscow: Progress, 1979.

  2681. Cervoni, Albert.
    Marc Donsko! Propos de Donsko.
    Paris: Seghers, 1966.

  2682. Dovzhenko, Alexander.
    The Poet as Filmmaker. Selected Writings.
    Edited, translated, and with an introduction by Marco Carynnyk.
    Cambridge, London: MIT Press, 1973.

  2683. Amengual, Barthèlemy.
    Alexandre Dovjenko. Propos de Dovjenko.
    Paris: Seghers, 1970.

  2684. Jurenew, Rostislaw.
    Alexander Dowshenko.
    Berlin: Henschelverlag, 1964.

  2685. Oms, Marcel.
    Alexandre Dovjenko.
    Lyon: Serdoc, 1968.

  2686. Schnitzer, Luda and Jean.
    Alexandre Dovjenko.
    Paris: Editions Universitaires, 1966.

  2687. Eisenstein, Sergei.
    Ausgewählte Aufsätze.
    Mit einer Einführung von R.Jurenew.
    Aus dem Russischen übertragen von Dr. Lothar Fahlbusch.
    Berlin: Henschelverlag, 1960.

  2688. Eisenstein, Sergei.
    The Battleship Potemkin.
    Translated from the Russian by Gillon R. Aitken.
    London: Lorrimer Publishing, 1968.

  2689. Eisenstein, Sergei M.
    La corazzata Potiomkin (1925).
    Sceneggiatura desunta dal montaggio a cura di Pier Luigi Lanza.
    Milano, Roma: Fratelli Bocca Editori, 1954.

  2690. Eisenstein, Sergei. M.
    Erinnerungen. Übertragung aus dem Russischen von Verena Vogt.
    Zürich: Verlag der Arche, 1963.

  2691. Eisenstein, Sergei M.
    Film Essays and a Lecture.
    Edited by Jan Leyda. Foreword by Grigori Kozintsev.
    New York, Washington: Praeger Publishers, 1970.

  2692. Eisenstein, Sergei.
    Film Forum. Essays in film theory.
    Edited and translated by Jay Leyda.
    New York: Harcourt, Brace and Company, 1949.

  2693. Eisenstein, Sergei M.
    The Film Sense.
    Translated and edited by Jay Leyda.
    New York: Harcourt, Brace and Company, 1947.

  2694. Eisenstein, Sergei M.
    The Film Sense. Translated and edited by Jay Leyda.
    London: Faber and Faber, 1948.

  2695. Eisenstein Sergei M.
    Gesammelte Aufsätze I.
    Zürich: Verlag der Arche, n.d.

  2696. Eisenstein, Sergei M.
    Ivan the Terrible. A screenplay.
    Translated by Ivor Montagu and Herbert Marshall. Edited by Ivor Montagu.
    London: Secker and Warburg, 1963.

  2697. Eisenstein, Sergei M.
    Ivan the Terrible. A film.
    London: Lorrimer Publishing, 1970.

  2698. Eisenstein, Sergei M.
    Notes of a Film Director.
    Moscow: Foreign Languages Publishing House, 1946.

  2699. Eisenstein, Sergei M.
    Octobre. Paris: Seuil, Avant-Scène, 1971.

  2700. Eisenstein, Sergei.
    Panzerkreuzer Potemkin. Szenarium.
    Übertragen aus dem Russischen von Ruth Herlinghaus und Renate Georgi.
    Zürich, Verlag der Arche, 1961.

  2701. Eisenstein, Sergei.
    Potemkin. A film.
    Translated from the Russian by Gillon R. Aitken.
    New York: Simon and Schuster, 1968.

  2702. Eisenstein, Sergei M.
    Que Viva Mexico! With an introduction by Ernest Lindgren.
    London: Vision, 1951.

  2703. Eisenstein, Sergei M.
    Risunki, Dessins, Drawings.
    Moskwa: Iskusstwo, 1961

  2704. Eisenstein, Sergei M.
    Schriften. 2 vols.
    Herausgegeben von Hans-Joachim Schlegel.
    München: Hanser, 1974, 1973.

  2705. Eisenstein, Sergei.
    Stationen. Autobiographische Aufzeichnungen.
    Mit einer Einführung von Sergei Jutkewitsch.
    Aus dem Russischen übertragen von Rita Braun.
    Berlin: Henschelverlag Kunst und Gesellschaft, 1967.

  2706. Eisenstein, Sergei M.
    Tous ses films.
    Paris: Chêne, 1972.

  2707. Eisenstein, Sergei.
    Über mich und meine Filme.
    Heraugegeben von Lilli Kaufmann.
    Berlin: Henschelverlag, 1975.

  2708. Eisenstein, Serge.
    Vom Theater zum Film.
    Zürich: Verlag der Arche, 1960.

  2709. Eisenstein, Sergej M.
    Yo. Ich selbst. Memoiren. 2 vols.
    Hrsg. von Naum Klejman und Walentina Korschunowa.
    Einleitung von Sergej Jutkewitsch.
    Deutsch von Regine Kühn und Rita Braun.
    Berlin: Henschelverlag Kunst und Gesellschaft, 1984.

  2710. Eisenstein, Sergei and Upton Sinclair.
    The Making & Unmaking of Que Viva Mexico!
    Edited by Harry M.Geduld & Ronald Gottesman.
    Bloomington, London: Indiana University Press, 1970.

  2711. Eisenstein's Ivan the Terrible. Episode two. The Boyars' Plot.
    Noted by Ivor Montagu.
    London: Contemporary Films, 1958.

  2712. Barna, Yon.
    Eisenstein. With a foreword by Jan Leyda.
    Translated by Lise Hunter.
    London: Secker & Warburg, 1973.

  2713. Herlinghaus, Hermann, Heinz Baumert and Renate Georgi (eds.).
    Sergei Eisenstein. Künstler der Revolution.
    Materialien der Berliner Eisenstein-Konferenz 10. bis 18. April 1959.
    Herausgegeben mit Unterstützung von Prof.Hans Rodenberg.
    Berlin: Henschelverlag, 1960.

  2714. Marshall, Herbert (ed.).
    Sergei Eisenstein's The Battleship Patemkin.
    New York: Avon, 1978.

  2715. Mayer, David.
    Sergei M. Eisenstein's Potemkin. A shot-by-shot presentation.
    New York: Grossman Publishers, 1972.

  2716. Mitry, Jean.
    S. M. Eisenstein.
    Paris: Editions Universitaires, 1955.

  2717. Montagu, Ivor.
    With Eisenstein in Hollywood.
    A chapter of autobiography. Including the scenarios of
    Sutter's Gold and An American Tragedy.
    Berlin: Seven Seas Publishers, 1974.

  2718. Moussinac, Léon.
    Serge Eisenstein. Préface de S.M.Eisenstein.
    Paris: Seghers, 1964.

  2719. Moussinac, Léon.
    Sergei Eisenstein. Translated by D. Sandy Petrey.
    New York: Crown Publishers, 1970.

  2720. Nishni, Wladimir.
    Regieunterricht bei S. M. Eisenstein.
    Übertragung ins Deutsche von Manfred Krause und Gustav-Wilhelm Lehmbruck.
    Berlin: Deutsche Zentralstelle für Filmforschung, 1963.

  2721. Nizhny, Vladimir.
    Lessons with Eisenstein.
    Translated and edited by Ivor Montagu and Jay Leyda.
    London: George Allen & Unwin, 1962.

  2722. Österreichisches Filmmuseum Wien (ed.).
    Sergej Michailowitsch Eisenstein.
    Wien: Österreichisches Filmmuseum, 1964.

  2723. Seton, Marie.
    Sergei M. Eisenstein. A biography.
    London: Bödley Head, 1952.

  2724. Chotimskaja, W.
    Klawdija Nikolajewna Elanskaja.
    Moskwa: Iskusstwo, 1950.

  2725. Kusnezowa, W.
    Ewgenij Enej.
    Moskwa: Iskusstwo, 1966.

  2726. Eschegodnik kino 1955.
    Moskwa: Iskusstwo for Akademija Nauk SSSR, Institut Ismorii Iskusstwo, 1956.

  2727. Le film muet soviétique.
    Cataloque de la rétrospective présentée par le Musée du Cinéma.
    La Cinémathèque Nationale de l'U.R.S.S./ Gosfilmofond/ et la Cinémathèque Royale de Belgique, sous les auspices de l'accord culturel belgo-soviétique.
    Bruxelles, mars et avril 1965.
    Bruxelles: Musée du Cinéma, 1965.

  2728. Filme des Friedens. Der sowjetische Film im Kampf für den Frieden.
    Berlin: Deutscher Filmverlag, 1950.

  2729. Fragen der Meisterschaft in der sowjetischen Filmkunst.
    Eine Sammlung von Aufsätzen.
    Berlin: Henschelverlag, 1953.

  2730. Freilich, S.
    Iskusstwo kinoreschissera. Twortschestwo narodnowo artista SSSR S.A. Gerasimowa.
    Moskwa: Iskusstwo, 1954.

  2731. Schdan, W.
    Narodnyj artist SSSR, Wladimir Rostuslawowitsch Gardin.
    Moskwa: Goskinoisdat, 1951.

  2732. Goldowski, E. M.
    30 (dreißig) Jahre sowjetische Filmtechnik.
    Berlin: Deutscher Film-Verlag, 1951.

  2733. Gregor, Ulrich and Friedrich Hitzer (eds.).
    Der sowjetische Film 1930-1939. 2 vols.
    Bad Ems: Verband der deutschen Filmklubs e.V., 1966 .

  2734. Idestam-Almguist, Bengt.
    Rysk film. En konstart blir till.
    Stockholm: Wahlström & Widstrand, 1962.

  2735. Isaewa, K. and I. Luschtschinskij (eds.).
    Kinokalendar 1967.
    Moskwa: Iskusstwo, 1966.

  2736. Iskusstwo millionow. (Art for the Millions).
    Sowjetskoe kino 1917-1957.
    Moskwa: Iskusstwo, 1958.

  2737. Ivens, Joris.
    The Camera and I.
    Berlin: Seven Seas Publishers, 1969.

  2738. Ivens, Joris and Vladimir Pozner.
    Lied der Ströme.
    Berlin: Verlag Tribüne, 1957.

  2739. Delmar, Rosalind.
    Joris Ivens. 50 years of film-making.
    London: Educational Advisory Service, British Film Institute, 1979.

  2740. Grelier, Robert.
    Joris Ivens.
    Paris: Français Réunis, 1965.

  2741. Klaue, Wolfgang, Manfred Lichtenstein, Hans Wegner (comp.).
    Joris Ivens.
    Berlin: Staatliches Filmarchiv der DDR, Club der Filmschaffenden der DDR, 1963.

  2742. Wegner, Hans.
    Joris Ivens. Dokumentarist der Wahrheit.
    Berlin: Henschelverlag Kunst und Gesellschaft, 1965.

  2743. Zalzman, A.
    Joris Ivens. Préface par Georges Sadoul. Propos de Joris Ivens.
    Paris: Seghers, 1963.

  2744. Jeshow, Walentin and Grigori Tschuchrai.
    Ballade vom Soldaten. Filmszenarium.
    Berlin: Henschelverlag, 1961.

  2745. Jurenew, R. Selskij wratsch.
    O filme i ego sosdateljach.
    Moskwa: Goskinoisdat, 1952.

  2746. Klassiker des Russischen Films.
    Aleksandr P. Dowshenko, Grigori M. Kosintzew und Leonid Z. Trauberg, Abram Room, Georgij N. Wassiljew und Sergej D. Wassiljew.
    Wien: Österreichisches Filmmuseum, 1964.

  2747. Dobin, E.
    Kosinzew i Trauberg.
    Leningrad, Moskwa: Iskusstwo, 1963.

  2748. Olidor, O.
    Kalibek Kuanyschpajew.
    Moskwa: Iskusstwo, 1950.

  2749. Hill, Steven P.
    Kuleshov. Prophet Without Honor?
    Prof.L. Kuleshov. Kadr i montasch.
    Moskwa: Iskusstwo, 1961.

  2750. Levaco, Ronald (ed.).
    Kuleshov on Film. Writings by Lev Kuleshov.
    Berkeley, Los Angeles, London: University of California Press, 1974.

  2751. Lawrenjew, Boris.
    Der Russische Revolutionsfilm.
    Eine Bildchronik mit Texten von Eisenstein, Pudowkin, Dowjenko u.a.
    Zürich: Sanssouci Verlag, 1960.

  2752. Lebedew, N. A.
    Otscherk istorii kino SSSR. Nemoe kino.
    Moskwa: Iskusstwo, 1965.

  2753. Leyda, Jay.
    Kino. A history of the Russian and Soviet film.
    London: George Allen & Unwin, 1960.

  2754. Urinow, Ja.
    Sasluschennyj artist RSFSR Iwan Aleksandrowitsch Ljubesnow.
    Moskwa: Goskinoisdat, 1952.

  2755. Lunatscharskij, Anatolij Wasiljewitsch.
    O kino. Stati, wyskasywanija, szenarii, dokumenty.
    Moskwa: Iskusstwo, 1965.

  2756. Lunatscharsky, A. W.
    Der russische Revolutionsfilm.
    Zürich, Leipzig: Orell Füssli, 1929.

  2757. Grinberg, I.
    Narodnaja Artistka SSSR Tamara Fedorowna Makarowa.
    Moskwa: Goskinoisdat, 1951.

  2758. Kriwizkij, K.
    Nina Makarowa.
    Moskwa: Iskusstwo, 1967.

  2759. Manewitsch, I.
    Musorgskij. O filme i ego sosdateljach.
    Moskwa: Goskinoisdat, 1951.

  2760. Dunina, S.
    Narodnaja Artistka SSSR Wera Petrowna Marezkaja.
    Moskwa: Goskinoisdat, 1950.

  2761. Lewschina, I.
    Honna Mordjukowa.
    Moskwa: Iskusstwo, 1967.

  2762. Bejlin, A.
    Harodnyj artist SSSR Nikolaj Pawlowitsch Ochlopkow.
    Moskwa: Goskinoisdat, 1953.

  2763. Pudovkin, V. I.
    Mother. A film. Earth a film by Alexander Dovzhenko.
    London: Lorrimer Publishing, 1973.

  2764. Pudowkin, Romm etc.
    Der sowjetische Film. Eine Vortragsreihe.
    Berlin: Dietz Verlag, 1953.

  2765. Amengual, Barthélémi.
    V. I. Poudovkine.
    Lyon: Serdoc, 1968.

  2766. Marjamow, A.
    Pudowkin. Kampf und Vollendung.
    Aus dem Russischen übertragen von Ruth Brückner.
    Berlin: Henschelverlag, 1954.

  2767. Schnitzer, Luda and Jean.
    Vsevolod Poudovkine.
    Paris: Seghers, 1966.

  2768. Recherches soviétiques.
    No. 3: Cinéma. Eisenstein, Poudovkine, Dovjenko etc.
    Paris: Editions de la Nouvelle Critique, 1956.

  2769. Pogoschewa, L.
    Michail Romm.
    Moskwa: Iskusstwo, 1967.

  2770. Russische Filmkunst. Vorwort von Alfred Kerr.
    Berlin: Ernst Pollak, 1927.

  2771. Rynin, H. A.
    Kinematografija.
    Leningrad: Gosydarstwennoe Isdatelstwo, 1924.

  2772. Sak, M., L. Parfenow and O.Jakubowitsch-Jasnyj.
    Igor Sawtschenko.
    Moskwa: Iskusstwo, 1959.

  2773. Sak, M. and I. Sosnowskij.
    Sasluschennyj Artist RSFSR Oleg Petrowitsch Schakow.
    Moskwa: Goskinoisdat, 1951.

  2774. Krasnow, P.
    Narodnyj Artist SSSR Michail Iwanowitsch Scharow.
    Moskwa: Goskinoisdat, 1951.

  2775. Schdan, W.
    Stalingradskaja bitwa. O filme i ego sosdateljach.
    Moskwa: Goskinoisdat, 1950.

  2776. Schklowskij, Viktor.
    Schriften zum Film. Aus dem Russischen übersetzt von Alexander Kaempfe.
    Frankfurt am Main: Suhrkamp, 1966.

  2777. Schnitzer Luda and Jean.
    Vingt ans de cinéma soviétique.
    Paris: Edition C.I.B., 1964.

  2778. Schnitzer, Luda and Jean and Marcel Martin (eds.).
    Le cinéma soviétique par ceux qui l'ont fait.
    Paris: Editeurs Fran¸ais Réunis, 1966.

  2779. Schnitzer, Luda and Jean and Marcel Martin (eds.).
    Cinema in Revolution. The heroic of the Soviet film.
    Translated with additional material by David Robinson.
    New York: Hill and Wang, 1973.

  2780. Schurow, G. W.
    S minulogo kino na ukraini 1896-1917.
    Kiew: Widawniztwo Akademii Nauk Ukrainskoj PSR, 1959.

  2781. Scientific Films in the U.S.S.R.
    Twelfth Congress of the International Scientific Film Association.
    Nautschnoe kino f SSSR. XII Meschdunarodnyj kongress nautschnowo kino.
    Moskwa: Iskusstwo, 1958.

  2782. Selitschenko, N.
    Jakob Segel. Ego filmy i passkasy.
    Moskwa: Iskusstwo, 1966.

  2783. Sholokhov, Mikhail.
    The Fate of a Man.
    Moscow: Foreign Language Publishing House, 1957.

  2784. Krymow, A.
    Narodnyj Artist SSSR Nikolai Konstantinowitsch Simonow.
    Moskwa, Goskinoisdat, 1950.

  2785. Solskij, W.
    Swytschaschtschee kino.
    Moskwa: Teakinopetschat, 1929.

  2786. Soviet Films 1938-1939.
    With a foreword by Sergei Eisenstein.
    Moscow: State Publishing House for Cinema Literature, (1939).

  2787. Der sowjetische Film. No. 5 and 6.
    Moskau: Sovexportfilm, 1959.

  2788. Sowjetskoe kino. No. 6/1934.
    Organ rossiiskoi assoziazii rewoljuzionnoi kinematografii.
    Moskwa, 1934.

  2789. Swukowoe kino. Sbornik ctamej.
    Moskwa: Isdatelstwo ZK Rabis, 1939.

  2790. Taylor, Richard.
    The Politics of the Soviet Cinema 1917-1929.
    Cambridge, London, New York etc.: Cambridge University Press, 1979.

  2791. Tscherkasow, N. K.
    Tschetwertyj Don Kichot. Istorija odnoj roli.
    Leningrad: Sowjetskii, Pisatel', 1958.

  2792. Hofmann, Heinz.
    Nikolai Tscherkassow.
    Berlin: Henschelverlag, 1966.

  2793. Manewitsch, I.
    Harodnyj artist SSSR Michail Tschiaureli.
    Moskwa: Goskinoisdat, 1950.

  2794. Schneiderman, I.
    Grigorij Tschuchraj.
    Leningrad, Moskwa: Iskusstwo, 1965.

  2795. Uhl, Irene.
    Märchen, Legenden und Satiren im sowjetischen Film.
    Nacherzählt von Irene Uhl.
    Leipzig: Sovexportfilm, 1948.

  2796. Verdone, Mario and Barthélemy Amengual.
    La Feks.
    Lyon: Serdoc, 1970.

  2797. Vitezný Film. Tricet let sovetského filmu.
    Praha: Svet Sovetú, 1950.

  2798. Vronskaya, Jeanne.
    Young Soviet Film Makers. Foreword by John Gillett.
    London: George Allen and Unwin, 1972.

  2799. Schukowa, L.
    Narodnyj artist SSSR Wasiliy Wasiljewitsch Wanin.
    Moskwa: Goskinoisdat, 1952.

  2800. Wertow, Dsiga.
    Stati dnewniki samysly.
    Moskwa: Isdatelstwo iskusstwo, 1966.

  2801. Abramov, N. P.
    Dziga Vertov.
    Lyon: Serdoc, 1965.

  2802. Konlechner, Peter and Peter Kubelka (eds.).
    Dsiga Wertow. Bd. 1: Aus den Tagebüchern.
    Aus dem Russischen übersetzt von Reinhard Urbach.
    Wien: Österreichisches Filmmuseum, 1967.

  2803. Wasiljew, S. D.
    Montasch kino-kartiny.
    Moskwa: Tea-Kino-Petschat, 1929.

  2804. Wesnin, M.
    Sagowor Obretschennych. O kinofilme i ego sosdateljach.
    Moskwa: Goskinoisdat, 1950.

  2805. Yershov, Peter.
    Comedy in the Soviet Theater.
    New York: Frederick A. Praeger for the Research Program on the U.S.S.R., 1956.

  2806. Barbero, Jose Luis (ed.).
    Cineguia. Directorio del cine Espanol.
    Madrid: Jorge Juan, 1960.

  2807. Oms, Marcel.
    Juan Bardem.
    Lyon: Serdoc, 1962.

  2808. Buñuel, Luis.
    L'Age d'Or and Un Chien Andalou.
    Films. Translated from the French by Marianne Alexandre.
    London: Lorrimer, 1968.

  2809. Buñuel, Luis.
    Belle de jour. A film.
    English translation and description of action by Robert Adkinson.
    London: Lorrimer Publishing, 1971.

  2810. Buñuel, Luis.
    Diario de una camarera. Con notas de Marcel Martin.
    Barcelona: Aymé S. A. Editora, 1977.

  2811. Buñuel, Luis.
    The Exterminating Angel. Nazarin and Los Olvidados. Three films.
    Translated by Nicholas Fry.
    London: Lorrimer Publishing, 1972.

  2812. Buñuel, Luis.
    Le journal d'une femme de chambre.
    Paris: Seuil, Avant-Scène, 1971.

  2813. Buñuel, Luis.
    My Last Sigh. Translated by Abigail Israel.
    New York: Alfred A.Knopf, 1983.

  2814. Buñuel, Luis.
    Tagebuch einer Kammerzofe. Drehbuch.
    Mit einer Diskussion in "Cahiers du cinéma". Aus dem Französischen übertragen von Frieda Grafe.
    Hamburg: Marion von Schröder Verlag, 1964.

  2815. Buñuel, Luis.
    Three Screenplays. Viridiana. The exterminating angel. Simon of the Desert.
    New York: Orion Press, 1969.

  2816. Buñuel, Luis.
    Tristana.
    A Film Translated by Nicholas Fry.
    London: Lorrimer Publishing, 1971.

  2817. Buñ:uel, Luis.
    Viridiana. Drehbuch.
    Mit Äusserungen des Autors und einem Nachwort von Theodor Kotulla.
    Aus dem Französischen übertragen von Frieda Grafe.
    Hamburg: Marion von Schröder Verlag, 1962.

  2818. Aranda, J. Francisco.
    Luis Buñuel biografiá critica.
    Barcelona: Editorial Lumen, 1969.

  2819. Aranda, J. Francisco.
    Luis Buñuel. Biografiá critica.
    Barcelona: Editorial Lumen, 1975.

  2820. Buache, Freddy.
    Luis Buñuel.
    Lyon: Serdoc, 1964.

  2821. Durgnat, Raymond.
    Luis Buñuel.
    London: Studio Vista, 1967.

  2822. Durgnat, Raymond.
    Luis Buñuel.
    Madrid: Editorial Fundamentos, 1976.

  2823. Estève, Michel.
    Luis Buñuel. 2 vols.
    Paris: M.J.Minard, 1962-1963.

  2824. Gálvez, Antonio.
    Luis Buñuel.
    Paris: Eric Losfeld, 1970.

  2825. Kyrou, Ado.
    Luis Buñuel. Propos de Luis Buñnuel.
    Paris: Seghers, 1962.

  2826. Kyrou, Ado.
    Luis Buñuel. Propos de Luis Buñuel.
    Paris: Seghers, 1970.

  2827. Lizalde, Eduardo.
    Luis Buñuel. Odisea del demoledor.
    Unam: Dirección General de Difusión Cultural, 1962.

  2828. Buñuel
    Nazarin. Film chrétien ou terrible blasphémie.
    Paris: Avant-Scène du Cinéma, 1969.

  2829. Rebolledo, Carlos.
    Luis Buñuel.
    Paris: Editions Universitaires, 1964.

  2830. Caparros Lera, Jose Ma.
    El cine republicano espagñiol (1931-1939).
    Prólogo de Jaume Miravitlles.
    Barcelona: Dopesa, 1977.

  2831. Castro, Antonio.
    El cine español en el banquillo.
    Valencia: Fernando Torres, 1974.

  2832. Klaue, Wolfgang (comp.).
    Alberto Cavalcanti.
    Berlin: Staatliches Filmarchiv der Deutschen Demokratischen Republik, Club der Filmschaffenden der DDR, 1962.

  2833. Cine español cine de subgeneros.
    Valencia: Fernando Torres, 1974.

  2834. Cinéma espagnol.
    Madrid: Uniespaña, 1962.

  2835. Clemente, José Lopez.
    Cine documental español.
    Madrid: Ediciones Rialp, 1960.

  2836. Costa, Alves.
    Breve história da imprensa cinematográfica portuguesa.
    Porto: Cine-Clube, 1954.

  2837. De Bernabé, A. Valero.
    España cinematográfica. Recopilación de cuanto concierne al arte, industria y comercio del cinema español.
    Madrid: Cinegrafos, 1943.

  2838. Galan, Diego.
    Ventures y desventuras de la prima Angélica.
    Valencia: Fernando Torres, 1974.

  2839. Garcia Escudero, Jose Maria.
    Cine español.
    Madrid: Ediciones Rialp, 1962.

  2840. Garcia Fernandez, Emilio Carlos.
    Historia del Cine en Galicia (1896-1984).
    La Coruna: Biblioteca Gallega, 1985.

  2841. Garcia Riera, Emilio.
    El cine mexicano.
    Mexiko: Ediciones Era, 1963.

  2842. Grahit Grau, José.
    El cine en Gerona.
    Barcelona, 1943.

  2843. Gubern, Roman.
    El cine sonoro en la II republica (1929-1936).
    Barcelona: Editorial Öumen, 1977.

  2844. Gubern, Román and Domènec Font.
    Un cine para el cadalso. 40 años de censura cinematográfica en España.
    Barcelona: Editiorial Euros, 1976.

  2845. Hernandez, Marta and Manolo Revuelta.
    Treinta años de cine al alcance de todos los españoles.
    Bilbao: Zero, 1976.

  2846. Lázaro, Emilio M., Elias Querejeta and Ricardo Franco.
    Pascual Duarte. Prólogo: Carmen de Elejabeitia, Ignacio Fernández de Castro, Eduardo Haro Tecglen.
    Madrid: Elias Querejeta, 1976.

  2847. Mahieu, José Agustin.
    Breve historia del cine argentino.
    Buenos Aires: Editorial Universitaria, 1966.

  2848. Maqua, Javier and Perez Merinero.
    Cine español ida y vuelta. Apendice: Vidal Estevez/Perez Merinero.
    Valencia: Fernando Torres Editor, 1976.

  2849. Rappart, Hugo.
    Ramon Novarro. Ein Lebensroman.
    Wien: "Mein Film" Buch- und Zeitungsverlag, (1928).

  2850. La novela semanal cinematográfica. Nos. 4, 30, 33, 34, 36, 38, 79.
    Barcelona: La novela semanal cinematográfica, n.d.

  2851. Porter-Moix, Miquel.
    Breu história del cinema primtiu a Catalunya.
    Mataró: Edicions Robrenyo, 1977.

  2852. The Spanish Cinema.
    Madrid: Diplomatic Information Office, 1949.

  2853. Oms, Marcel.
    Leopoldo Torre-Nilsson.
    Lyon: Serdoc, 1962.

  2854. The British Film Annual 1949.
    London: Winchester Publications, 1948.

  2855. British Film (and Television) Yearbook.
    Edited by Peter Noble. Years 1945/46 - 1949/50, 1952, 1955/56, 958/59 - 1961/62 and 1964/65. In 9 vols.
    London: British Yearbooks, Skelton & Robinson, etc., 1945-1965.

  2856. Deutsche Filmkunst. Heft 1/1953.
    Berlin: Staatliches Komitee für Filmwesen, 1953.

  2857. Deutsches Film-Jahrbuch. Vols. 1 - 3.
    Wiesbaden: Verlag Film-Echo, 1955 - (1959).

  2858. Film. Publicacion de cine universitario. Numbers 1 - 22.
    Montevideo: Cine Universitario, 1952-1955.

  2859. Film Fun Annual 1956.
    London: The Amalgamated Press, 1956.

  2860. Film-Hölle. Unabhängige Blätter für und gegen den Film.
    Herausgegeben von Egon Jacobson. 3. Jahrgang.
    Berlin: Verlag Film-Hölle, 1922.

  2861. Film ideal. Revista mensual de cine. Números 214-215.
    Madrid: Félix Martialay, 1969.

  2862. Film Quarterly. Vols. 1 - 46.
    Berkeley 1945/46 - 1992/93.

  2863. Film Review. Years 1944 - 1982/83 and 1984/85 - 1992/93.
    Altogether 46 volumes. Edited by Maurice Speed.
    London: MacDonald, W.H. Allen, Virgin, 1945 - 1992.

  2864. The Film Show Annual. 5 vols.
    London: L.T.A.Robinson, n.d.

  2865. Film-Wissenschaftliche Mitteilungen.
    Vols. 3; 4#1-3; 5; 6#1-2; 7; 8; 9#1 and 10 in 22 issues.
    Berlin: Deutsche Zentralstelle für Filmforschung and Institut für Filmwissenschaft, 1962 - 1969.

  2866. The Film Yearbook. Vols. 3 - 5. Edited by Al Clark.
    London: Virgin Books, 1984 - 1986.

  2867. Filmen. Arg 2.
    Stockholm: Albert Bonniers Förlag, 1919.

  2868. Filmen. Arg 3.
    Stockholm: Albert Bonniers Förlag, 1920.

  2869. Filmjournalen. 1919 (4 nos.) and 1920 (15 nos.).
    Redigerad av Ragnar Cederdtrand.
    Stockholm: Ahlen & Akerlunds Förlags, 1921.

  2870. Filmkunst. Zeitschrift für Filmkultur und Filmwissenschaft. Band 1.
    Wien: Amandus Edition, 1949.

  2871. Informational Film (and Television) Year Book. 1947, 1949/50
    (=all published). In 3 vols.
    Edinburgh, New York: Film Focus Books, 1947 - 1949.

  2872. International Film Annual. Nos. 1 - 3 (=all published).
    Edited by Campbell Dixon and William Whitebait.
    London: John Calder; New York: Taplinger, 1957-1959.

  2873. Internationale Film-Revue. Heft 1, 1954/55.
    Brüssel: Internationales Katholisches Filmbüro, 1954.

  2874. Jahrbuch der Filmkritik.
    Hrsg. von der Arbeitsgemeinschaft der Filmjournalisten e.V. Vols. 1 - 8 (all publ.).
    Emsdetten: Verlag Lechte, 1959-1969.

  2875. Jahrbuch des Films. 1958-1962. In 5 vols.
    Herausgegeben von Heinz Baumert, Hermann Herlinghaus und Helga Besenbruch.
    Berlin: Henschelverlag, 1959-1964.

  2876. Jahrbuch der Schweizer Filmindustrie 1961. Annuaire de la Cinématographie suisse 1961, 24. Jahrgang.
    Genève: Chapalay & Mottier, 1961.

  2877. Media Arts. vol. 1 nos. 1 - 4.
    Long Beach: Long Beach Museum of Art, 1983-1984.

  2878. The Movie. The illustrated history of the cinema.
    Nos. 1 - 158 (=all published).
    London: Orbis Publishing, 1979 - 1983.

  2879. The Penguin Film Review. Vols. 1 - 9 (=all published).
    Edited by R.K.Neilson Baxter, Roger Manvell and H.H.Wollenberg.
    London, New York: Penguin Books, 1946 - 1949.

  2880. Picture Parade. Films and stars of the years 1949-1950 and 1952.
    In 3 vols. Edited by Peter Noble.
    London: Burke, 1949-1952.

  2881. Picture Show Annual. 1943, 1951-1953, 1955, 1957-1960. In 9 vols.
    London: Amalgamated Press, (1943-1960).

  2882. Picturegoer Film Annual. Years 1950/51 - 1961/62 in 12 vols.
    London: Odhams Press, 1950-1961.

  2883. Preview. Hollywood London. 1948-1959 and 1961-1962. In 14 vols.
    London: World Film Publications, Spring Books, 1948-1961.

  2884. Screen World. Vols. 1-39 (=years 1949 - 1988).
    Edited by Daniel Blum and John Willis.
    New York, Philadelphia: Greenberg, Crown Publishers, 1950-1989.

  2885. Sight and Sound. An international film quarterly, Vols. 15 - 60#1 (=all publ.).
    London 1946 - Winter 1990/91. Unbound. Continuation: New Series: Vols. 1 - 3. London, 1991/92 - 1993. Unbound.
    Edited by Maurice F. Speed. Years 1951-1959 and 1961-1962 in 11 vols.
    London: MacDonald & Co., 1952 - 1962.